Tales From the Pull list (Jan. 27th): Rebs running wild again

Hell Revuers. This week was a lighter week for me with only three books coming out that were on my pull list. That being said the three that I ended up with were all great. It was a close race for pick of the week but in the end the old tried and true team of the Jason’s (Aaron and Latour) won it. Without further delay here is my Tales from the Pull list

Pick Of The Week

Southern Bastards #13: Everything about this issue was a win for me. On the surface it was a simple tale of a homecoming football game, but on  deeper level it was about what it means to be a REB. Fight, determination, and a whole lot of language. The issues dives in after the suicide of Boss’ closest confidant and companion (because the Jason’s like to kill everyone we like). It’s homecoming and the REBs are down, for the first time in a long time. The pressure is on Boss like it’s never been, Can he handle it without his most trusted ally, can he inspire the boys to come back from a 20-3 deficit at half time? Well if you want to find out, go buy the book. The art continues a strong showing from Jason Latour. Who also colors the book. The colors that are used are all earth tones with varying shades of red, brown, grey, and some muted green thrown in. The colors really establish just what kind of place Craw County really is and sets the tone for the issue (and the series as a whole). The cover art is really what stands out. The earth tones I spoke of earlier have always been featured in the covers. Always muted and earth toned. This issue the cover is sky blue, which happens to be the color of the Runnin’ Rebs arch rival the Wetumpka Warriors (who they are facing during the home coming game). Could this cover be an indication of what is to come? Maybe…….Rating: 8.5/10

 

BUY

Cry Havoc: The marketing has stated that this series is “It’s not abut a lesbian werewolf going to war except it kind of is”. It turns out that that is exactly what it is. Sorta. The story is set in three different time periods: The Beginning, The middle, and The End. This is emphasized by having three different colorist coloring the three different sections. Not only does it have three separate colorist, all three of them happen to be elite colorists (Nick Filardi, Lee Loughridge, and Matt Wilson). This device helps the reader stay immersed in the story and helps them understand what section they are currently reading. Without this device Cry Havoc would be confusing and frustrating. With this device it turned into a surprise enjoyment and an intriguing mystery.

All-New All-Different Avengers #4: This was a simple filler issue that served to do some character building. Being as that’s what it was it was successful. The last mini arch was so action filled it was hard to get a sense of what the team was and how it would function. After this issue it’s more clear what roles each of the members play. Plus the added a layer of secrecy that could be the driving point of the next arch. Overall a successful, if slightly dull, issue. Rating: 6/10

End of the Year Top 10 List from Deja.Revue and Friends

Hello Revuers! Hard to believe it’s that time of the year again. 2015 has just flown by! It proved to be a fantastic year for comics. With so many great series it was hard to limit it to just 5 or 10. So I asked some of our friends of Deja.Revue to help me, by picking their favorite series’ as well. The contributors names will be centered and emboldened. When applicable it will also be a hyperlink so that you can check out their blog. I highly recommend that you do as the contributors to this article are all top notch. So with out further ado, here are the top comics of 2015.

Andrew Horton

Head Writer: Deja.Revue

10. Spider-Gwen, Publisher: Marvel, Writer Jason Latour Art: Robbi Rodriguez, Color Art: Rico Renzi.

Spider-Gwen suffered from to many reboots in to short of time. First they had their first issue then less that a year later it was back to a new issue one. This wasn’t the creative teams fault and they did the best they could to salvage what they could from the situation. The post Secret Wars have been great so far and I think that next year this title could be much higher on this list.

9. Dr. Strange, Publisher: Marvel, Writer Jason Aaron, Art: Chris Bachalo

With Dr Strange coming to cinemas next fall a post Secret Wars universe seemed like a great opportunity to launch a new solo series for our Sorcerer Supreme. Luckily for Marvel they hired writer supreme Jason Aaron, who can do almost no wrong. I picked up the first issue and feel completely under it’s spell (to much? Okay okay no more terrible puns).  The art by Chris Bachelo really gives us a glimpse of the oddness and absurdity of the world in which Dr. Strange lives. Overall a spectacular job!

8. Invincible Iron Man, Publisher: Marvel, Writer: Brian Michael Bendis, Art: David Marquez

The creative team behind Ultimate Spider-Man team up again to bring a normal Iron Man back to a solo adventure (by normal I mean not a “Superior” Axis influenced Iron Man, He’s still a billionaire playboy). This series sees an exciting shift of the status quo for one of Marvel’s biggest villains (no spoilers) and a quite compelling story line. O also a night beach fight with sword wielding ninjas (yeah, it’s as awesome as it sounds). The writing is the nest by Bendis in quite awhile and the art is amazingly well done.

7. Silver Surfer, Publisher: Marvel, Writer: Dan Slott, Artist: Michael and Laura Allred.

Enough can never be said about the fantastic art by the Allreds on this series. They truly take it from being a good comic to being a great comic. That being said I was happy to see how the events of this series influenced Secret Wars.  Made the series fun to read as a companion piece to Hickman’s saga. I can’t wait until it starts back up!

6. Thor/The Mighty Thor, Publisher: Marvel, Writer: Jason Aaron Art: Russel Daughterman, Color Art: Matthew Wilson

The first volume of a Female Thor was cut short by Secret Wars. That doesn’t mean it wasn’t good. In fact it was spectacular. Jane Foster added a depth to the character of Thor that was so fun to read. Now that we can focus our main attention on the story and less on who is Thor I feel like the title will get even stronger. If the first two issues are anything to go by I might be correct. Now that the story tellers can do some character building with Jane they are taking full advantage. The opening scene of issue one was a tear jerking emotional roller coaster. The play between the power of a God and the frailty of the human condition is really what makes this series so compelling.

5. Injection, Publisher: Image, Writer: Warren Ellis, Art Declan Shalvey, Color Art: Jordie Bellaire

The creative team behind the magnificent first volume of last years Moon Knight returns. This time with a slow burning supernatural drama that left the readers with more questions than answers for much of the first arc. This lead to a fantastic payoff that was a thrill ride in of itself. The writing is solid, but really the art is the stand out. The team of Shalvey and Bellaire work so well together and really compliment each others style. I hope they work on more books together in the future.

