Tales From the Pull List (Jul. 27th): A New Hope (Larson)

Hello Revuers. This week marks another big victory for the DC Rebirth initiative. Once again I found my pull dominated by DC comics. I counted and I have purchased more DC comics in the last two month than I did all of last year. What has changed with this initiative? There’s hope. Well that, and the comics have been consistently good across the board. I haven’t read a single title that I didn’t like. This week I have three to review. A bit of a light week for me.


Pick of the Week

Batgirl #1: What I disliked most about the New 52 was the grit and darkness. With rebirth there’s hope figuratively, and in the case of Batgirl literally. New writer Hope Larson brings with her a freshness to Barbara and a new direction for the character and title. While the previous volume of Batgirl (worth a read) was set in Burnside, this volume has Batgirl gallivanting across Japan on what she thinks is a vacation. But as we all know, superheros don’t have vacations. Barbara runs into her old childhood friend Kai, when she discovers that he is her roommate at the Hostel she is staying at (what a coincidence). Kai asks Barbara what she is doing in Japan and we learn it’s to meet a childhood hero of hers named Fruit Bat. Fruit Bat was a Japanese superhero from the 20’s who is still alive and lives in Japan with her son. Fruit Bat was Barbara’s idol and she is determined to find and meet her. Barbara and Kai do just that (after a series of hi-jinks and comedic situations). However, upon meeting Fruit Bat a stranger attacks Kai ask vaguely for the “formula”. Batgirl intervene and defends Kai, but she is too slow. The assailant would have gotten away if not for the 104 year old Fruit Bat who proves that she still has the moves. Blocking a thrown ninja star and causing the villain to flee. After the skirmish Fruit Bat collapses and Batgirl rushes to her side. Fruit Bat states that Batgirl needs to let go of her past and find a new teacher. This leads Batgirl to…..MMA? We will find out in the next issue. The creative team is rounded out by artist Rafael Albuquerque and color artist Dave McCaig. The artists bring a creative shift from the previous volume of Batgirl, allowing this new volume to shine in it’s uniqueness. The art from Albuquerque is fantastic, helping the reader gather a real sense of emotion from the facial expressions and creating a sense of motion with great line work. The color from Dave McCaig is high contrast, with many panels featuring bright backgrounds behind earth tone figures. This causes the characters to pop and adds a sense of motion to the art. Rating 8.5/10



The Flash #3: This issue features the emergence of many speedsters in Central City. Not all of them want to be good, as the issue tells us. In fact some want to use their new found powers selfishly. The Flash struggles with what to do with all the new speedsters in the city, as he feels responsible for creating them. As he finds out that the speed force storm that created all the new speedsters was drawn to Central City by him. At the end of the issue we are introduced to a new villain named Godspeed. Who almost August, The Flash’s new sidekick. Unlike all the other new speedsters, Godspeed appears to have some control over his powers. Implying that perhaps these powers aren’t new to him. This issue saw some character development for Wally West and a cameo by Iris West. It also showed August learning and adapting to his powers. The most interesting aspect of the issue though was how much The Flash enjoys being a mentor and enjoys teaching others how to use the Speedforce. With the introduction of more speedsters this role for Barry, mentor and teacher, really solidifies him as the main character of this book.  Rating: 8/10

Nightwing #1: This issue opens up with Nightwing completing a mission for a international version of the Court of Owls. In the Nightwing Rebirth issue we learned that this new court of owls had manipulated Nightwing into working for them by threatening to kill Robin via a bomb that they had implanted into his head. What the Court doesn’t know is that Nightwing was able to remove the bomb, and now is only pretending to work for them in order to learn more about their organization and bring them down from the inside. In this issue we learn that the Court of Owls is unhappy with the results that Nightwing has had the last few missions and have acquired a partner for him. A mysterious new character named Raptor. Nightwing goes to the designated meeting place planning to tell Raptor that he has no interest in a partner, but is promptly beat down by this new character. At the end of the issue Raptor tells Nightwing that everything Batman had taught him was wrong, and that he needed a new mentor. Overall the issue was quick paced and intriguing. Rating:8/10





End of the Year Top 10 List from Deja.Revue and Friends

Hello Revuers! Hard to believe it’s that time of the year again. 2015 has just flown by! It proved to be a fantastic year for comics. With so many great series it was hard to limit it to just 5 or 10. So I asked some of our friends of Deja.Revue to help me, by picking their favorite series’ as well. The contributors names will be centered and emboldened. When applicable it will also be a hyperlink so that you can check out their blog. I highly recommend that you do as the contributors to this article are all top notch. So with out further ado, here are the top comics of 2015.

Andrew Horton

Head Writer: Deja.Revue

10. Spider-Gwen, Publisher: Marvel, Writer Jason Latour Art: Robbi Rodriguez, Color Art: Rico Renzi.

Spider-Gwen suffered from to many reboots in to short of time. First they had their first issue then less that a year later it was back to a new issue one. This wasn’t the creative teams fault and they did the best they could to salvage what they could from the situation. The post Secret Wars have been great so far and I think that next year this title could be much higher on this list.

9. Dr. Strange, Publisher: Marvel, Writer Jason Aaron, Art: Chris Bachalo

With Dr Strange coming to cinemas next fall a post Secret Wars universe seemed like a great opportunity to launch a new solo series for our Sorcerer Supreme. Luckily for Marvel they hired writer supreme Jason Aaron, who can do almost no wrong. I picked up the first issue and feel completely under it’s spell (to much? Okay okay no more terrible puns).  The art by Chris Bachelo really gives us a glimpse of the oddness and absurdity of the world in which Dr. Strange lives. Overall a spectacular job!

