New Comic Book Day Top 5: Oct. 26th

Hello Revuers! It’s Tuesday which means it’ time for another edition of New Comic Book Day Top 5. Where I pick my top 5 most anticipated books that are coming out this week. This Wednesday looks to be especially exciting with many new series’ starting from major and indie publishers alike. As always feel free to tell me what you think of the list in the comment section below, and please tell us what’s on your pull list. We love to hear from our readers, plus I love finding out about new series’ that people are enjoying. Without further delay, let’s jump right in.

 

5: The Skeptics #1

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The Skeptics is a new series from the fantastic Black Mask Studios features the talents of Tini Howard (Writer) and Devaki Neogi (Artist). The story is summed up as follows: “A stylish, political adventure about a pair of hip, clever teens who fool the world into believing they have superpowers. It is the 1960s. The Russians have the A-bomb, the H-bomb, and now the most terrifying weapon of all: a pair of psychically superpowered young people.” The story then focuses on the heads of the USA military looking to find equivalent super powered beings from America to be on Par with Russia. The preview art for this series looks amazing and the premise promises to be a wild ride.

 

4: Batgirl #4

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Batgirl #4 is a continuation from issue three. Batgirl realizes that she has fallen into the trap set by The Teacher. She realizes that in order to save Kai she will first have to come face to face with this new mysterious villain. Writer Hope Larson has delivered an interesting and compelling plot so far this series. I think the title overall benefit from being on the slower once a month schedule. This allows the artist Rafael Albuquerque and Color Artist Dave McCaig time to really build a beautiful and rich world around Hope Lasron’s world. Batgirl is still one of the best titles from the overall spectacular DC Rebirth initiative.

 

3: The Prowler #1

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Confession from me. I have been a big Spider-Man fan since I was 7. In fact Spider-Man was/is my favorite superhero. The Prowler was also one of my favorite Rouges in his gallery (Mysterio is my favorite [maybe I just really love purple and green color schemes for villains!?]). So when I heard they were planning a Prowler solo series I was pumped. I had already been excited about him getting more of a role in the new (NOW!?) ASM series. Writer Sean Ryan and Artist Jamal Campbell have a lot on their plate but the preview art makes it look like they have delivered. I can’t wait until I can read this one.

 

2: Doctor Strange and the Sorcerers Supreme #1

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This new Dr. Strange series arrives two weeks before the release of the Marvel Studios film. Coincidnece? I think not. Do I care? NO! Robbie Thompson is set to write the series which means it’s going to be fantastic. I love the way he tackled Silk and Spidey, so I can’t wait for him to take on Dr. Strange. The art will be by the amazing Javier Rodriguez, who has recently been on the Spider-Woman series. If there’s one character that I think working on a Spider-Man series before hand would benefit you it would be Sr. Strange. There’s a lot of room for humor and sarcasm just like in Spidey titles. I am also intrigued by the team up aspect of it. The idea of Dr. Strange in a mentoring role is hilarious to me.

 

1: Bloodshot USA #1

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Bloodshot USA comes to us from Valiant Entertainment. It features the all star level talent of Jeff Lemire (writer), Doug Braithwaite (artist) and Brian Reber (Color Art). The story is set in New York where a criminal organization has released a biowarfare weapon that has turned the population of New York into blood thirsty zombie like creature, and it’s up to Bloodshot to ensure the contamination doesn’t spread. This title just sounds like plain fun, shoot em up comics to me with no shortage of action. The preview art looks incredible. Especially the color art work by Harvey nominated color artist supreme Brian Reber (wow, that was quite the run on sentence). I haven’t read too many Valiant series’ but this one looks like a real winner.

 

So there you have it! Did your most anticipated books make the cut? Tell us in the comments below. We would also love to see you list of most anticipated comics!

 

-Andrew Horton

 

 

 

 

Every Comic Book Movie (Ever): Hellboy II: The Golden Army

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Welcome to October here at Deja.Revue. If you have not noticed already, I tend to be a fan of the creepy, the weird, and the left-field in comics. So I though October would be a perfect time to indulge those predilections even more than I already have. Horror, as a genre in comics, has always been just off to the side. Less flashy than superheroes, and something of a mutant child of crime comics, the genre has a breadth and depth which is, in my opinion, almost unmatched. I do not hope to cover the whole diverse range of the genre in the coming month, but I do hope to give you a survey of some of my favorite works on page and screen. If you would like to read further, Paste has an excellent list of horror comics you should read. For further reading on the history of horror comics, check out Mike Howlett’s essay in the back of this excellent horror anthology that I will not have the time or space to write about this month. If all goes according to plan, I will have a column each Monday for you, culminating, fittingly, with Halloween at the end of the month. Don’t forget to turn off the lights.

The designation of Hellboy II: The Golden Army as “horror” is dubious, to be sure. I will not spend the bulk of this article defending its inclusion in my run of horror-related pieces (and anyways, I will more than make up for this genre fraud next week), but I will say that the guiding hand of director Guillermo del Toro, along with the soul of the source material, are enough to merit an exploration of this film in the present context.