4. Gotham Academy, Publisher: DC, Writer: Brenden Fletcher and Becky Cloonan, Art: Karl Kerschl

The first and only DC title to make my list. It had a bit of a break during DCs Convergence event and just started up again. Still the story telling alone is worthy of the number 3 spot on this list. Cloonan and Fletcher take a rag tag group of kids and turn them into lovable characters that you genuinely feel a connection to (esp. maps). The art is excellent as well, with a heavy digital design and a slight manga influence. the next arc looks to be just as good if not better than the last.

3. Tokyo Ghost, Publisher: Image, Writer: Rick Remender, Art: Sean Murphy, Color Art: Matt Hollingsworth

Tokyo Ghost is a hauntingly gruesome look into (possibly our) the future. It asks the question what happens if we never have to look away from our screens? It questions society’s reliance on technology and what the repercussions of that reliance may be. Especially in relation to the children who grow up in this society. Tokyo Ghost has the most eerie and haunting line I have read this year (heck maybe ever) at the end of issue one.

2. The Wicked + The Divine, Publisher: Image, Writer: Kieron Gillen Art: Jamie McKelvie, Color Art: Matthew Wilson

I really struggled with the top two. Which is funny because the couldn’t be less similar. TWTD is, on the surface, a story of Gods and men and the interactions between them. Beneath the surface it is a cunning social commentary of the way people treat Pop Stars and the emotional repercussions the “Gods” and the “common folk” alike. The art is beyond anything I’ve ever seen. The team of McKelvie and Wilson consistently bring innovative designs and fresh panel work. The coloring is an art in and of it’s self. If you took any of the elements by themselves (story telling, art, colors) they would be fantastic, but this is one case where the whole is greater than the sum of its parts.

1. Southern Bastards, Publisher: Image, Writer: Jason Aaron + Jason Latour, Art: Jason Latour

Southern Bastards was my pick at six months and it is still my pick at the end of the year. Such fantastic story telling and art. Rough and tumble pages spilling forth gritty takes on a (slightly) exaggerated South. Jason Aaron and Jason Latour have crafted a masterpiece. Its that simple. They consistently toy with the emotions of the reader and in that regard show us that living is a messy thing and hardly anything is as simple as it appears. Except Ribs. Ribs are simple.

Andy Eschenbach

Comic Book Author and Tattoo Specialist

Top 10 comics of 2015 by Andy Eschenbach Wow! Twenty-Fifteen! Nice job, everybody! Except you. Yeah, you:) Comics is in such a great state right now. That said, it wasn’t hard to figure out which ten books I was most excited to pick up and read each beautiful Wednesday. And so it goes:

10. Joe Golem: Occult Detective (Dark Horse) – Mignola and Golden give us an intriguing combination of pulpy crime and Hebrew mythos. The environment, a sunken Manhattan, is appropriately depicted by the tough-looking art of Patric Reynolds, and stylish palette of Dave Stewart. Palumbo’s pulp-novel covers drive it right off the rack, too. This mini-series makes me want to dive right into it’s predecessor- a graphic novel unknown to me prior- just as much as I anticipate it’s next few issues. I WAS highly offended at the treatment of Witches throughout the story so far, as I personally practice Wizardry on a daily basis. HAHA! No I wasn’t! Less Witches= more magical power all for me! HAHAHAA! Kill ‘em, Golem!

9. Island Magazine (Image): Go ahead and get mad that I’m not going to mention every person involved in this book- but your time would be better spent reading. Any one of the creators in the past four issues of Island has made something strange and awesome, and more than worth your time. It’s also great to see a regularly-scheduled anthologystyle book on the shelves! What a great way to showcase talented folks and their work! More of this, please!

8. Tet (IDW): A dark human drama/mystery surrounding a group of people bound by events taking place during the Vietnam War, brought to us by Paul Allor and Paul Tucker, that is most certainly worth your attention. Not many stories that share setting or subject deal with it in such a smart or emotional way. It’s compelling and heartfelt, realistic to motives as much as to history, and supported by simplychiseled art. Really good. Really hard. Real.

7. Mythic (Image):  Phil Hester is my new hero. What a gift to Comics: a book that combines an American sense of humor to a theme of Myth and Magic- something more often tackled, with such a skill level, by European writers. Duly brought to life by the sharp, intense art of John McCrea and refreshingly simple-yet-poppy colors of Michael Spicer, this book simultaneously brings back everything good about old-school Vertigo-style stuff, with none of the garbage, while presenting characters and jokes you have never seen or heard before. The funny thing is, they’ve been here all along, in our own histories and fables.

6. Invisible Republic (Image): Gabriel Hardman. Corrina Bechko. Jordan Boyd. Perfect. Gritty and grim, immersive and convincing, politically
poignant, and beautifully executed. Give this first arc a read, and find out about the lies people perpetuate- the truths they inhibit- to reach or maintain power. In space. Stories like these help remind us  that true history isn’t always the commonly accepted one.

5. We Can Never Go Home (Black Mask Studios): Punkrock runaway story? With Super-Powers?! Fuck yes! 🙂 I mean… whatever, man 😐 Great characterization by Matthew Rosenberg and Patrick Kindlon- the kind that really captures those moments, from awkward to awesome, that defined us in our salad days- as they weave us through an explosive gauntlet of violent reaction, tense uncertainty, and knee-jerk decision making in true Comic Book fashion. Josh Hood’s illustrations are just the right thing, too, along with Tyler Boss’s colors, providing the action and clarity to move the story forward in a smooth and exciting way. And there’s a bonus hit from Brian Level in the back five pages of the fifth issue! I’m stoked to see this continue! Good stuff, Black Mask Studios!

4. The Violent (Image): “Whut?! He put a book with only one issue out in his Top 4?!” Yeah. It’s that good. Perfect Crime by Ed Brisson, Adam Gorham, and Michael Garland. It’s moody and raw, and it’ll get your gut more than once in the first 22 pages. Don’t read any spoilers. Just go buy it.