8. Invincible Iron Man, Publisher: Marvel, Writer: Brian Michael Bendis, Art: David Marquez

The creative team behind Ultimate Spider-Man team up again to bring a normal Iron Man back to a solo adventure (by normal I mean not a “Superior” Axis influenced Iron Man, He’s still a billionaire playboy). This series sees an exciting shift of the status quo for one of Marvel’s biggest villains (no spoilers) and a quite compelling story line. O also a night beach fight with sword wielding ninjas (yeah, it’s as awesome as it sounds). The writing is the nest by Bendis in quite awhile and the art is amazingly well done.

7. Silver Surfer, Publisher: Marvel, Writer: Dan Slott, Artist: Michael and Laura Allred.

Enough can never be said about the fantastic art by the Allreds on this series. They truly take it from being a good comic to being a great comic. That being said I was happy to see how the events of this series influenced Secret Wars.  Made the series fun to read as a companion piece to Hickman’s saga. I can’t wait until it starts back up!

6. Thor/The Mighty Thor, Publisher: Marvel, Writer: Jason Aaron Art: Russel Daughterman, Color Art: Matthew Wilson

The first volume of a Female Thor was cut short by Secret Wars. That doesn’t mean it wasn’t good. In fact it was spectacular. Jane Foster added a depth to the character of Thor that was so fun to read. Now that we can focus our main attention on the story and less on who is Thor I feel like the title will get even stronger. If the first two issues are anything to go by I might be correct. Now that the story tellers can do some character building with Jane they are taking full advantage. The opening scene of issue one was a tear jerking emotional roller coaster. The play between the power of a God and the frailty of the human condition is really what makes this series so compelling.

5. Injection, Publisher: Image, Writer: Warren Ellis, Art Declan Shalvey, Color Art: Jordie Bellaire

The creative team behind the magnificent first volume of last years Moon Knight returns. This time with a slow burning supernatural drama that left the readers with more questions than answers for much of the first arc. This lead to a fantastic payoff that was a thrill ride in of itself. The writing is solid, but really the art is the stand out. The team of Shalvey and Bellaire work so well together and really compliment each others style. I hope they work on more books together in the future.

4. Gotham Academy, Publisher: DC, Writer: Brenden Fletcher and Becky Cloonan, Art: Karl Kerschl

The first and only DC title to make my list. It had a bit of a break during DCs Convergence event and just started up again. Still the story telling alone is worthy of the number 3 spot on this list. Cloonan and Fletcher take a rag tag group of kids and turn them into lovable characters that you genuinely feel a connection to (esp. maps). The art is excellent as well, with a heavy digital design and a slight manga influence. the next arc looks to be just as good if not better than the last.

3. Tokyo Ghost, Publisher: Image, Writer: Rick Remender, Art: Sean Murphy, Color Art: Matt Hollingsworth

Tokyo Ghost is a hauntingly gruesome look into (possibly our) the future. It asks the question what happens if we never have to look away from our screens? It questions society’s reliance on technology and what the repercussions of that reliance may be. Especially in relation to the children who grow up in this society. Tokyo Ghost has the most eerie and haunting line I have read this year (heck maybe ever) at the end of issue one.

2. The Wicked + The Divine, Publisher: Image, Writer: Kieron Gillen Art: Jamie McKelvie, Color Art: Matthew Wilson

I really struggled with the top two. Which is funny because the couldn’t be less similar. TWTD is, on the surface, a story of Gods and men and the interactions between them. Beneath the surface it is a cunning social commentary of the way people treat Pop Stars and the emotional repercussions the “Gods” and the “common folk” alike. The art is beyond anything I’ve ever seen. The team of McKelvie and Wilson consistently bring innovative designs and fresh panel work. The coloring is an art in and of it’s self. If you took any of the elements by themselves (story telling, art, colors) they would be fantastic, but this is one case where the whole is greater than the sum of its parts.

1. Southern Bastards, Publisher: Image, Writer: Jason Aaron + Jason Latour, Art: Jason Latour

Southern Bastards was my pick at six months and it is still my pick at the end of the year. Such fantastic story telling and art. Rough and tumble pages spilling forth gritty takes on a (slightly) exaggerated South. Jason Aaron and Jason Latour have crafted a masterpiece. Its that simple. They consistently toy with the emotions of the reader and in that regard show us that living is a messy thing and hardly anything is as simple as it appears. Except Ribs. Ribs are simple.

Andy Eschenbach

Comic Book Author and Tattoo Specialist

Top 10 comics of 2015 by Andy Eschenbach Wow! Twenty-Fifteen! Nice job, everybody! Except you. Yeah, you:) Comics is in such a great state right now. That said, it wasn’t hard to figure out which ten books I was most excited to pick up and read each beautiful Wednesday. And so it goes:

10. Joe Golem: Occult Detective (Dark Horse) – Mignola and Golden give us an intriguing combination of pulpy crime and Hebrew mythos. The environment, a sunken Manhattan, is appropriately depicted by the tough-looking art of Patric Reynolds, and stylish palette of Dave Stewart. Palumbo’s pulp-novel covers drive it right off the rack, too. This mini-series makes me want to dive right into it’s predecessor- a graphic novel unknown to me prior- just as much as I anticipate it’s next few issues. I WAS highly offended at the treatment of Witches throughout the story so far, as I personally practice Wizardry on a daily basis. HAHA! No I wasn’t! Less Witches= more magical power all for me! HAHAHAA! Kill ‘em, Golem!