I have yet to write about the first Hellboy film directed by del Toro, and while I think one could jump into Hellboy II without seeing the first (a virtue of most comic book films 1978-2011), I would recommend seeing Hellboy because it’s a gem. The setup is fairly simple: the titular character is a world-ending demon from hell who ends up being raised by a kindly British professor and expert in the occult. As an adult, he works for the Bureau for Paranormal Research and Defense (B.P.R.D.) along with other agents with “enhanced talents.” Hellboy likes cats, beer, cigars, and the music of Tom Waits. Ron Perlman plays Hellboy in one of the great character/actor matches in all of film history.

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The plot of the film is not particularly important. There are ancient artifacts, a troll market, an abandoned underground city, a forest god. What makes this film distinctive is the meticulous, handcrafted nature of everything put on camera. Del Toro is famous for this. I might say that Hellboy is a better film than its sequel, but Hellboy II is a better film to look at. Every frame is stuffed to the edges with real things, intricate things. Every item in the film is something you could pick up and flip through, or open, or play with. The tactile, physical nature of the film extends to the enormous cast of creatures that populate the various set pieces. If you look far into the background, what you will see are extras in heavy costume and makeup, filling up a world so that we can be engulfed in it.

This is an old idea of horror – going back to the silent era – that mise en scène sets the mood, and plays a larger part than plot in building atmosphere and suspense. The sets of Hellboy II are lavish, but they range from the playful to the sinister. These are not merely dark places, but whole worlds unto themselves.

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The playfulness of del Toro’s design spills over into the rest of the film. This movie is fun. And not in the way that a movie trying to be fun is fun, but in a genuinely, organically pleasurable way. The emotional beats are simple and build gently on the groundwork from the first film. They are effective because the actors never oversell them, and in fact, the film is more subdued than one might imagine. One of the film’s best moments involves Hellboy and Abe Sapien (a sort of mer-man who also works for the B.P.R.D.) lamenting their troubles in love over beers and singing along, gently, to Barry Manilow. It’s an unexpectedly warm and touching scene.

Couched in del Toro’s elaborate world, the characters’ dramas both big and small never feel silly playing out in such lovingly constructed environs. Hellboy and his girlfriend, Liz Sherman, a pyrokinetic, hash out their domestic problems in blazes of flame. Only later when they reach a shadowy chamber where one of del Toro’s more terrifying creatures (a dark angel with eyes dotting its wings) hands them their fate, do they put their arguments behind them and commit to each other for good. The small scale of the human drama could feel absurd in this fantasy world, but it doesn’t because del Toro and his actors treat the world with respect – they know how fragile it is, and things do threaten constantly to fall apart.

Hellboy II is a monster movie where the monsters are the bad guys and the good guys. Really, its not even that, because the good guys are fighting to subvert their own dark destinies, and the bad guys fight for what they believe to be a noble cause. But it still manages to be an excellent evocation of classic creature features, showing reverence to its references and giving care and attention to its own creations. We need more comic book films like this. We need more horror films like this. Hellboy II is not a perfect film, but it is a film undoubtedly assembled with love and passion by all involved. With all that care put on the screen, how could we not enjoy it?

New Comic Book Day top 5: Oct. 12th

Hello Revuers! Tomorrow marks a fantastic New Comic Book Day. It’s the best day of the week in my opinion. I’m looking forward to many titles but for this segment, as always, I have narrowed it down to my top 5. Two titles are from DC, two are from Image and one title is from Marvel. If you agree or don’t agree wit my picks let me know in the comment section below. I love hearing each week what our readers are picking up! Without further delay let’s jump right in.

 

5: Supergirl #2

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Supergirl #2 comes to us from the creative team of writer Steve Orlando and artist Brian Ching. This issues sees Supergirl clash with Cyborg Superman who was revealed at the end of issue 1 of Supergirl. Supergirl #2 was a vast improvement on the Rebirth special issue of Supergirl, and I look for issue 2 to continue this trend. The reveal of Cyborg Superman at the end of issue one was a surprise and sets up an interesting antagonist for Supergirl to face off against. The art by Brian Ching was superb, building a world that’s aesthetically pleasing and unique. The variant covers by Bengal have been some of my favorite variant cover work to date. I can’t wait to pick up issue 2 tomorrow.

 

4: Southern Cross #8

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Southern Cross #8 is written by Becky Cloonan with art from Andy Belanger. This series from Image comics has been consistently one of the best series’ they put out. I love the genre bending the story explores. Is this series Sci-Fi? Is it horror? A little of both? The driving mystery of the series keeps the reader coming back for more and more. This issue sees the continuation of the story arc ‘ROMULUS’ The second story arc of the series. I don’t want to go into too much detail and spoil the first arc for you so I’ll just say this. Spaceship. Paranormal activity. Government conspiracy. All of the covers are by the spectacular Becky Cloonan, who is just as talented of an artist as she is a writer. If you haven’t read this series yet, so yourself a favor and pick up the first trade (it’s only $9.99!). Read it, and then go buy the new issues.