3. Paper Girls (Image): It’s refreshing to read a book that seems to have no overt intentions of becoming a movie, as far as approach goes, but still imbues the qualities of those great pre-teen adventure films from the 80’s. Vaughn serves up all the delicious fun and excitement from the Goonies or Stand By Me rolled around in a mysterious sci-fi breading, beautifully presented by Cliff Chiang and Matt Wilson with bold and simple excellence. For all it’s movie-like charm, it presents outlandish events in a way that seems fluidly plausible, due to the perfect capturing of the feel of the era. Grab your Walkman, get on your bike, ride to the Comics Shop, pick up Paper Girls, and sneak a smoke in the back alley with your angsty friends while you read it.

2. The Vision (Marvel): I was massively excited to find out that my favorite Avenger was getting a solo book, and, although I was unfamiliar with the team’s work prior, I will now be finding more things to read by Tom King, and look at by Gabriel Hernandez Walta. The Vision is an eerie tale designed with plenty of social critique and suburban strangeness. Kings writing has a unique way of forging gut-wrenching emotional sympathy towards replicant human characters. Walta’s art is beautiful, and follows suit with King’s style by perfectly presenting the Vision family over a homogenized landscape, with moments of action and excitement sprinkled in. Jordie Bellaire’s colors are the icing, lending picture perfect hues and gorgeous rendering to each scene. I heard a critique that a story like this couldn’t last for more than a handful of issues. Who cares?! If
Marvels’s going to put out mini-series of this caliber, then so be it! I’d lay wages on a bet that this team could deliver for as long as necessary, though- and have high hopes that they will be given the chance.

1. Tokyo Ghost (Image): With Tokyo Ghost, Rick Remender hits me in all the same soft spots he did with his famed Uncanny X-force run, but from all different angles. Sci-Fi Action and Ultra Violence, Love, Hate, Sex, Depression, Addiction- all properly tailored in to the story with pertinence and excitement. Sean Murphy’s art is the best possible thing for this “tech-addicted dystopian” society, edgy and clear, with just enough manga influence to bring out the neo-japanese aspects of the world. It’s great to see that Matt Hollingsworth can truly do Murphy justice with his colors, as well. The overall effect is a presentation of human motives and drives so true that it hurts, amazingly believable considering the fantastical setting their pitted against. I can’t wait to read more!  It would be wrong not to mention (although I’m not sure if they technically happened this year or last) “Rasputin” by Alex Grecian and Riley Rossmo, and “Blast Furnace” by Ryan Browne. The first run on both were new to me in 2015, and both have continued into this year in work that I have yet to read, but would unabashedly force into anyone’s hands given proper opportunity. Oh yeah- and I don’t care what anyone says- the Amazing Spider-Man is still super-cool! On that note, here’s to a new year, and even better Comics! HOORAY!!

Jerry Caskey

Associate Writer: Deja.Revue

 1. Providence

Alan Moore takes the original stories of Lovecraft, digests them, and skillfully transplants them into the framework of American history. Told as a series of segmented encounters, Moore skillfully glides through horror after horror to produce a canon of terror matched by none but Lovecraft himself. Moore is relentless in his quest to push the limits of his protagonist and to see how far the human mind will go to explain away what it can’t understand.

For an artist to stay out of writer Alan Moore’s way and let him narrate this story would have been sufficient. But that is not what Jacen Burrows does. The art throughout Providence is done with enough realism to create a sympathetic universe, but not so real that the supernatural cannot be accepted. In some cases Burrows’ art actually conveys critical information to the story (note the progression of the moon throughout issue #6) that would otherwise bog down the dialog.

Contrary perhaps to many other titles, or even comics in general, the coloring in Providence plays an important role in maintaining some semblance of sanity for the reader. The colors begin as one would expect for life in New York, but quickly deteriorate into drab almost sepia tones that convey the deteriorating mental state of Mr. Black. Through issues #5 and #6, the coloring of a panel also indicates whether some situation is reality or some perverted perception of reality. While less attentive coloring wouldn’t break this series, Juan Rodriguez does not let the opportunity pass to polish up an already gleaming work

2. Injection

Warren Ellis, Jordie Bellaire, and Declan Shalvey are quickly becoming a favorite of mine. The three riff off each other to create this story as a series of flashbacks mixed in with current events. As the story unfolds it is narrated by an enigmatic figure in the form of bright yellow boxes that starkly contrast the otherwise subdued pages. Ellis does not immediately reveal the identity of this mysterious narrator, which makes the moment of understanding that much more rewarding. In this Ellis ensures that the narrative is vibrant and never stays in one place for too long. This vibrant narrative is admittedly confusing at times and, without the colorful guidance of Bellaire, could quickly lose the reader. Shalvey comes in to create a sense of physical movement in each character as they move through breathtaking environments

3. Descender

To those familiar with Jeff Lemire’s previous independent works need no other reason to read Descender. Lemire presents TIM-21 as a relic of a time before the outlaw and subsequent holocaust of androids. The narrative strolls through uncertainty and self-reflection in the mind of an android who may hold the key to understanding these recent activities. Dustin Nguyen presents this odyssey in a watercolor fashion that truly conveys a sense of wonder. For a series so focused on introspection, Nguyen conveys emotion masterfully through movement and facial expressions. This may be the best true Sci-Fi series for a while.

4. Radioactive Spider-Gwen

Due to the unexpected success of 2015’s Spider-Gwen series, our spider clad heroine gets her third introduction of the year. Radioactive Spider-Gwen reiterates some of what we already know about Gwen to bring new readers up to speed. Some would say that an entire issue is too much recap, but Jason Latour drives the story along at a comfortable pace such that the slow start can be forgiven.

As usual, the art continues to awe and inspire. Robbi Rodriguez and Rico Renzi continue to leave their colorful mark on every page. Keeping up with the (surprising) amount of action Latour throws at them, Rodriguez and Renzi still invent new ways to present the story. We get a POV look at Gwen slinging her way through the city among smaller images of the same event to convey movement. Together they highlight small details that make re-reading this series as rewarding as ever.