9. Island Magazine (Image): Go ahead and get mad that I’m not going to mention every person involved in this book- but your time would be better spent reading. Any one of the creators in the past four issues of Island has made something strange and awesome, and more than worth your time. It’s also great to see a regularly-scheduled anthologystyle book on the shelves! What a great way to showcase talented folks and their work! More of this, please!

8. Tet (IDW): A dark human drama/mystery surrounding a group of people bound by events taking place during the Vietnam War, brought to us by Paul Allor and Paul Tucker, that is most certainly worth your attention. Not many stories that share setting or subject deal with it in such a smart or emotional way. It’s compelling and heartfelt, realistic to motives as much as to history, and supported by simplychiseled art. Really good. Really hard. Real.

7. Mythic (Image):  Phil Hester is my new hero. What a gift to Comics: a book that combines an American sense of humor to a theme of Myth and Magic- something more often tackled, with such a skill level, by European writers. Duly brought to life by the sharp, intense art of John McCrea and refreshingly simple-yet-poppy colors of Michael Spicer, this book simultaneously brings back everything good about old-school Vertigo-style stuff, with none of the garbage, while presenting characters and jokes you have never seen or heard before. The funny thing is, they’ve been here all along, in our own histories and fables.

6. Invisible Republic (Image): Gabriel Hardman. Corrina Bechko. Jordan Boyd. Perfect. Gritty and grim, immersive and convincing, politically
poignant, and beautifully executed. Give this first arc a read, and find out about the lies people perpetuate- the truths they inhibit- to reach or maintain power. In space. Stories like these help remind us  that true history isn’t always the commonly accepted one.

5. We Can Never Go Home (Black Mask Studios): Punkrock runaway story? With Super-Powers?! Fuck yes! 🙂 I mean… whatever, man 😐 Great characterization by Matthew Rosenberg and Patrick Kindlon- the kind that really captures those moments, from awkward to awesome, that defined us in our salad days- as they weave us through an explosive gauntlet of violent reaction, tense uncertainty, and knee-jerk decision making in true Comic Book fashion. Josh Hood’s illustrations are just the right thing, too, along with Tyler Boss’s colors, providing the action and clarity to move the story forward in a smooth and exciting way. And there’s a bonus hit from Brian Level in the back five pages of the fifth issue! I’m stoked to see this continue! Good stuff, Black Mask Studios!

4. The Violent (Image): “Whut?! He put a book with only one issue out in his Top 4?!” Yeah. It’s that good. Perfect Crime by Ed Brisson, Adam Gorham, and Michael Garland. It’s moody and raw, and it’ll get your gut more than once in the first 22 pages. Don’t read any spoilers. Just go buy it.

3. Paper Girls (Image): It’s refreshing to read a book that seems to have no overt intentions of becoming a movie, as far as approach goes, but still imbues the qualities of those great pre-teen adventure films from the 80’s. Vaughn serves up all the delicious fun and excitement from the Goonies or Stand By Me rolled around in a mysterious sci-fi breading, beautifully presented by Cliff Chiang and Matt Wilson with bold and simple excellence. For all it’s movie-like charm, it presents outlandish events in a way that seems fluidly plausible, due to the perfect capturing of the feel of the era. Grab your Walkman, get on your bike, ride to the Comics Shop, pick up Paper Girls, and sneak a smoke in the back alley with your angsty friends while you read it.

2. The Vision (Marvel): I was massively excited to find out that my favorite Avenger was getting a solo book, and, although I was unfamiliar with the team’s work prior, I will now be finding more things to read by Tom King, and look at by Gabriel Hernandez Walta. The Vision is an eerie tale designed with plenty of social critique and suburban strangeness. Kings writing has a unique way of forging gut-wrenching emotional sympathy towards replicant human characters. Walta’s art is beautiful, and follows suit with King’s style by perfectly presenting the Vision family over a homogenized landscape, with moments of action and excitement sprinkled in. Jordie Bellaire’s colors are the icing, lending picture perfect hues and gorgeous rendering to each scene. I heard a critique that a story like this couldn’t last for more than a handful of issues. Who cares?! If
Marvels’s going to put out mini-series of this caliber, then so be it! I’d lay wages on a bet that this team could deliver for as long as necessary, though- and have high hopes that they will be given the chance.

1. Tokyo Ghost (Image): With Tokyo Ghost, Rick Remender hits me in all the same soft spots he did with his famed Uncanny X-force run, but from all different angles. Sci-Fi Action and Ultra Violence, Love, Hate, Sex, Depression, Addiction- all properly tailored in to the story with pertinence and excitement. Sean Murphy’s art is the best possible thing for this “tech-addicted dystopian” society, edgy and clear, with just enough manga influence to bring out the neo-japanese aspects of the world. It’s great to see that Matt Hollingsworth can truly do Murphy justice with his colors, as well. The overall effect is a presentation of human motives and drives so true that it hurts, amazingly believable considering the fantastical setting their pitted against. I can’t wait to read more!  It would be wrong not to mention (although I’m not sure if they technically happened this year or last) “Rasputin” by Alex Grecian and Riley Rossmo, and “Blast Furnace” by Ryan Browne. The first run on both were new to me in 2015, and both have continued into this year in work that I have yet to read, but would unabashedly force into anyone’s hands given proper opportunity. Oh yeah- and I don’t care what anyone says- the Amazing Spider-Man is still super-cool! On that note, here’s to a new year, and even better Comics! HOORAY!!