 

3: Great Lakes Avengers

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I was a pretty big fan of the origianl volume of the Great Lakes Avengers, so when Marvel announced that a new series featuring the GLA would be part of their (newest) NOW! initiative I was excited. The series comes from writer Zac Gorman and artist Will Robinson. The story shows that the GLA have been reinstated as members of the Avengers and have been moved to a new headquarters in Detroit. Detroit is about 3 hours away from where I live so that’s kind of exciting for me (I know, I’m a huge nerd).  IT looks like all of the original members are back except maybe Squirrel Girl (who is seen in cut out form in the cover). I’m sure that this new series will follow in the humorous tradition of the previous volume.

 

2: All-Star Batman #3

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All-Star Batman is written by Batman scribe Scott Snyder, with art by John Romita Jr and features some of the best color work in any comic book series on the shelves today, from Dean White. At the close of the last issue we see that even those that Batman trusts the most have turned on him. It’s one thing when it’s Two Face and some bounty hunters you have to worry about, but what will Batman do now that even the police are after him? This road trip with one of his most deadly enemies has turned out to be quite the handful. I dare say that this series is one of the top series’ in the stellar Rebirth initiative by Dc Comics. I think it benefits a lot from being on the traditional once a month schedule as opposed to the twice monthly pace of most of DC’s big titles. This once a month schedule allows Snyder to take his time developing the story. The art by Romita JR. doesn’t feel rushed at all, but rather sweeping and grandiose. As I mentioned before the color work by Dean White is next level work. Truly an All-Star creative team for All-Star Batman.

 

1: Reborn

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The big guns are out for Reborn, a new series from Image comics written by Mark Millar with art by Greg Capullo. The general plot deals with the idea: Where do I go after I die? In this series you go to a place that’s not heaven or hell, but rather a place where you have to fight to survive. A place where you have to make a reckoning with everyone you ever wronged or treated nicely. The story sounds interesting and I trust Mark Millar will do a magnificent job. What really intrigues me is the art by Greg Capullo. This is the first comic book project for Capullo since his legendary run on the New 52 Batman with Scott Snyder. I am excited to see the world that he create for the readers. One of his strongest area is in character design (he designed the current Batman look), so I am curious what he will do having free reign over an environment. Not having any limitations should produce some incredible work from the comic book veteran. All in all this series has me intrigued.

 

So there you have it! Did your most anticipated books make the cut? Tell us in the comments below. We would also love to see your list of most anticipated comics!

 

-Andrew

 

 

Ms. Marvel #17

Ms. Marvel #17

Writer: G. Willow Wilson

Artist: Adrian Alphona

Publisher: Marvel

I like to take chances on new books – I’m a sucker for a new #1 that introduces a new character. And, being as how I’m a DC born and bred reader, I’m also a sucker for legacy. So, when the new Ms. Marvel series debuted last year, I was excited to see what G. Willow Wilson and Adrian Alphona had in store for Kamala Khan. I didn’t know quite what to expect – I figured that there would be heavy ties to Carol Danvers, and that her powers might reflect those ties. I hoped that it would be a fun title, but not one I held out a ton of hope for – I fully anticipated I’d read the first arc, and that would be it.

So, imagine my surprise that 17 issues later, I’m still excited about a title that I expected to be done with. Never once did I falter at the fact that Kamala Khan’s powers were different than Carol Danvers, quite the opposite, in fact. See, what Wilson and Alphona created was that rare breed of legacy that was equal parts reverent and unique – and while tonally different, Ms. Marvel is as close to DC’s incredible Starman series by James Robinson as we’re likely to get. Legacy heroes, thrust into the spotlight, and expected to be exemplary. And both are – in their own unique way.

Issue 17 continues the ridiculous hot streak that the series has been on since its debut. We finally get the interaction with Captain Marvel that people have been so desperate for (despite the book never once feeling like it was necessary to validate Kamala’s claim to the name). And with that interaction, we get one of the most feel good, buddy-cop stories that I’ve read in a long time – Kamala basks in the compliments and advice provided to her by Carol, and Carol truly admires Kamala’s enthusiasm and heroic drive. It’s an influential symbiosis that is going to serve Kamala well as the title relaunches with a new #1 following the Secret Wars event.

The story itself is driven by Kamala’s need to find her missing brother, who is seemingly being forced to undergo the Terrigenesis process to trigger his latent Inhuman abilities. This story is truly Kamala’s show – Carol is there to assist, never there to overstep and dominate the story, and Kamala in turn learns some valuable lessons as a hero. There’s some truly great moments in the issue as Kamala bargains with some masked hoodlums to have them help the sheltered citizens in the school gym, as well as a touching moment between Carol and Kamala that teaches a valuable lesson about being a hero: you can’t save everyone all the time.

There are some (very) minor pacing problems in the closing act of the story, and an unfortunate necessity to tie into the Secret Wars / Incursion event, but the book doesn’t suffer greatly from those factors. Overall, Ms. Marvel’s Kamala Khan continues to be the best everyman character of the Marvel Universe – and characters like that are a rare discovery.

Rating: 9 out of 10 stars.