5. They’re Not Like Us

In a world of worry, planning, and lies that exist only as thoughts in the minds of stranger, the curse of hearing these thoughts would get the best of most people. How can you silence the thoughts of everyone in the world? Eric Stephenson introduces us to Syd, a girl who has determined that the only way to make it stop is to kill herself. Simon Gane presents this world with dramatic and impactful art that enhances the narrative in some clever and unique ways that would be best un-spoiled. Bellaire follows up and gives a familiar feel to an otherwise unfamiliar world.

6. UFOlogy

Beneath it’s symbols and bright hues of pink and orange on faded blue and green backdrops, UFOlogy is a coming of age story with aliens. A genre that has established itself as legitimate since the days of E.T. and persisted through the likes of Super 8, Earth to Echo, etc. In spite of this, James Tynion and Matt Fox have managed to keep UFOlogy fresh and entertaining.

7. Divinity

Divinity is the third title in Valiant Entertainment’s “Valiant Next” series. Matt Kindt keeps a straight face for the first third of issue #1 as he tells a down to earth story of Cosmonaut Abram Adams’ progress through the Soviet space program. After this slow start, the story is moved forward very quickly, skipping years and continents to continually astonish the reader. The art team, Trevor Hairsine, Ryan Winn, and David Baron give the story a timeless quality. The shuttles and space suits are vaguely historical but heavily imagined. Although Hairsine seems to be a master of establishing shots, sometimes the expressions and close ups can fall flat. Do not let those moments deter you though. This is an entertaining and rewarding read.

8. No Mercy

 

Alex de Campi fully understands the idea of looming dread. He also has completely digested the idea of a “teenager”. To use almost every stereotype of teenager as one’s prtagonists is a bold move, but to do so without seeming pandering or tongue-in-cheek is amazing. De Campi utilizes the technique of cluing in the audience without making the characters aware of some looming demise to instill dread. Throughout the series, Carla Speed McNeil is one of the best artists I had never heard of. She presents characters who are full of live and expression, truly one of the best aspects of No Mercy.

9. Age of Reptiles

Ricardo Delgado is back! Age of Reptiles returns as a shining light for the (criminally underpopulated) genre of wordless storytelling. Needless to say, the art surrounding the journey of Spinosaurus aegyptiacus is awesome. The scenery is full of life and no space is wasted. The vibrant colors pop. The Dinosaurs are unique and barbaric. It’s easy to get lost in this rich world in an age long past our own, the age of reptiles!

10. Kaijumax

For a story about a maximum-security prison for the world’s Kaiju, Kaijumax is surprisingly serious. Zander Cannon brings to life a world where even the largest monsters have personal problems. Kaijumax is a pleasant read filled with genuinely interesting characters and bright cartoonist artwork. A real treat!

 

Kuliebear

Writer: House Of Flying Scalpels

 

1. Low

Remender has had another good year but it is Greg Tocchini that has made this book shine so incredibly. The story does not play out as you would expect but more like chapters that barely follow on from one another. But as each comic forms a unit of an overall story, they each have well-structured ideas and a character that truly suffers and transitions from beginning to end. The art is so unique and beautiful that what seems a little obscure becomes very familiar very quickly: just wonderful each and every time.

 

2. Ms Marvel

As a man of Indian descent I am very akin to Kamala and her heritage. This is the first time that I felt like a book was intimately related to me, and it feels very odd but amazing at the same time. Having gone through similar family turmoil, I fully appreciate the back-story at hand. But G Willow Wilson is expert at having a hero being effective and fearful at the same time, but overcome those odds to become amazing. Whether it is Miyazawa or Alphona on the art, as long as Herring is colouring, it feels very homely.

 

3. The Wicked + The Divine

The end of the original arc was devastating and quite upsetting as we lose yet another character, but the specialist single issues featuring guest artists were also incredible. The Tara issue saw Tula Lotay being emotional in an issue that was truly disturbing but also befitting of the story. I very much look forward to the rest of the story, but with a touch of trepidation.

 

4. Invisible Republic

The political machinations of this book are very well described and subtly revealed. The first arc was brilliant in its ability to start with a simple murder cover up but lead onto a story about how a dictator came to lead. That level of powerful story telling required a solid story but also an impressive artist that was capable of the gravity of the task. Hardman and Boyd are up to that task and create a guttural and intense society in need of repair.

 

5. Southern Bastards

It used to all be about Earl Tubb but that was a long time ago. Now we have seen the second arc pass with the tragedy of Euless Boss’ origin and also snap issues of other members of the community. These were very compelling and also terrifying tales of prominent members of that community and indicated how enough was soon to be enough. Earl Tubb’s death will not be for nothing as the Jason’s make for unmissable reading.

 

6. Rasputin

Riley Rossmo has a beautiful ability to produce emotive responses from Rasputin that depicted the turmoil and weight of his past. Both of Grecian’s arcs were fantastic in their story and brining together of a true story and yet a modern twist to a character that died many years ago. Utterly fantastic to look at and a joy to read.

 

7. Gotham Academy

As Ms Marvel delivers in a naïve yet enthusiastic way, Academy delivers in an exuberant and adventurous one. The writing is quite sweet and very akin to teenage life but it is the sense of wonder and exploration that this book captures, that makes it so fun to read. Kerschl and Msassyk deliver a stunning cell shaded effect to their work but it is fun and caricaturist for a teenage book.

 

8. Daredevil

I said a fond farewell to this book because Waid and Samnee produced their final issue. And what a run it was, ending with a finale that changed all we knew about Daredevil but they took him to a place where he belonged and was happy to go to. It made sense because they made it make sense and I loved every issue of it. His relationship with Kirsten and with Foggy developed in tune and his own insecurities brought out into the open. I shall miss this book dearly.

 

9. Mind MGMT

Matt Kindt has never produced a comic as good as this one. That is not a surprise given that he had full control of it and produced it month in, month out for years. The story progressed to a fantastic finale that was befitting of all the mystery and magical powers that we have seen since issue one. Meru was a beautiful central character that was worthy of the weight placed on her, and Kindt’s imprecise watercolours became the only way to tell this story.