Jerry Caskey

Associate Writer: Deja.Revue

 1. Providence

Alan Moore takes the original stories of Lovecraft, digests them, and skillfully transplants them into the framework of American history. Told as a series of segmented encounters, Moore skillfully glides through horror after horror to produce a canon of terror matched by none but Lovecraft himself. Moore is relentless in his quest to push the limits of his protagonist and to see how far the human mind will go to explain away what it can’t understand.

For an artist to stay out of writer Alan Moore’s way and let him narrate this story would have been sufficient. But that is not what Jacen Burrows does. The art throughout Providence is done with enough realism to create a sympathetic universe, but not so real that the supernatural cannot be accepted. In some cases Burrows’ art actually conveys critical information to the story (note the progression of the moon throughout issue #6) that would otherwise bog down the dialog.

Contrary perhaps to many other titles, or even comics in general, the coloring in Providence plays an important role in maintaining some semblance of sanity for the reader. The colors begin as one would expect for life in New York, but quickly deteriorate into drab almost sepia tones that convey the deteriorating mental state of Mr. Black. Through issues #5 and #6, the coloring of a panel also indicates whether some situation is reality or some perverted perception of reality. While less attentive coloring wouldn’t break this series, Juan Rodriguez does not let the opportunity pass to polish up an already gleaming work

2. Injection

Warren Ellis, Jordie Bellaire, and Declan Shalvey are quickly becoming a favorite of mine. The three riff off each other to create this story as a series of flashbacks mixed in with current events. As the story unfolds it is narrated by an enigmatic figure in the form of bright yellow boxes that starkly contrast the otherwise subdued pages. Ellis does not immediately reveal the identity of this mysterious narrator, which makes the moment of understanding that much more rewarding. In this Ellis ensures that the narrative is vibrant and never stays in one place for too long. This vibrant narrative is admittedly confusing at times and, without the colorful guidance of Bellaire, could quickly lose the reader. Shalvey comes in to create a sense of physical movement in each character as they move through breathtaking environments

3. Descender

To those familiar with Jeff Lemire’s previous independent works need no other reason to read Descender. Lemire presents TIM-21 as a relic of a time before the outlaw and subsequent holocaust of androids. The narrative strolls through uncertainty and self-reflection in the mind of an android who may hold the key to understanding these recent activities. Dustin Nguyen presents this odyssey in a watercolor fashion that truly conveys a sense of wonder. For a series so focused on introspection, Nguyen conveys emotion masterfully through movement and facial expressions. This may be the best true Sci-Fi series for a while.

4. Radioactive Spider-Gwen

Due to the unexpected success of 2015’s Spider-Gwen series, our spider clad heroine gets her third introduction of the year. Radioactive Spider-Gwen reiterates some of what we already know about Gwen to bring new readers up to speed. Some would say that an entire issue is too much recap, but Jason Latour drives the story along at a comfortable pace such that the slow start can be forgiven.

As usual, the art continues to awe and inspire. Robbi Rodriguez and Rico Renzi continue to leave their colorful mark on every page. Keeping up with the (surprising) amount of action Latour throws at them, Rodriguez and Renzi still invent new ways to present the story. We get a POV look at Gwen slinging her way through the city among smaller images of the same event to convey movement. Together they highlight small details that make re-reading this series as rewarding as ever.

5. They’re Not Like Us

In a world of worry, planning, and lies that exist only as thoughts in the minds of stranger, the curse of hearing these thoughts would get the best of most people. How can you silence the thoughts of everyone in the world? Eric Stephenson introduces us to Syd, a girl who has determined that the only way to make it stop is to kill herself. Simon Gane presents this world with dramatic and impactful art that enhances the narrative in some clever and unique ways that would be best un-spoiled. Bellaire follows up and gives a familiar feel to an otherwise unfamiliar world.

6. UFOlogy

Beneath it’s symbols and bright hues of pink and orange on faded blue and green backdrops, UFOlogy is a coming of age story with aliens. A genre that has established itself as legitimate since the days of E.T. and persisted through the likes of Super 8, Earth to Echo, etc. In spite of this, James Tynion and Matt Fox have managed to keep UFOlogy fresh and entertaining.

7. Divinity

Divinity is the third title in Valiant Entertainment’s “Valiant Next” series. Matt Kindt keeps a straight face for the first third of issue #1 as he tells a down to earth story of Cosmonaut Abram Adams’ progress through the Soviet space program. After this slow start, the story is moved forward very quickly, skipping years and continents to continually astonish the reader. The art team, Trevor Hairsine, Ryan Winn, and David Baron give the story a timeless quality. The shuttles and space suits are vaguely historical but heavily imagined. Although Hairsine seems to be a master of establishing shots, sometimes the expressions and close ups can fall flat. Do not let those moments deter you though. This is an entertaining and rewarding read.