-Jay

Half Year Top 10 List

Hello Revuers! It’s hard to believe that June is upon us! With that the first six months of 2015 are behind us. So now its time to take a look back at our favorite series’ so far. To do so I have once again enlisted the aide of some of my friends! Some headings are clickable so feel free to check out the contributors blogs, they all do an excellent job.

Andrew Horton

The last 6 months have brought a plethora of exciting changes in the big two, and some interesting new series from the Indie side of things. In this list I’ll be breaking down my ten favorite so far:

10. Spidergwen (Marvel)

This would have made it higher on the list if it weren’t for Secret Wars. The first two issues were great, and then it felt like they had to rush what they wanted to do and cut things out. Leaving the last few issues feeling a little hollow. I do love the creative team on this (Jason Latour is a fantastic writer and a true professional, Robbi and Rico combine to make beautiful art), and I am excited for what they have in store for post Secret Wars Gwen.

9. Groot (Marvel)

Fantastic start to a series that has great promise. I am glad it exists in a bubble outside of the events of Secret Wars. Groot is down right adorable, and his (her?) facial expressions really steal the show. I cant wait to see what new hi-jinx will befall Groot in the future.

8. Silver Surfer (Marvel)

Enough can never be said about the fantastic art by the Allreds on this series. They truly take it from being a good comic to being a great comic. That being said this series is also suffering from the events of Secret Wars. The last two or three issues have felt a bit stagnate as if they are just filling time until Hickmans saga comes to a close. It still makes it to this spot on the list, but only because its so dang pretty to look at.

7. Thor (Marvel)

When I first heard there was going to be a female Thor I was excited! I had never been able to get into Thor before because it felt (either justly or unjustly on my part) to me like he was a big brute with a hammer that liked to smash things. Having a change really felt fresh and seemed to open up a whole other dimension for the character. I am happy to report that I was correct. female Thor is one of my favorite major changes to the status quo of all time! Jason Aaron also did a great job of completing a whole arc before Secret Wars began, managing to avoid the pit fall of a couple sires before this one on this list. The art has improved from the first few issues, making this title one of the most well rounded on this list.

6. Secret Wars (Marvel)

Hickmans Avengers and New Avengers saga finally comes to a head. The multiverse is dead and now all that remains is batteworld!!! At the helm is the Lord God Doom. Overall this is a fun event with interesting religious themes peppered through out. Its fun to see different heroes in new ways. The premise is exciting and it feels very well planned out. I am convinces Hickman is a mad genius or exists in a higher plane of sentience than I do.

5. Descender (Image)

Finally we move away from Marvel for number five on this list. Descender is a tale of a futuristic society that has sustained an attack by giant androids. It then scrambles to figure out where they came from and how to defend themselves. The answers lie with a rejected scientist and a small Android boy named Tim. This title feels much like a book that could have been written by Phillip Dick, or George Orwell, or some combination of the two. Its exciting and I cant wait to see what Lemire thinks Androids dream of.

4. Southern Cross (Image)

This is the first title on this list to feature the word Southern in it. This is another Sci-fi adventure, set on a ship. Southern Cross is a bit of a genre blender melding some horror aspects in to the sci-fi story. Personally I love it. I think the setting of a ship in transit lends itself well to a horror element. Through the first 5 issues we are left with more questions than answered questions, with each new issue opening it’s own can of worms. The art is phenomenal and adds a whole other element the the book.

3. Gotham Academy (DC)

The first and only DC title to make my list. It had a bit of a break during DCs Convergence event and just started up again. Still the story telling alone is worthy of the number 3 spot on this list. Cloonan and Fletcher take a rag tag group of kids and turn them into lovable characters that you genuinely feel a connection to (esp. maps). The art is excellent as well, with a heavy digital design and a slight manga influence. the next arc looks to be just as good if not better than the last.

2. The Wicked and the Divine

I really struggled with the top two. Which is funny because the couldn’t be less similar. TWTD is, on the surface, a story of Gods and men and the interactions between them. Beneath the surface it is a cunning social commentary of the way people treat Pop Stars and the emotional repercussions the “Gods” and the “common folk” alike. The art is beyond anything I’ve ever seen. The team of McKelvie and Wilson consistently bring innovative designs and fresh panel work. The coloring is an art in and of it’s self. If you took any of the elements by themselves (story telling, art, colors) they would be fantastic, but this is one case where the whole is greater than the sum of its parts.

1. Southern Bastards

Jason Aaron and Jason Latour have crafted a masterpiece. Its that simple. They consistently toy with the emotions of the reader and in that regard show us that living is a messy thing and hardly anything is as simple as it appears. Except Ribs.

Again, Jason Aaron and Jason Latour have created a masterpiece.

Jaythreadbear

Hasty scribbler on comics and culture // My top ten of the year so far:

Batgirl

The reinvention of Barbara Gordon by the creative team of Brendan Fletcher, Cameron Stewart, and Babs Tarr, is one of the real success stories at DC in recent years. The setting, character, and stories have all been revamped, replaced, or refined and it is much the better for it. Barbara now operates in a world of apps, social media, and public perception, areas that the rest of the Bat-family (and most superhero books) have yet to engage with, and the smart takes on contemporary culture mesh perfectly with the witty and aware writing that permeates the book. Plus Tarr’s art is wonderful.