 

10. Secret Wars

It seems wrong that Hickman’s books don’t feature higher on this list but it has been a slow year. Secret Wars has come and not gone but the Marvel universe has moved on around it. This is a problem but despite the tie-ins and the delays, it has generally been wonderful. The story has taken its classic slow twists and turns but the art is stunning. Each Ribic page will blow your mind in its depth and dexterity. It is a befitting end to Hickman’s run but we are still waiting for it.

 

Jaythreadbear

Writer at: Jaythreadbear

 

Here’s a list, in no particular order, of comic book runs that I have had a hell of a lot of fun reading this year; these are the ones for which I counted down days, constantly re-read previous issues, and told everyone I know to go buy them immediately:
They’re Not Like Us
This truly has been an stand out book for me this year; a constant source of both amazing writing and beautiful artwork. It’s really a disservice to the book to describe it this way, but it is almost like a contemporary retelling of the X-Men, with Magneto taking the place of Professor X. The plight of ostracized minorities and those considered ‘different’ is still in there, but instead of costumed super heroics there is brutal vigilante justice, and in place of sage guidance from a wise mutant there is an insidiousness and paranoia at every turn. In a year when X-Men comics were really not very good it has been a great relief to find a book that takes a similar concept and then tells a fresh and compelling story with it. They’re Not Like Us is a brilliant, dark, and thrilling book, and that is even before you take into account the outstanding art and colouring in every panel on every page.
Batgirl
Despite faltering somewhat in it’s sophomore arc this book remains a pleasure to read, due largely to the ever joyous artwork from Babs Tarr (the colouring from Serge LaPointe has been consistently wonderful too). Tarr’s art continues to elevate the book, even as the story elements that made the first arc such a success have fallen by the wayside. The overarching mystery that underpinned the narrative, the establishment of Barbara Gordon’s new life & friends in Burnside, the integration of contemporary visual elements like phone screens and playlists, and even the complex layouts demonstrating Batgirl using her eidetic memory, have all been oddly sadly absent. Fortunately there’s still that art from Babs Tarr, and a winning supporting cast that still make the book a strong read.
Descender
Of all the great new indie scifi books this year Jeff Lemire’s futuristic fable is the one that has captured my imagination most utterly. Following a cataclysmic and unexplained event (featuring giant Galactus sized robots!) a futuristic inter-planetary society spends decades picking up the pieces and persecuting the few regular sized robots that remain. The discovery of a particular AI, in the form of a small boy, brings together a ragtag band of unlikely heroes on a quest that really isn’t clear yet, but damn do I want to know where it goes next. The art is stunning, the characters are broadly drawn but engaging, and the universe is magnificent – this is Star Wars meets AI meets Darren Aronofsky, and it is sublime.
Prez
On paper this book sounds awful; the zany adventures of the first teen President of the United States. On actual comic book paper it is awesome. Besides anything else the top-notch art is by Ben Caldwell, someone who I’ve been waiting for more work from ever since he blew me away with his Wonder Woman pages way back in Wednesday Comics. And alongside those excellent visuals is a wonderfully sharp and pointed political satire, tackling everything from lobbyists to corporations to healthcare policy. Against the backdrop of an exaggerated, explicitly corrupt, hyper-capitalist America, writer Mark Russell works wonders telling an interesting, personal story about Beth Rogers, aforementioned teen President, but also manages to weave some genuinely worthwhile political debate into the book too. The first volume wrapped up this year, with another 6 issues allegedly planned for 2016 (sales sadly haven’t been great) – quite frankly EVERYONE should buy this so that we definitely get more issues!
Silver Surfer
If there is a character whose comic I never thought I would be at all engrossed by, even more so than teen President Rogers, it was the Silver Surfer. And yet, every month the combined talents of storytellers Dan Slott and Mike Allred have come up with outlandish, inventive, heartwarming, heartbreaking, space adventures for Norrin and his companion Dawn Greenwood to go on. This book is like the best of Star Trek and Doctor Who and Red Dwarf rolled in to one, and for every imaginative plot there is an innovative artistic representation to go with it (the time loop issue that has to be read backwards and forwards in a physical loop is a particularly stunning example). And not only is it a fun book with goofy aliens and comedy and spectacular space encounters, but the relationship at it’s heart, the blossoming love between Norrin and Dawn, is genuinely the most engaging romance in contemporary comics – it is lovely and realistic (in space!) and believable. Silver Surfer is somehow both a madcap adventure through the galaxy and a wonderful drama, and every issue is a marvel.

End of the first quarter top 5 list from the writers at deja.revue + friends!

Hello Revuers! Hard to believe that it’s April already. That means that the first quarter for comics this year has drawn (all puns intended, as per usual) to an end. With that we are proud to bring you a top 5 list of our favorite comics, and we invited some friends to do the same.The headers are clickable and lead to that persons blog. I strongly recommend that you check out each and every one of our contributors blogs, they are all fantastic. This article can be your one stop destination for the top comics of the year so far. If you are new and looking for a place to start in comics or a seasoned vet interested in branching,out this article has something for everyone. The big two, Image, indie start-ups, we have it all! So buckle your seat belts and get ready for a XXXXL pizza size worth of information given to you in manageable bite size pieces.

Andrew Horton 

5. Silver Surfer (Writer: Dan Slott, Art: Michael Allred & Laura Allred, Publisher: Marvel)

Silver Surfer is a fun tale that sets to humanize the ex-herald of Galactus. The story telling by Slott is fun and there is a nice dynamic between the Surfer and his human companion Dawn. Dawn really humanizes the surfer in ways I had never seen before and makes the series fun to read. The art by Allred is fantastic. An homage to the more cartoonish art of a by gone era. Together Slott and Allred have put together an intriguing and entertaining series.

4. Spider-Gwen (Writer: Jason Latour, Art: Robbi Rodriguez & Rico Renzi, Publisher: Marvel)

Spider-Gwen was my favorite new character from last year (you can read about that here), so I was excited to here she was getting her own series. I was even more excited when I learned that the same stellar creative team that was behind her 1st appearance would be in charge of her ongoing series. Despite the hype that I had built up in the months between November and its eventual release in February Spider-Gwen did not disappoint. Latour, Rodriguez, and Renzi give us a spider hero that we can relate to and feel for, and I can’t get enough.