8. No Mercy


Alex de Campi fully understands the idea of looming dread. He also has completely digested the idea of a “teenager”. To use almost every stereotype of teenager as one’s prtagonists is a bold move, but to do so without seeming pandering or tongue-in-cheek is amazing. De Campi utilizes the technique of cluing in the audience without making the characters aware of some looming demise to instill dread. Throughout the series, Carla Speed McNeil is one of the best artists I had never heard of. She presents characters who are full of live and expression, truly one of the best aspects of No Mercy.

9. Age of Reptiles

Ricardo Delgado is back! Age of Reptiles returns as a shining light for the (criminally underpopulated) genre of wordless storytelling. Needless to say, the art surrounding the journey of Spinosaurus aegyptiacus is awesome. The scenery is full of life and no space is wasted. The vibrant colors pop. The Dinosaurs are unique and barbaric. It’s easy to get lost in this rich world in an age long past our own, the age of reptiles!

10. Kaijumax

For a story about a maximum-security prison for the world’s Kaiju, Kaijumax is surprisingly serious. Zander Cannon brings to life a world where even the largest monsters have personal problems. Kaijumax is a pleasant read filled with genuinely interesting characters and bright cartoonist artwork. A real treat!



Writer: House Of Flying Scalpels


1. Low

Remender has had another good year but it is Greg Tocchini that has made this book shine so incredibly. The story does not play out as you would expect but more like chapters that barely follow on from one another. But as each comic forms a unit of an overall story, they each have well-structured ideas and a character that truly suffers and transitions from beginning to end. The art is so unique and beautiful that what seems a little obscure becomes very familiar very quickly: just wonderful each and every time.


2. Ms Marvel

As a man of Indian descent I am very akin to Kamala and her heritage. This is the first time that I felt like a book was intimately related to me, and it feels very odd but amazing at the same time. Having gone through similar family turmoil, I fully appreciate the back-story at hand. But G Willow Wilson is expert at having a hero being effective and fearful at the same time, but overcome those odds to become amazing. Whether it is Miyazawa or Alphona on the art, as long as Herring is colouring, it feels very homely.


3. The Wicked + The Divine

The end of the original arc was devastating and quite upsetting as we lose yet another character, but the specialist single issues featuring guest artists were also incredible. The Tara issue saw Tula Lotay being emotional in an issue that was truly disturbing but also befitting of the story. I very much look forward to the rest of the story, but with a touch of trepidation.


4. Invisible Republic

The political machinations of this book are very well described and subtly revealed. The first arc was brilliant in its ability to start with a simple murder cover up but lead onto a story about how a dictator came to lead. That level of powerful story telling required a solid story but also an impressive artist that was capable of the gravity of the task. Hardman and Boyd are up to that task and create a guttural and intense society in need of repair.


5. Southern Bastards

It used to all be about Earl Tubb but that was a long time ago. Now we have seen the second arc pass with the tragedy of Euless Boss’ origin and also snap issues of other members of the community. These were very compelling and also terrifying tales of prominent members of that community and indicated how enough was soon to be enough. Earl Tubb’s death will not be for nothing as the Jason’s make for unmissable reading.


6. Rasputin

Riley Rossmo has a beautiful ability to produce emotive responses from Rasputin that depicted the turmoil and weight of his past. Both of Grecian’s arcs were fantastic in their story and brining together of a true story and yet a modern twist to a character that died many years ago. Utterly fantastic to look at and a joy to read.


7. Gotham Academy

As Ms Marvel delivers in a naïve yet enthusiastic way, Academy delivers in an exuberant and adventurous one. The writing is quite sweet and very akin to teenage life but it is the sense of wonder and exploration that this book captures, that makes it so fun to read. Kerschl and Msassyk deliver a stunning cell shaded effect to their work but it is fun and caricaturist for a teenage book.


8. Daredevil

I said a fond farewell to this book because Waid and Samnee produced their final issue. And what a run it was, ending with a finale that changed all we knew about Daredevil but they took him to a place where he belonged and was happy to go to. It made sense because they made it make sense and I loved every issue of it. His relationship with Kirsten and with Foggy developed in tune and his own insecurities brought out into the open. I shall miss this book dearly.


9. Mind MGMT

Matt Kindt has never produced a comic as good as this one. That is not a surprise given that he had full control of it and produced it month in, month out for years. The story progressed to a fantastic finale that was befitting of all the mystery and magical powers that we have seen since issue one. Meru was a beautiful central character that was worthy of the weight placed on her, and Kindt’s imprecise watercolours became the only way to tell this story.


10. Secret Wars

It seems wrong that Hickman’s books don’t feature higher on this list but it has been a slow year. Secret Wars has come and not gone but the Marvel universe has moved on around it. This is a problem but despite the tie-ins and the delays, it has generally been wonderful. The story has taken its classic slow twists and turns but the art is stunning. Each Ribic page will blow your mind in its depth and dexterity. It is a befitting end to Hickman’s run but we are still waiting for it.