Bitch Planet

Kelly Sue DeConnick has been writing many great titles recently, but perhaps the best is Bitch Planet. Taking sexploitation and pulp scifi B-movie tropes and reworking them into a powerful feminist message this book is intensely character driven at the same time as developing an intriguing and sophisticated setting and ever so compelling plot.

Elektra

This globe-trotting martial arts extravaganza from writer Hayden Blackman and artist Mike Del Mundo came to a close earlier this year, but it warrants a mention here due to its genuine brilliance. The writing was tight and inventive, the characterisation was rich and deep, and the art was truly sublime. If you didn’t have a chance to read this when it was coming out then it is well worth picking up in trade; if you like ninjas, beautiful page layouts, ninjas, creative storytelling, or ninjas then you won’t be disappointed.

Gotham Academy

The ‘young Gotham’ sub-brand at DC (that also includes Batgirl and the newly launched Black Canary) is where the best DC titles are coming from right now. Inventing a Hogwarts-esque prep school for the children of Gotham’s high society has paid off with spooky stories, exciting mysteries, and teen drama. This book may be aimed at the YA audience, but the knowing writing from Becky Cloonan and Brendan Fletcher, and the lovely art from Karl Kerschl, make this a rewarding read for everyone else too. It’s fresh and fun and different.

Secret Wars

Several years in the making and coming after a fatiguing run of self-destructive Marvel summer event books it has been a very pleasant surprise to find that this mini-series is actually really good. The Marvel multi-verse has been reshaped with different versions of many classic heroes and stories all existing together on a single patchwork planet under the rule of god himself, Victor Von Doom. As the tie in books (many of which are also great) continue to explore the alternate versions of our heroes the core book has been expertly telling a character driven drama about an impending political upheaval. If you want bombastic universe wide storytelling with every Marvel hero in the mix then this is a very good option.

Silk

Much like Batgirl this book has a playful contemporary tone, a kick-ass yet nuanced leading woman, and accessibly delightful art from Stacey Lee. Cindy Moon is an interesting new character in the Spider-family having arrived on the scene in the Spider-Verse event, and she is characterised in the sassy yet vulnerable mold of classic Peter Parker. The core narrative has played with deep issues like abandonment and post-traumatic stress whilst keeping the fast paced hi-jinks coming. There have been a few bumps in the road (including some underwhelming fill-in art) but the central mystery of the book and Cindy herself keep this a compelling read.

Silver Surfer

It feels like I’m constantly talking up how surprising this book has been, but it is worthy of the praise. The pitch, and indeed opening arc, was one of goofy inconsequential science fiction fun with the Surfer and his new pal Dawn, and whilst this book has certainly delivered on the goofy and the fun it has been anything but inconsequential. The story has taken on a wonderfully romantic slant as the Surfer and Dawn have grown to know each other, and this has been followed by some tender, tragic, and touching stuff as the Surfer’s past has caught up with him. The art is tremendous and the story telling is top notch – this is an inventive and rewarding book that I never expected.

Spider-Gwen

This book started strong, very strong, and although the art and colouring remains stunning the central arc has become a little bit directionless. That’s not to say this isn’t worth picking up, in fact it remains a brilliant reinvention of the Spider-Man universe with some great characters in play; Gwen in particular (unsurprisingly) is an exciting and refreshing lead.

They’re Not Like Us

This indie title takes the cliche of many superhero origin stories and uses it to delve into the darker corners of human insecurity. Syd discovers, in the middle of a suicide attempt, that her mental condition is actually a powerful gift, and that there are others like her with whom she can be safe, train, and take action in the world. But rather than use their powers to protect the people that hate and fear them this group are intent on taking what they want and punishing anyone they thing deserves it. This is such an intense, thoughtful, and beautifully drawn book that it might be my favourite of the year; the questions it raises are universal, and the rare answers it offers are ambiguous, complex, and challenging.

All-New X-Men #37

And I’ll finish with a contentious possibly rule breaking choice – I’m not that interested in Brian Michael Bendis’ lukewarm All-New X-Men run, but this one issue was simply so sublime that it stands alone as one of the best books of the year to date. Featuring stunning art and page layouts from Mike Del Mundo, perfect colour work again from Del Mundo working with Marco D’Alfonso, and some career high writing from Bendis this issue tells a very small story exceptionally well. Featuring a cast stripped back to essentially just young Jean Grey and Emma Frost Bendis is still able to work in witty dialogue, subtle character development, intense action, and a positive moral message. This issue does everything right, and for my money it is easily worth 6 issues of many other books

The Burning Blogger of Bedlam

Spiderwoman

As a long-time Jessica Drew fan (she’s one of my favorite characters),

I was excited as hell for her to have her own, fresh solo title. I

haven’t been disappointed. The first few issues of the Spiderwoman

series have been highly enjoyable, packed with humour and that famous

Jessica Drew wit, good character dynamics, some really well written

cameos (Carol Danvers, Steve Rogers, Silk, Spiderman, Spider-Gwen),

and particularly in Spiderwoman #1 some fascinating settings brought

to life by terrific art and absorbing colours.