3. Southern Bastards (Writer: Jason Aaron, Art: Jason Latour, Publisher: Image)

What.The.Heck. But he is/was the bad guy? Aaron and Latour craft an emotional roller coaster of a ride in this series. The whole second arc has left me unsure of who I should root for, and who I feel for. I am seriously loving the real life narrative and feel of this book. “Bad” guys have a story too, and I am glad that Aaron and Latour have decided to explore it.

2. Gotham Academy (Writer: Becky Cloonan & Brenden Fletcher, Art:Karl Kercshl)

Cloonan, Fletcher, and Kerschl have brought together a rag-tag group of teenagers (and one preteen) and turned them into the most interesting and lovable group in comics. The dynamic that they have created between the characters just works and I look forward to each and every issue that comes out. The art work is fantastic as well with Kerchl creating a world that is both realistic and surreal all at once. The lighting and shading choices really make the scenes pop and gives the reader a sense of time passing in the book. Overall an amazing series.

1. The Wicked + The Divine (Writer: Kieron Gillen, Art: Jamie McKelvie & Matthew Wilson)

The first arc of this book was superb. The second act though? Has been on another level. The subtle (and at times not so subtle) social commentary layered with teen angst and hero-worship really works for me. The art choices By McKelvie and Wilson really make Gillens story stand out. I cannot speak enough about the coloring job that Wilson does on this book. In fact I’ll call it, Wilson is one of the top three colorists in comics today (If you twisted my arm I would also name Bellaire and Renzi). This series is really creative and finds new ways to reinvent its self. For those reasons I feel like this series could be around a long, long time.

Girl-On-Comicbook-World

Girl-on-Comicbook-World is all about discussion, opinion and analysis on everything comic book related from movies to TV to actual comic books. Come have a conversation with me and others in the comments, even if we agree to disagree (don’t worry the conversation is always civil!)

We’re only a few months in and already we’ve had so many amazing comics come out, it’s been hard to choose what the top 5 are. But here we go, here’s my top 5 comics of the year so far:

5. The Wicked + The Divine- The state of society is pretty funny. The way we completely glorify our musicians, and act as if they are our gods is a little ridiculous. And that is exactly what The Wicked + The Divine explores. It’s about a bunch of gods, from different mythologies, who resurrect every 90 years, to live for 2 years on Earth. So when they come back after 90 years, what do they decide to do? Become music sensations of course, makes sense! This comic has continued to be a great little read every month. Especially because it’s through the perspective of this teenage fangirl. Her responses to this insane world full of real life gods, is exactly the response a teenage girl would make to One Direction, because that is the world we’re living in. The writing by Kieron Gillen is funny, quirky and flows perfectly with the great art by Jamie Mckelvie in the series.

4.The Multiversity- Grant Morrison’s brain is insane, I love it! The Multiversity is the perfect concept for Grant Morrison to take on board. Exploring the different worlds of the DC universe, Morrison has done a phenomenal job fleshing out the different Earths and their connection to the larger DC universe. The recent issues of Multiversity have been amazing including the Multiversity Guidebook, Mastermen and Ultra Comics. Obviously this series isn’t for everyone, especially those that don’t enjoy Morrison’s Meta style. Some people have been calling the series pretentious, for its overt Meta criticisms on the superhero genre. But the fact that Morrison can express his opinions on the genre, and what it means to him, in such an imaginative and insane way, makes it worth the read.

3. Saga- Brian K. Vaughn is the man. Y: The Last Man is my favourite non-superhero comic series, and it’s mostly because Brian knows how to write characters. Vaughn is able to make a loveable character, out of even the most morally flawed. Saga has some of the most human characters, which is obviously ironic. Saga, even in its quieter issues, is still some of the best comic work coming out right now. The story itself is great, but what makes Saga so great for me is the way Vaughn writes his characters. Female characters are often a point of criticism when it comes to comic books, but Vaughn is able to realise fully fleshed out, interesting and complex female characters. And not just female characters, all the characters, from the TV-headed Prince to their ghost companion are really well-developed. I’m definitely looking forward to where this series is going in the future, and if the ending will be as depressing as the ending to Y: The Last Man.

2. Ms. Marvel- Getting younger female readers into comics has seemed like a challenge over the last few years. Thankfully Ms. Marvel is doing everything right to not only create a comic that younger female readers can enjoy and relate to, but also creating a comic that everyone can enjoy. From exploring cultural and adolescent issues, to questioning the nature of the hero, Ms. Marvel has really excelled in creating a likeable, fully fleshed out lead. And I have to say, I feel a little inspired every time I read Ms. Marvel, there’s some really great messages in the comic. It’s great that the comic plays off the youth of these characters, giving us a different perspective on what it’s like to be a superhero.

1. Batman- Brian K. Vaughn is the man, but so is Scott Snyder. Snyder and Capullo haven’t released a bad Batman comic yet during their run. Snyder’s mind is nearly as insane as Morrison’s mind, and that’s saying something. Court of Owls, Death of a family, Zero Year, all have been incredible arcs, and with those incredible arcs comes Endgame. Marketed as the Joker story to end all Joker stories, you can see why. The recent issues have sparked quite the conversation online about the Joker’s supposed origin story, and I love that. Everyone’s speculating and discussing this run, and it’s something not many comics are able to do. Snyder’s done some pretty crazy things during his Batman run, and this might be the craziest yet, but I’m definitely looking forward to seeing how things conclude. And now that we’ve seen the Robo-Bat-Bunny costume, I’m really curious to find out what Snyder does to get there. Although Endgame may seem a little whacky right now, and so does the Robo-Bat-Bunny, Snyder has done no wrong in my eyes so far, so I’m trusting that whatever he has come up with, it’s going to be good.