Writer at: Jaythreadbear


Here’s a list, in no particular order, of comic book runs that I have had a hell of a lot of fun reading this year; these are the ones for which I counted down days, constantly re-read previous issues, and told everyone I know to go buy them immediately:
They’re Not Like Us
This truly has been an stand out book for me this year; a constant source of both amazing writing and beautiful artwork. It’s really a disservice to the book to describe it this way, but it is almost like a contemporary retelling of the X-Men, with Magneto taking the place of Professor X. The plight of ostracized minorities and those considered ‘different’ is still in there, but instead of costumed super heroics there is brutal vigilante justice, and in place of sage guidance from a wise mutant there is an insidiousness and paranoia at every turn. In a year when X-Men comics were really not very good it has been a great relief to find a book that takes a similar concept and then tells a fresh and compelling story with it. They’re Not Like Us is a brilliant, dark, and thrilling book, and that is even before you take into account the outstanding art and colouring in every panel on every page.
Despite faltering somewhat in it’s sophomore arc this book remains a pleasure to read, due largely to the ever joyous artwork from Babs Tarr (the colouring from Serge LaPointe has been consistently wonderful too). Tarr’s art continues to elevate the book, even as the story elements that made the first arc such a success have fallen by the wayside. The overarching mystery that underpinned the narrative, the establishment of Barbara Gordon’s new life & friends in Burnside, the integration of contemporary visual elements like phone screens and playlists, and even the complex layouts demonstrating Batgirl using her eidetic memory, have all been oddly sadly absent. Fortunately there’s still that art from Babs Tarr, and a winning supporting cast that still make the book a strong read.
Of all the great new indie scifi books this year Jeff Lemire’s futuristic fable is the one that has captured my imagination most utterly. Following a cataclysmic and unexplained event (featuring giant Galactus sized robots!) a futuristic inter-planetary society spends decades picking up the pieces and persecuting the few regular sized robots that remain. The discovery of a particular AI, in the form of a small boy, brings together a ragtag band of unlikely heroes on a quest that really isn’t clear yet, but damn do I want to know where it goes next. The art is stunning, the characters are broadly drawn but engaging, and the universe is magnificent – this is Star Wars meets AI meets Darren Aronofsky, and it is sublime.
On paper this book sounds awful; the zany adventures of the first teen President of the United States. On actual comic book paper it is awesome. Besides anything else the top-notch art is by Ben Caldwell, someone who I’ve been waiting for more work from ever since he blew me away with his Wonder Woman pages way back in Wednesday Comics. And alongside those excellent visuals is a wonderfully sharp and pointed political satire, tackling everything from lobbyists to corporations to healthcare policy. Against the backdrop of an exaggerated, explicitly corrupt, hyper-capitalist America, writer Mark Russell works wonders telling an interesting, personal story about Beth Rogers, aforementioned teen President, but also manages to weave some genuinely worthwhile political debate into the book too. The first volume wrapped up this year, with another 6 issues allegedly planned for 2016 (sales sadly haven’t been great) – quite frankly EVERYONE should buy this so that we definitely get more issues!
Silver Surfer
If there is a character whose comic I never thought I would be at all engrossed by, even more so than teen President Rogers, it was the Silver Surfer. And yet, every month the combined talents of storytellers Dan Slott and Mike Allred have come up with outlandish, inventive, heartwarming, heartbreaking, space adventures for Norrin and his companion Dawn Greenwood to go on. This book is like the best of Star Trek and Doctor Who and Red Dwarf rolled in to one, and for every imaginative plot there is an innovative artistic representation to go with it (the time loop issue that has to be read backwards and forwards in a physical loop is a particularly stunning example). And not only is it a fun book with goofy aliens and comedy and spectacular space encounters, but the relationship at it’s heart, the blossoming love between Norrin and Dawn, is genuinely the most engaging romance in contemporary comics – it is lovely and realistic (in space!) and believable. Silver Surfer is somehow both a madcap adventure through the galaxy and a wonderful drama, and every issue is a marvel.

Meet the Press

Hello Revuers! I have breaking news. Our very own Andrew Horton will be at Cincinnati Comic Con on September 12th and 13th.  If you’ve been dying to meet one of the writers behind (hopefully) your favorite comic book blog now is your chance. Andrew will wearing a press pass with Deja.Revue printed on it. Also if you need any more motivation the list of comic creators who will be in attendance is astounding: Cameron Stewart, Brendan Fletcher, Tony Moore, Phil Noto, Brian Ewing, Bill Willingham, Cullen Bunn, Rick Remender, Raw Fawkes…… The list goes on and on. Truly the amount of comic talent they have assembled is staggering. Especially for the very modest ticket cost of $21 for a day pass and $35 for a weekend pass. So if you want to come meet Andrew and talk comics or life for awhile, all while meeting some of the best creators in the game, then go to Cincinnati Comic Con. Here’s a link:



Tales From the Pull List (Aug. 12th): We are living in a (Im)material world

Pick of the Week:

Phonogram: The Immaterial girl #1: So full disclosure: I own the first two volumes of Phonogam, and I have read them both numerous times. When I found out that they were making another volume of it I freaked out. I marked the day on my calender, and stared longingly at it. With this hype I had built, a worrisome thought crept into my mind: what if it didn’t live up to the hype I had created in my own head? What if the beauty of what it had been overshadowed what it will be. I am happy to report that it lived up to the hype I had created for it, and then some. The issue is a nostalgia filled roller coaster of emotion. Gillen’s script is so good that at times it hurts. The art by McKelvie and Wilson holds up to its standard of excellence and more.  Wilson has cemented (in my mind at least) his status of the best color artist in the game. Seriously, is there a better creative team than Gillen, McKelvie, and Wilson? I dare you try, I know you’ll fail. Go buy this issue.If you haven’t read the previous volumes of Phonogram you will still enjoy it. If you have you’ll enjoy it even more. Rating: 10/10