Silk

In Cindy Moon we have a really rich new character with a substantial

backstory, a well-developed emotional core and a witty repetoire, all

of which makes her both interesting enough and likeable enough to

carry her own series. The first couple of issues of this series, while

not overly elaborate (I’m guessing after ‘Spider-Verse’, no one really

wants ‘overly elaborate’ anyway), do a nice, neat job of establishing

her on her own and getting us into her head-space. This series has a

really vintage sort of feel to it, in the art and in the internal

monologue among other thigs, and Silk comes across as the real female

Spiderman. Addictive.

Uncanny Avengers

Rebooted somewhat after the ‘Axis’ event, I’ve been surprised by how

awesoem this series is so far. For starters, the art is fantastic,

feeling somewhat unique among Marvel titles in its style. But the

character dynamics are interesting too; Rogue is still by far the best

thing in it (making up somewhat for the majorly dull Sam Wilson), but

the still ‘inverted’ (as in good) Sabertooth adds something new to the

mix (even if he is being turned into essentially the new Wolverine),

and Vision is always a top-draw character to focus page-space on. On

top of that, Counter-Earth and the High Evolutionary are more than

adequate settings and themes to return to. Hell, it’s even made Wanda

and Pietro Maximoff enjoyable to read again.

Darth Vader

As psychological subjects for a comic-book go, they don’t come much

richer than the Dark Lord of the Sith, Darth Vader… or the Artist

Formerly Known as Anakin Skywalker. While other characters might be

the most loveable, the coolest, the funniest or the niftiest, Vader is

undeniably the most psychologically complex. He is therefore almsot

the perfect fictional legend to base a comic-book series around, and

this series so far has been suitably compelling.

Star Wars

I told myself that I wasn’t even going to read any of these Star Wars

comics, as I didn’t want to mix two of my loves – Star Wars and Marvel

Comics. But I was kidding myself, because once I saw those covers, I

was drawn like a moth to the light. Set immediately after A New Hope,

this main Star Wars series is just impossible not to get addicted to.

While it offers nothing revelatory, the style and tone is just spot-on

and the story is filling in the gap between A New Hope and the Empire

Strikes Back nicely.

Andy Eschenbach

It’s been an awesome year for Comics so far. The past six months have shown an abundance of creative excellence, wrought with action, change, and intelligence. Even so, it wasn’t hard to pick what I believe to have been the ten best things to have happened in Comics in 2015. What I couldn’t do was narrow it down to single-issues in every case. Most comics just aren’t written that way, so you’ll just have to deal with my favorite runs being listed. Call me what ever you want over it. I’ll still love you.

10. Black Canary

Yes, I’m a grown-ass white dude. Yes, I bought Black Canary. What an exciting and stylish start to a potentially awesome book! Great command of voice and characterization out of Brenden Fletcher, and the fittingly rocky art of Annie Wu becomes a full-on sock to the jaw when combined with Lee Loughridge’s colors. I love that the title character is actually the whole band as much as I love the forming dynamics between them. My only complaint is a common one: DC’s ad placement- particularly the double Twix ad mid-story— is piss poor, and breaks the otherwise great pacing. Still, more issues could only move this title up on my favorites list, as far as I can tell after the first.

9. Silver Surfer 8-12

I imagine books from this run will be all over other people’s lists as well. Particularly issue 11 for it’s great feat of moebius madness. Even beyond that, this tale combines popfantasy strangeness with a love story so honestly human that I can’t help but concur with fellow fans. Slott and the Allreds make a great team, returning to the hidden romance of early Marvel superhero books without fumbling over predictable cliches or sloppy regurgitation. Plus, it’s funny. I’d like to see some longer arcs come from this formula if the title survives the big rebirth and all- but even if it’s left as it stands, it’s been a great run.

8. Uncanny X-Men 28-32

I feel like I’d spoil the story if I really said what I like most about this run. Bendis’s Cyclops- his choices, and the subsequent reactions of his teammates and peers- has me really excited. You won’t see me waving any “Not My Scott Summers” flags. In fact, I think it makes sense that after all this time the guy finally slips up and breaks down, and the looming concern of whether he’ll pull through is what makes this story compelling. You can see the classic X-Dysfunction playing catalyst to Slim’s conflicted state from a multitude of directions as this series nears it’s end. I do wish Bachalo’s action-abilities were more utilized by Bendis- but once that does happen, all the talking heads make perfect sense. There. Spoilers averted.

7. Weirdworld

Being an Extradimensional Barbarian myself, it’s great to finally see representation within the realm of comic books! And who better to pull it off than Jason Aaron and Mike Del Mundo?! This was the book I was most charged up about after the Secret Wars announcement, and the first issue exceeded my expectations. It’s gnarly, action-packed, insane, and gorgeous. The more I write about it, the less I do it any justice. Just great.