Noisy Geek blog

The term geek has never been a shameful label to me. I have always been geeky, the only problem I’ve had is finding people who are passionate about the same things I am. That’s one of the reasons I started NoisyGeek. I wanted to connect with people and discuss the things I enjoy, whether its books, movies, games or comics. I’m lucky enough to have followers who give me recommendations which has helped me expand my collections and has kept me updating the blog

For me comics are adventures – There is so much variety in the comic verse that I’m never stuck for something new to read. Picking my top 5 was definitely hard but the ones I’ve chosen are comics that I’ve recommended to my friends, colleagues and even strangers I’ve met in comic shops

1. Sex Criminals written by Matt Fraction and illustrated by Chip Zdarsky

I love this series. The main characters Suzie and Jon discover they share the ability to freeze time when they orgasm. In a nutshell they decide to use these powers to rob the bank where Jon works in order to save Suzie’s endangered library.

I’ve seen a couple of pieces by Matt Fraction but Sex Criminals is definitely my favourite so far – from the initial dedication to the end of each issue this had me laughing out loud. The artwork by Zdarsky is beautiful, the colours used really bring the story to life and the “quiet” scenes have been drawn perfectly. It’s not a series for kids but it’s perfect for people who love a good laugh

2. Zombies Hi by Uproar Comics

Uproar Comics have a lot of passion for their work. Zombies Hi is one of my favourites – it’s based in Northern Ireland and is about a community struggling through the Zombie Apocalypse while fighting sectarian division.

There are currently 12 issues available and it clear that the team are going to continue improving with future issues. Although still a relatively indie company they are becoming known for their clever ideas, the way they introduced the colour pages in Zombies Hi was genius. Zombies Hi is definitely unique when compared to other horror series’, an impressive quality in today’s comic verse.

3. Saltire by Diamond Steel Comics

This was the first (and so far only) comic book I’ve come across which focuses on myths and landscapes entirely from Scotland. Saltire is an impressive superhero. He’s big, he’s blue and he’s ginger. Saltire’s sole purpose is to defend the freedom of Scotland and its people and he takes that very seriously.

Although this series is from a small publisher the overall quality is outstanding. The artwork is stunning and the issues themselves have been beautifully created. This is simply an amazing series and one of the finest modern mythology series I’ve read recently

4. Suicide Squad (New 52)

This series has been a firm favourite of mine since I started catching up on issues. Suicide Squad always give plenty of action and general chaos. Harley Quinn is one of my favourite batman characters, it was nice to see her become associated with this. The romantic in me enjoyed the Harley/Deadshot flavour while the gamer in me loved the chaos in each issue.

5. Origin II

Although this is only a 5 parter, it’s one of my favourite Logan comic series. The artwork has been really well done and although the storyline is quite brutal it gives a good insight into Logan’s past.

Reading Origin II has reaffirmed Logan as one of my favourite characters

Jay Threadbear

Jay Threadbear writes hasty scribbles about comic books, films, and television. There’s the occasional think-piece about robots, cybercrime or ninjas, but mostly it’s just about that most important of subjects – superheroes!

Batgirl – Last year’s soft-reboot has really borne fruit this quarter as the opening story arc has come to a smart and exciting resolution. On the surface this book is simply the adventures of a young, hip superhero in a trendy part of Gotham, and that is true, but beneath that the complex plot and sophisticated character work really take this book to the next level. As well as Barbara Gordon making new friends and getting a new costume she is dealing with emotional trauma that defines her as a woman and a hero. And if you want it this book has a wealth of meta-textual elements that speak to the evolution of comic books and the handing over of writing duties between creators. The writing is inventive and the storytelling innovative, and then there is the great art from Babs Tarr.

Gotham Academy – The creative team on this book truly deserve the term ‘creative’ as they continue to write and illustrate a fun, thoughtful, and intriguing teen mystery against the backdrop of Gotham’s fanciest prep-school. The art is simply sublime and the characters are by turns witty, adorable, and defiant. There is an interesting puzzle at the heart of the Academy, but this book is also a great exploration of what it means to be young in the DC universe. As a gateway book from YA fiction to comics this is perfect reading, and as a fun book in general it is equally worthwhile for any reader.

Silk – I read very little of the Spider-Verse event in recent Spider-Man comics (checking in only with the excellent Spider-Gwen and SP//dr) so Cindy Moon was completely new to me when I picked up the first issue of Silk primarily on the quality of the art. I’m glad I did, as this is already a great book. The fact that Cindy brings welcome diversity to the Marvel Universe as a female Asian-American hero is a great thing, and the wonderful part is that this book is funny and compelling in almost every way. Cindy is Peter Parker for the modern age and her charming awkwardness as she grows as a hero is delightful to follow.

Silver Surfer – Mike Allred’s art and the promise of goofy intergalactic hijinks were enough to get me to pick this up when it first started, and initially that pretty much summed up this book – it was fun. In more recent issues though the story from Dan Slott has turned to the Surfer’s dark past, and the narrative focus has progressively shifted to the Surfer’s companion Dawn Greenwood. What started out as a meaningless bit of fun, somehow became one of the most powerful love stories in superhero comics, and it just keeps getting better.

They’re Not Like Us – Writer Eric Stephenson, artist Simon Gane, and colourist Jordie Bellaire have been producing consistently phenomenal work with this series that tells the story of a young woman discovering she has special powers, and the shadowy group that takes her in. With thematic elements from sources as diverse as the X-Men and Girl, Interrupted this is a nuanced character study that matches dark questions about civilisation with a backdrop of subtle demonstrations of other-wordly power. They’re Not Like Us is a rich and mature drama that also features gorgeous visuals from a brilliant art team, and although it may prove a little too pessimistic for some I think it is one of the best books out there right now.

Jerry Caskey

Afterlife with Archie

This one threw me off. I saw Archie (Which I admittedly have never read, so I was working with prejudice) with zombies? Witches? Undead dogs? Have I been so wrong about this series? Well, I can only speak for the Afterlife arc, so that’s what I’ll work with.