Injection #4: More of the back story is explored in this issue, but the answers are coupled with more questions. Ellis, Shalvey, and Bellaire craft an excellent issue with lots of character development. With more of the background being revealed you finally get a sense of what’s going on, and that in and of it’s self is exciting. Not as much action this issue as the bulk of it was dedicated to back story. An almost antithesis of issue three really. I’m excited to continue this series and see which bends first: Science, or magic. Rating: 7/10

Gotham Academy #9: Another strong showing for my favorite series from DC. Could there be a wolf at Gotham Academy? Or something more sinister? This issue builds on the mystery that surrounds Olive’s mother while providing plenty of action in the for of a man bat and a wolf man(?). We discover that certain people are excellent at science, and that they may or may not have a secret layer. The creative team of Cloonan, Fletcher, Kerschl, Lapointe, and Msassyk continue to deliver month after month. At this point if you aren’t reading Gotham Academy you might want to re-evaluate your life. Rating: 8/10

A-Force #3: She-hulk finds herself in the midst of trouble after jumping threw the portal from the end of issue two. Will she be able to make it back to her team? Whats the meaning of the portals? What’s causing them? All these questions are, more or less, answered in this issue. I’ll keep this mini review spoiler free though. A-Force continues to be a fresh air in what is starting to feel like an aimost-stale mega event. The only titles I read from Secret Wars is Secret Wars and this title. I am glad it’s continuing after Battleworld is no more. Rating: 7/10

Secret Wars #5: Speaking of Secret Wars, the main title continues to surprise me. I know I’ve said it before but Jonathan Hickman is a genius, or a mad scientist. One of the two. In this issues we see the repercussions of the shocking end to Issue 4 (no spoilers, just know that it was indeed shocking). We learn more of how God Doom was able to save what fragments of the muti-verse that he did save (with the helm\p of a very special someone). Truly the exploration of how battleworld came to be is fascinating to me. It’s clear that this event was months, no, years in the making. The art by Ribic continues to astound. All in all a great addition to a great series. Rating: 8/10


Starfire #3: Honestly the only reason I got this issue is because I pre-ordered it months ago. I can see why other people like it, it’s just not for me. Rating: 3/10

Descender #6: This issue really fell flat for me. Which is a pity because I’ve really enjoyed the overall series. I hope that Jeff Lemire can turn it around for the next issue. Rating: 5/10


Tales from the pull list (Jul. 8th): A not so Civil, War

Hello revuers! What a good week for comics! Almost everything I picked up was fantastic, which made it difficult for me to decide my pick of the week. There were also sooooo many books that came out that I wanted that I had to put back  couple to wait until payday. There were several good Secret Wars titles as well and some Indie titles that really kicked butt. So lets jump right in on this massive New Comic Book Day!

Pick of the Week

Civil War #1: This story is written by Charles Soule with art from Leinil Francis Yu, Gerry Alanguilan, and Sunny Gho. The story picks up during the ending events of Marvels first Civil War event. Only this time instead of the war ending in the prison, there was an accident that further divided the two factions. This catastrophic event lead to the US being split into two sides The Iron (which is Tony Starks side), and the Blue (Captain Americas side). Not only are the two areas divided geographically (with Cap taking the West and Tony taking the East), but also philosophically. Tonys Iron side is a carefully planned and maintained state with everything having it’s place, and everything ruled very carefully, and Captain Americas side resembling something of an anarchy. The issue jumps some number of years ahead and the war has raged on and on and on. Miriam Sharpe has set up camp between the divide of the two regions and on this day is readying herself for the first negotiations between the two factions in forever. Then things go terribly wrong (don’t they always?). What I really liked about this issue was the world building done by the creative team. Soule wrote an intriguing script with great plot points and character building. The art by Yu, Alanguilan, and Gho really painted a bleak world on the verge of losing hope. I was beyond blown away by this issue and I can’t wait for #2. Rating: 9/10


Star Trek/Green Lantern: The Spectrum War: I purchased this comic for the sole reason of my love for Star trek. I’m not a huge Green Lantern fan, but the prospect of him and Captain Kirk interacting made it a compelling, if risky, purchase. Well, I am glad I took that risk. Fun story, and interesting build up. Not a ton happened in the issue as it served to build up the confrontation in the future, but to see the U.S.S. Enterprise surround by that green energy force field really was a sight to behold. Rating: 6.5/10

Star Wars: Lando #1: Growing up I was a huge Lando fan. So when I found out he was going to have his own series I fanboyed out a bit. This issue did not disappoint. The second issue on this list by Charles Soule, Lando #1 delivered all the typical hijinks you would expect from a Lando Book. There was romance, souve-ness, charm, action, danger, and double-cross, a double double-cross?!?, o and a stolen ship that was owned by the last person you’d want to steal a ship from. What has he got himself into this time? Rating: 7.5/10

Strange Fruit #1 of 4: Strange Fruit is a story of the racially charged Mississippi Delta during what looks like the 20s. The levee in a small town is over flowing and the white folk are expecting the black folk to work double time to fix it. There really aren’t any lovable characters in this series as even the people who are trying to help are doing it for the wrong reasons. The end had a real surprise to it and I won’t ruin it for you, but believe me: It’s big. The art by J.G.Jones is exceptional. They craft very unique looking individuals. You can tell a lot of work went into this series, and if the other three are as good as this one I’ll be happy. Rating: 7/10

