New Comic Book Day Top 5: Oct. 26th

Hello Revuers! It’s Tuesday which means it’ time for another edition of New Comic Book Day Top 5. Where I pick my top 5 most anticipated books that are coming out this week. This Wednesday looks to be especially exciting with many new series’ starting from major and indie publishers alike. As always feel free to tell me what you think of the list in the comment section below, and please tell us what’s on your pull list. We love to hear from our readers, plus I love finding out about new series’ that people are enjoying. Without further delay, let’s jump right in.


5: The Skeptics #1


The Skeptics is a new series from the fantastic Black Mask Studios features the talents of Tini Howard (Writer) and Devaki Neogi (Artist). The story is summed up as follows: “A stylish, political adventure about a pair of hip, clever teens who fool the world into believing they have superpowers. It is the 1960s. The Russians have the A-bomb, the H-bomb, and now the most terrifying weapon of all: a pair of psychically superpowered young people.” The story then focuses on the heads of the USA military looking to find equivalent super powered beings from America to be on Par with Russia. The preview art for this series looks amazing and the premise promises to be a wild ride.


4: Batgirl #4


Batgirl #4 is a continuation from issue three. Batgirl realizes that she has fallen into the trap set by The Teacher. She realizes that in order to save Kai she will first have to come face to face with this new mysterious villain. Writer Hope Larson has delivered an interesting and compelling plot so far this series. I think the title overall benefit from being on the slower once a month schedule. This allows the artist Rafael Albuquerque and Color Artist Dave McCaig time to really build a beautiful and rich world around Hope Lasron’s world. Batgirl is still one of the best titles from the overall spectacular DC Rebirth initiative.


3: The Prowler #1


Confession from me. I have been a big Spider-Man fan since I was 7. In fact Spider-Man was/is my favorite superhero. The Prowler was also one of my favorite Rouges in his gallery (Mysterio is my favorite [maybe I just really love purple and green color schemes for villains!?]). So when I heard they were planning a Prowler solo series I was pumped. I had already been excited about him getting more of a role in the new (NOW!?) ASM series. Writer Sean Ryan and Artist Jamal Campbell have a lot on their plate but the preview art makes it look like they have delivered. I can’t wait until I can read this one.


2: Doctor Strange and the Sorcerers Supreme #1


This new Dr. Strange series arrives two weeks before the release of the Marvel Studios film. Coincidnece? I think not. Do I care? NO! Robbie Thompson is set to write the series which means it’s going to be fantastic. I love the way he tackled Silk and Spidey, so I can’t wait for him to take on Dr. Strange. The art will be by the amazing Javier Rodriguez, who has recently been on the Spider-Woman series. If there’s one character that I think working on a Spider-Man series before hand would benefit you it would be Sr. Strange. There’s a lot of room for humor and sarcasm just like in Spidey titles. I am also intrigued by the team up aspect of it. The idea of Dr. Strange in a mentoring role is hilarious to me.


1: Bloodshot USA #1


Bloodshot USA comes to us from Valiant Entertainment. It features the all star level talent of Jeff Lemire (writer), Doug Braithwaite (artist) and Brian Reber (Color Art). The story is set in New York where a criminal organization has released a biowarfare weapon that has turned the population of New York into blood thirsty zombie like creature, and it’s up to Bloodshot to ensure the contamination doesn’t spread. This title just sounds like plain fun, shoot em up comics to me with no shortage of action. The preview art looks incredible. Especially the color art work by Harvey nominated color artist supreme Brian Reber (wow, that was quite the run on sentence). I haven’t read too many Valiant series’ but this one looks like a real winner.


So there you have it! Did your most anticipated books make the cut? Tell us in the comments below. We would also love to see you list of most anticipated comics!


-Andrew Horton





Covers of the Week: Aug. 31st

Hello Revuers! It’s Thursday, which means another exciting New Comic Book day has come and gone. What an exciting week it was. If you are interested in what we here at Deja.Revue were most interested in you can look at our New Comic Book Day Post HERE. Now it’s time to look at our favorite regular cover and variant cover of the week! Without further delay let’s jump right in:


My favorite regular cover of the week goes to 4001 AD #4


This cover by Clayton Crain is beautiful. Both in design and in execution.The dragon city design is very appealing, and the color palette chosen for the background is subtly brilliant. I haven’t read the series yet, but this cover convinced me to buy this issue so now I’ll have to track down the other three. Plus it’s written by Matt Kindt, so you know the writing will be great. Valiant has been killing it lately.


My favorite variant cover of the week is Tokyo Ghost #10


I said it in the New Comic Book Day Top 5 post and I’ll say it again, this is one of the greatest covers of all time. Dustin Nguyen is extremely talented, and he holds no punches in this beautifully painted cover. You might recognize him from his covers and  interiors in Descender (also by Image), and Batman: Li’l Gotham. The color choices in this cover are exquisite. By the time I had gone to my local comic shop this variant was already sold out, and it’s easy to see why. I don’t think Dustin Nguyen gets enough credit for the amazing work he puts out. Which is a weird thing to say about a guy who just won an Eisner for best Painter/multi-media artist, but not enough people know who he is. He should be a household name.


Was your favorite cover on the list? If not tell me what your favorite of the week was in the comment section below!





Coloring Between the Lines: Brian Reber

Hello Revuers! It’s time for another exciting segment of Coloring Between the Lines. Where we interview a Color Artist who is making an impact in the industry today. This time we were fortunate enough to interview the amazing Brian Reber. Brian had some very interesting insights on coloring and life and was gracious enough to share them with us here at Deja.Revue. Brian is a consummate professional with over 15 years of experience in the comic book industry. You might recognize him from Ivar, Timewalker, Unity, Batwing and Bloodshot. So hold on to your hats and here we go:


  • How long have you been a colorist?