6. The Mantle 1 and 2

It’s not the fact that I’ve watched this book come to fruition at semi-close range that makes me love it. It’s the Villain. The Plague is horrifying. Ed Brisson’s treatment of such a juggernaut alone keeps me in waiting, puzzling over his true motivations. Brian Level’s art is as strong as it is adaptable, showing prowess just as readily in scenes of raw violence as in portraits of the mundane. He’s popping heads like grapes on one page, while super-types stop for a burger on another, and in each case there’s just the right energy for believability and effect. Jordan Boyd’s palette follows suit, both subtle and vibrant, giving each page it’s life or death, respectively. I can honestly say that even if I weren’t present for some of the process on this book, I’d be just as ready to read more about the multiple incarnations of The Mantle, and why they’re so viciously hunted by their nemesis. Comics needs more strange Super Hero books like this one. Take note.

5. Daredevil 11 and 12

If the covers from this mini-arc don’t immediately grab you, the content will. It’s going to be sad to see the Waid/Samnee duo off Daredevil soon, and it’s stories like these that kept me engrossed through their awesome run. Within these two particular issues you can find some of the coolest action and cleanest plot twists out of Waid- including a really great car chase(infamous for being difficult to write). I also have to applaud the overall treatment of depression and friendship throughout the entire run. Really well done- and it couldn’t have come across the same way without Samnee’s clarity and finesse. Everything is there that needs to be, nothing is there that doesn’t, and as big as my soft spot for post-modernism is, it’s been refreshing to see a new angle on old school Matt Murdock. Even if it’s a set up for another dive in to darkness for Daredevil, it will make the impact that much more intense.

4. Secret Wars

It’s been called the “Marvel Game of Thrones”, in both critical and praising voices, but even with it’s obvious parallels to the “Song of Ice and Fire” books, this story is strong and envelopingand original. Hickman’s ability to weave arcs is perfectly matched by Ribic’s capacity for drama. Once again, I find myself wanting to spoil everything for the potential new reader in praise of each character and their situation, but I won’t. Just read Secret Wars. God Doom requires it of you.

3. Invisible Republic 1-3

Please, Corrina Bechko and Gabriel Hardaman, show me how a regime will conveniently rewrite history for it’s own benefit! You’re the perfect pair to do it! And once again, Jordan Boyd’s mastery of color drives the mood home on each gritty page. I loved breaking Bad and Blade Runner, but comparing them to this book doesn’t really do it justice. Brave in it’s criticism, excellent in it’s execution, and undeniable in it’s pertinence- I can’t wait to find out where this tale ultimately leads. An exemplary Comics Magazine.

2. Rage of Ultron

Rick Remender successfully ties up his outstanding Superhero epic that started way back in Uncanny X-Force, supplying all the action and drama you need from an Avengers story, while tactfully tackling issues of life and death, creation and responsibility, and ultimately, love. Don’t get me wrong- his punk-rock angle keeps it gnarly and insane at each beat, but this is some real-life shit in fantasy format, given energy and breath by Jerome Opena’s command over the human form- a testament to knowledge and beauty. But don’t read it. Not until you’ve read Remender’s runs on Uncanny X-Force, Secret Avengers, Uncanny Avengers, and the Axis series. Then read it, and try not to cry when you realize that Marvel characters won’t be getting this kind of treatment anymore. You can always pick up a copy of The Black Science or Low if you’re left in wanting.

1. East of West 16-20

EASTOFWEHEHESSSSSST! I though it was over at issue fifteen, and am glad to have been wrong. Never before have I read such a masterful combination of social critique, cultural portrait, and pop-culture madness. It’s illusion and politics, sorcery and tech, cowboys and indians- it’s serious drama and manga at the same time, somehow- all the while unforgivingly shying away from dead tropes in exchange for new and intriguing characterization! Art and writing combine, unabashedly, to both question and promote everything you thought about everything. Hooray for Hickman and Dragotta! And now I’m left in that awkward state, like some skinflint in his underpants, having shown my true feelings for comics this year-so-far. I feel it necessary to further reveal myself by expressing enthusiasm for the rest of the year-to-come. I can’t wait to read more, and with books like Sebela’s “We(l)come back”, Mignola’s “Joe Golem, Occult Detective”, and Burnham’s “E is for Extinction” (featuring the gnarlyness that is Ramon Villalobos’s art), it looks like I’ll be well supplied. I’ll put my pants back on now.

Alright and that does it for this installment. A BIG thank you to the contributors on a job well done.

What’s your top 10 (or 5)? Let us know in the comments!

Tales from the pull list June 10th: It’s a Weirdworld

Hello Revuers! This week I am trying out something new. I am going to list all of the comics I bought or read and place them into three categories: Pick(s) of the week, Buy, or Pass. Let me know what you think of this new article and if you like, it or if I should go back to pick of the week, in the comment section below. Your feedback is appreciated. With out further delay here we go:

Pick of the week:

Weirdworld #1

Weirdworld #1 is a tale of a king stranded on a, well weird, world looking for a way back home. The antagonist Akron is the ruler of the kingdom Polemachus, who due to the events of Secret Wars has been stranded on a floating island. Which he then names Weirdworld, due to all the strange and impossible dangers he has had to face, These include: Squidsharks, dragons,  fire rain, hawk-squatch hybrid, etc. etc. This issue really serves as an introduction to Weirdworld and our protagonist, although plenty of action is offered in the second half of the issue. I wont spoil it, go read it. What drew (all puns intended) to this issue was the art. The series features the artistic talents of the art team behind the latest volume of Elektra: Mike Del Mundo, and Marco D’Alfonso. This fantastic duo draw and color a world beyond our imagination. Where hard neon colors stab through soft pastels, where blood flows green and grass grows red. All in all this artistic team delivers on what were high expectations (by me at least).