This is 100% horror. There is no comfort to be found here. Dead dogs, zombies, pissed off witches, it has everything. I will get the big thing out-of-the-way first: Francavilla is a god among men. His work on this series is nothing short of phenomenal. It is grotesque, but not indulgent. It’s easy to splatter blood everywhere but it takes a real artist to wrench terror from floorboards, hills, trees, handrails… That is not to say that Aguirre-Sacasa is any less important. His writing binds these horrific events together and keeps us moving forward, always wary, always terrified. Together they have designed perhaps the most unexpected hit (personally) I have ever stumbled upon in comics.

The Sandman: Overture

In The Sandman: Overture Neil Gaiman keeps the pace decidedly rubato. This forces the reader to question what curve the story may take next, to rely solely on the comic itself as a guide. Through this, J.H. Williams III depicts a world where everything is new, unknown, yet uncomfortably familiar. Not to leave out Dave Stewart’s brilliant colors, and Tod Klein’s lettering.

My favorite in Overture is issue 4. It seems—even more now than in previous issues—that Gaiman and Williams are challenging each other. Gaiman leaves huge gaps for Williams to carry the story on art alone, and Williams gives Gaiman just enough boxes to fit some traditional dialog, even if those boxes may find themselves upside down or tumbling down the page.

Princess Leia

Princess Leia has always been badass. A princess in title only, this is a woman who craves adventure and takes orders only from herself. Waid and Bellaire band together to bring the story of the most independent character in existence. The most remarkable feature of this series is Mark Waid’s ability to weave a story that lacks nothing in power, and Bellaire’s ability to keep the art personal. Facial features are not defined by rigid black lines, but by variation in color and tone. Backdrops exist to bring the characters closer to the reader. The entire work works towards one goal, to give us a glimpse into what makes the amazing princess operate as she does.

Spider Gwen

Okay, I know. This is probably on every other list here, but this one deserves it. There is so much more to Spider Gwen than Rodriguez’s design for Gwen’s outfit (Which is nothing short of brilliant) and some compelling writing.

Confident, steady, independent, casual. These are not words I would use to describe Gwen Stacy. But she is working on it. Seeking to validate herself as a hero to a city, a girl to her friends, and a woman to her father. As if it isn’t enough pressure to make one’s self legitimate in a world that seems to live in delusion, perpetuated by preconceptions, she must reignite the flame for masked heroes everywhere. Latour, Rodriguez, and Renzi bring together a concise yet fulfilling work that will resonate for years.

Buccaneer Book Reviews

Shiver me e-timbers! Billions o’ blue-blisterin’ digi-barnacles in a thunderin’ typhoon!

Welcome t’ th’ Buccaneer! An imaginary ship that sails yon interwebs as it see’s fit and whose crew explores everythin’ they c’n find, reviewin’ t’all with no fear in their geeky black hearts!

  1. Howard the Duck #1 (Marvel Comics)

Nearly three decades after a disastrous attempt at a big screen blockbuster, the wise-cracking, foul tempered duck is back! With no friends, but lots of Marvel drop-ins and shout-outs, this very first issue proved that Howard may have been down all this time, but he definitely isn’t out!

Dragged into this world through a ‘Nexus of Realities’ Howard must make his way through life in a world he didn’t choose, comprised of ‘hairless apes’, of whom he is not particularly fond. He does so as a Private Duck (ha!) using his uncanny power of common sense and, well, the fact that he is a talking, walking, human sized (if slightly short) duck. Wicked humour, hilariously meta dialogue, exciting hints at future issues and vibrant artwork reminiscent of Warhol and Lichtenstein’s pop art –You know what Lucas, THIS is the duck you were looking for!

 

  1. The Unbeatable Squirrel Girl #1

A truly nutty treat. This was one of the nicest things I read in a long time. Squirrel Girl has been a seriously under rated and under appreciated character in the Marvel universe. Which is kind of strange seeing that she has beaten the holy hell out of some of the toughest and scariest folks in the MU, including Doctor Doom! It’s great to see her get what she deserves – her own issue.

North, Henderson and Renzi have put together an issue, no a series, that exceeds all expectation. Squirrel Girl is off to college, she’s smart, she’s spunky, she’s not all there. It’s the kind of book that anyone, old or young, can enjoy with the utmost delight. It’s something I look forward to having as an entire collection on my shelf.

  1. Return of the Living Deadpool (Marvel Comics)

A series that was so popular, it warranted a sequel… and thus Return of the Living Deadpool was born. Using their ultra zombie powers – Cullen Bunn and Nik Virella have created a b-e-a-utiful sequel of great proportions. The initial run i.e. Night of the living Deadpool was a great series and I enjoyed it quite a bit. It pays homage to classic zombie films and I think it’s a must read.

While I recommend reading Night of the living Deadpool first, you don’t really need to. This is pretty reader friendly and lets you start right here not having to worry too much about reading the original story. This is a lovely blend of horror, drama and comedy. So if you like Wade Wilson or zombies or both…this one is a definite must read.

  1. Multiversity: Slendour Falls (DC Comics)

It’s always great to see a story that spans the multiverse. With Grant Morrison at the reins, it can only have the potential to be great.

With some excellent artwork from the great Jim Lee and Scott Williams, not to mention a storyline that involves Nazis.

Morrisson’s work on delving into the multiverse is fascinating, it really lures the reader in and makes sure you never want to leave. My only problem, and it’s a teeny tiny one, is that there is too much information packed into one issue. These need to be longer. That aside, this is just a great bit of visual candy with an enticing storyline.

  1. The Dying and the Dead #1 (Image comics)

A massacre at a wedding, the theft of ancient artifact, a cult of clones, a people old as time and conspiracies of world domination – while elements of this comic might seem like old news, they combine sublimely in Jonathan Hickman’s masterfully crafted The Dying and the Dead #1. The haggard old war hero may seem like a hackneyed protagonist, but just a few panels with him and I was ready to throw my hat into the ring alongside him, taking up arms once more, to save the woman he loves.

The beautifully complex storyline is cradled in pages full of both hauntingly minimal and breathtakingly intricate artwork – adding further to the dramatic overtones of this hush-hush first issue. Sharp contrasts and sepia tones serve to highlight the tempo and depth of the story, without distracting too far from it. I doubt I’m being overly generous when I say that this comic book is a prime example of the medium being its own art form.