I’ve been coloring comics since late 2001, so roughly 15 years.


  • Was it what you wanted to be when you were a kid?

Growing up I wanted to be an artist that did everything on a book. I wanted write, draw, ink, and color. Coloring was actually the last thing I wanted to do.


  • What’s the first comic book series you really got into?

I want to say Uncanny X-men, but it was actually the reprinted Classic X-men that drew me in.


  • Do you prefer superhero comics or other genres?

I’ve always been a huge superhero fan.


  • Who is your favorite superhero?



  • Who is your favorite non superhero character?

Kris from the Harbinger.


  • What’s your favorite series that’s not a superhero series?

My current favorite would have to be Velvet. Brubaker is such a fantastic writer. Then you have Epting and Breitweiser just doing amazing work.


  • What is your process like for coloring?

My process is pretty straight forward. When I first get the pages I send them off to a flatter. The flatter just breaks down all the shapes to make it easier for me to select and just start coloring. They use all kinds of crazy colors, so nothing they send me is actually carried over into the creative process. I’ll usually look over the pages to see if I can just tell what’s happening from the art. After that I’ll read the script to make sure I don’t miss any color notes. Following that I just start working and if needed I’ll google reference to play off of.


  • How do you choose a color palette?

I’m very grounded in the color choices. I usually visualize everything in true color. Once I finish “rendering” a scene I will then go back and adjust the colors using adjustment layers. I compare it to film. I’ll shoot the scene with whatever lighting I have then go back in and color correct it for mood.


  • What’s your favorite project you’ve ever worked on?

It’s really hard for me to pick and choose. The one project that I felt I grew and learned the most from is the “Madrox” mini-series. Most of what I consider my default style today was developed while working over Pablo Raimondi’s artwork on that book.


  • Do you have anything coming out soon that we should keep an eye out for?

Archer & Armstrong just started, so everyone pick that up if you haven’t already. I’ll also be working on a couple of the 4001 event titles from Valiant such as XO Manowar, and Bloodshot.


  • Who are some of your favorite colorists in the industry today?

There are so many currently that are doing great work. Dave McCaig, Matt Wilson, Rico Renzi, Dean White, but the colorist that knocks my socks off is Bettie Breitweiser. She should be winning all the awards.


  • Is there anyone you draw inspiration from?

I look to video game concept artists for most of my inspiration. Craig Mullins, for example, has a way of making anything look real. Like you could just walk right into one of his paintings or reach out and touch a helmet he’s painted.


  • I’ve personally really enjoyed your work on Ivar, Timewalker How did you pick out the palette for that book?

As I mentioned I have a realistic approach to my color selection and it pairs really well with Clayton Henry’s art. I think when we visualize things we have a very similar approach, so it all flows pretty naturally. The one thing I did have to take into consideration though was all of the different time lines. I tried to keep them distinct, but not so much that each scene was monochromatic.


  • What’s like working on several books at once for the same publisher in a shared universe?



It’s great at Valiant because we only produce about 9 books a month. Coloring 2-3 of them I feel like I get to influence a big chunk of the universe.

  • Does it present any unique challenges to create a semi-cohesive aesthetic between all the titles?



There isn’t that many challenges cause basically all of the aesthetic consistency is just from me being me. Now when are doing a large event it can get tricky with the books being split up with other colorists. Then it becomes a matter of who gets to color a scene or character first and the other colorists have to follow suit.

  • Burritos or coneys?

I’ve never had a real Coney Island hotdog, so I’ll have to go with burritos.


  • Where’s your favorite place to pick up a burrito when you’re at cons

I love burritos, but it’s one of the foods I avoid at cons. Can never tell how it might go.


  • What’s your favorite convention?

I would have to say SC ComicCon has become my favorite. Robert Young has just done a tremendous job with that show and the Valiant fans there are off the chart. It’s really fun for me to go to and it’s not too far from home.


  • What would be your dream collaboration?

I really want to color Jim Lee or Joe Quesada.


  • If you weren’t a comic book artist what would be your career?

I’d probably be doing something with video games. I was actually offered a job as a texture artist the same week I was offered my first comic book gig.


  • What’s the biggest difference between working for the big two and on your indie titles?

I feel way more invested in how well the books come out as opposed to the big two. I worked on almost every X-men title for 7 or so years at Marvel and it didn’t really seem to matter who they put on the books. The numbers were pretty much going to be the same cause it’s X-men. At Valiant the characters are lesser known, so I feel like the other creators and myself are trying to put our best foot forward to make sure our books stand out.


  • What unique challenges does working for a big publisher or and indie publisher provide?

With the big publishers there was always just so much going on that I always felt like I could get a little lost in the shuffle. At Valiant I have a chance to influence the look of a large portion the line. Even books I don’t do the interior colors on I might have done color designs for the characters. So the contribution level is drastically different.


  • Who are some of your favorite artists to work with?

I love working with all of my Valiant guys. Lewis Larosa, Clayton Henry, David Lafuente, Doug Braithwaite.. the list just goes on and on over there. I’m a really lucky colorist when it comes to artists I get to work with.

  • Who are some of your favorite writers to work with

Joshua Dysart, Matt Kindt, and Robert Venditti to name a few from Valiant. Ed Brubaker, Judd Winnick, and Brian K Vaughn were fun to work with in the past.


  • Who’s your favorite character to color?



  • What would be a dream series for you to work on?

If I were to concoct a project to check off everything on my want list it would be Daredevil by Ed Brubaker, Jim Lee, Dexter Vines, and me.


If you are interested in checking out more of Brian’s work you can find him on:




Also you can find more of his work to purchase at Comixology.

Also, be sure to order Archer and Armstrong at your local comic shop!