Rating: 8.5/10

Buy:

Gotham Academy #7: The gang is back! Well some of them. A new character emerges, and joins Maps in a quest to discover the secret of the (magic?) quill.

Rating: 7/10

Decscender #4: Excellent character development this issue, with still fantastic art. I am excited to see if robots really do dream.

rating: 6/10

Injection #2: This series has started off to a slow start for me. I was very excited to pick it up, since it features the creative team behind the first arc of Moon Knight. So far it has left me a little disappointed. However it did just enough to keep me interested in purchasing issue 3.

Rating 4/10

Silk #5 Another solid issue and return of artist Stacey Lee. There was a heartwarming moment in the middle of the issue that I wont give away, but lets just say it was from a character you wouldn’t expect.

Rating: 6.5/10

Spider-Gwen #5: Interesting work with the black cat. Also having Matt as a villain is an interesting twist. The art was fantastic, and it really got a lift from the outstanding coloring job by Rico Renzi. Seriously, is there a colorist better right now?

Rating: 7.5/10

Silver Surfer #12: This issue felt a little stale, with similar themes and plot ideas as the last issue, however, Michael and Laura Allreds art saves it for me.

Rating: 5.5/10

Pass:

Starfire #1: Really didn’t do it for me. Also, all the “wow, starfire is hot” moments felt weird to me. Some of the thought bubble pictures were funny though.

Rating: 4/10

Ultimate end #2: Maybe I just didn’t get into the Ultimate universe enough to care, but I just can’t get into this series.

Rating: 4/10

Constantine the Hellblazer #1: Bogged down by dialogue in my opinion. Some interesting and striking art choices though.

Rating: 4/10

All in all this week was pretty good. As I stated before let me know what you think of the new format in the comments section.

-Andrew Horton

Pick of the Week (Feb. 18th): Sparks Nevada Marshal on Mars

When I was a child I always wanted to play Cowboys and Indians. Sparks Nevada does this on a whole new level. The comic opens up with a young Sparks Nevada being forced to go to Military school by his father (who is a Capt. in the military himself). Sparks would rather stay home and play cowboys and martians till the cows come home. His father disapproves of this idea and demands he enlist. The scene then flashes forward to present day with Sparks, who became a Martial instead of a Captain, guarding a space wagon on a trip across the desert terrain of Mars. The writers of this series are Ben Acker and Ben Blacker (try saying that 10 times fast). At the beginning of the journey several characters are introduced; there’s Mr. Felton, a nervous and loquacious middle aged fellow, Mr. and Mrs. Johnson, a rich and slightly air headed duo, and last but not least a small group of guard Robots (who were promised not to become sentient and kill everyone). The gang runs into the Martians (or Marjuns as Mr. Felton refers to them) who warn them that trouble is ahead. Danger, action, and hilarity ensue (although not necessarily in that order). To find out what happens next go buy the issue! Ben and Ben do a great job of writing in a western style Jargon to compliment the scene and the feel of the book. The art by J. Bone was a nice compliment to the humorous style of writing. Sparks Nevada Marshal on Mars is not your average comic book. On the surface it reads like a stereotype filled love child of the George Lucas and Clint Eastwood. What it really is though, is acutely aware of itself. It knows exactly what it is doing and exactly what it wants to say. It plays on old stereotypes and troupes to bring humor and a new perspective to things from our past. For that reason it was a fun and funny ride

Rating: 7/10

-Andrew Horton

Pick of the week (Feb. 4th): Ant-Man #2

Man this week was close. There were several titles of interest for me that came out this week, and almost all of them delivered (with the exception of “Nameless”). In the end though Nick Spencer’s story telling won me over and in so doing won the week. Ant-Man #2 opens up with Scott Lang in the midst of a battle with a man in what appears to be a bear suit. While they are fighting the bear realizes that it’s not Scott Lang Ant-Man that he has a problem with, butrather its the other Ant-Man (The OTHER other Ant-Man). Then, much like last issue we have a flashback to earlier in the week when Lang tries to get a loan from a bank to start his own business. At first it appears that they are reluctant to give him the funds he seeks because, well, he was(is?) a criminal. What happens next is equal parts hilarity and character development. That’s what makes this series great to me, is unlike some “funny” comics it doesn’t sacrifice character development for humor *cough* squirrel girl *cough*. The art by Ramon Rosanas continues to be stellar. I love the way he is able to convey movement and humor through body postures and paneling. The color work by Jordan Boyd is also a strong point for this comic. The color pallet Boyd has chosen smoothly transitions the eyes from one panel to the next. Ant-Man #2 was a thrilling, fun ride and I personally can’t wait for more.

Rating: 8/10

-Andrew Horton