Injection #3: Finally some background information so that w can figure out what’s going on! Ellis Shalvey and Bellaire ar one of my favorite creative teams, and so even though the first two issues were secretive and confusing I chose to stay with it. I am glad I did. It turns out this book is a genre bending sci-fi and magic book. With Magic being an outdated idea that still holds sway in a science heavy society. The art is fantastic as per usual and I have to say I got the variant cover and it’s amazing. Buy it if you can! Rating: 7/10

Gotham academy #8: So after last months filler (although still fun) issue, this months offering delves into the meat of the new story arc. Something is happening to the kids at Gotham Academy! There are Bats, and Grave yards, and Love, and awkwardness, and more Maps, and dialogue, and well, you get. Just go buy this issue and preorder everything you can. It’s gold, always has been and I see no reason for it to stop. Rating: 8/10

Descender #5: Here the bots and humes are taking to the planet Gnish to be destroyed in the pits. Well the robots anyways. It turns out that one of the humans may not be all that they appear to be? If you want to know the answer, go buy the book. Lemire does an excellent job of world building again as we are now on the third planet of this star spanning space epic. And he does it all within the course of one issue. The art is as it always is: extraordinary. If you aren’t buying this series you need to ask yourself why? Rating: 7/10

The Amazing Spider-Man: Renew Your Vows #2: The story picks up in a world controlled by Renegade, and the fearful Parkers trying desperately to conceal their powers. It turns out that the little Parker has some Amazing (too much?) abilities of her own. There are cameos by a couple of super powered groups which makes this issue more fun than it appeared to be at the beginning, and a change of costume for our lovable webhead. I am interested to see what role Venom has in this arc as there is a ton of foreshadowing in this issue. Rating: 6/10

1872 #1: This series transports the heroes of the Marvel Universe into the old West of America. And it’s as awesome as it sounds. Steve Rogers is sheriff of a corrupt town who’s mayor is Wilson Fisk. The governor of the region is Roxxon, so already you have a feeling for how corrupt this region is. Rogers wants nothing more than to end the corruption of Fisk and Roxxon, he is even willing to risk his life in the process. There are appearances from Bruce Banner (a tinkerer) and Tony Stark, with illusions to Matt Murdock (who is a lawyer of course), and a surprise villain (who was a perfect choice). I am so excited for issue two. Rating: 8.5/10


Runaways #2: Boring, I couldn’t even get all the way through it. I am very disappointed in this series. I won’t be picking up any more of it.

Starfire #2: Got away from some of the humor that was the best thing about issue 1. The annoying headlines make the book feel convoluted and fractured. I won’t be buying anymore.

-Andrew Horton


Half Year Top 10 List

Hello Revuers! It’s hard to believe that June is upon us! With that the first six months of 2015 are behind us. So now its time to take a look back at our favorite series’ so far. To do so I have once again enlisted the aide of some of my friends! Some headings are clickable so feel free to check out the contributors blogs, they all do an excellent job.

Andrew Horton

The last 6 months have brought a plethora of exciting changes in the big two, and some interesting new series from the Indie side of things. In this list I’ll be breaking down my ten favorite so far:

10. Spidergwen (Marvel)

This would have made it higher on the list if it weren’t for Secret Wars. The first two issues were great, and then it felt like they had to rush what they wanted to do and cut things out. Leaving the last few issues feeling a little hollow. I do love the creative team on this (Jason Latour is a fantastic writer and a true professional, Robbi and Rico combine to make beautiful art), and I am excited for what they have in store for post Secret Wars Gwen.

9. Groot (Marvel)

Fantastic start to a series that has great promise. I am glad it exists in a bubble outside of the events of Secret Wars. Groot is down right adorable, and his (her?) facial expressions really steal the show. I cant wait to see what new hi-jinx will befall Groot in the future.

8. Silver Surfer (Marvel)

Enough can never be said about the fantastic art by the Allreds on this series. They truly take it from being a good comic to being a great comic. That being said this series is also suffering from the events of Secret Wars. The last two or three issues have felt a bit stagnate as if they are just filling time until Hickmans saga comes to a close. It still makes it to this spot on the list, but only because its so dang pretty to look at.

7. Thor (Marvel)

When I first heard there was going to be a female Thor I was excited! I had never been able to get into Thor before because it felt (either justly or unjustly on my part) to me like he was a big brute with a hammer that liked to smash things. Having a change really felt fresh and seemed to open up a whole other dimension for the character. I am happy to report that I was correct. female Thor is one of my favorite major changes to the status quo of all time! Jason Aaron also did a great job of completing a whole arc before Secret Wars began, managing to avoid the pit fall of a couple sires before this one on this list. The art has improved from the first few issues, making this title one of the most well rounded on this list.

6. Secret Wars (Marvel)

Hickmans Avengers and New Avengers saga finally comes to a head. The multiverse is dead and now all that remains is batteworld!!! At the helm is the Lord God Doom. Overall this is a fun event with interesting religious themes peppered through out. Its fun to see different heroes in new ways. The premise is exciting and it feels very well planned out. I am convinces Hickman is a mad genius or exists in a higher plane of sentience than I do.

5. Descender (Image)

Finally we move away from Marvel for number five on this list. Descender is a tale of a futuristic society that has sustained an attack by giant androids. It then scrambles to figure out where they came from and how to defend themselves. The answers lie with a rejected scientist and a small Android boy named Tim. This title feels much like a book that could have been written by Phillip Dick, or George Orwell, or some combination of the two. Its exciting and I cant wait to see what Lemire thinks Androids dream of.

4. Southern Cross (Image)

This is the first title on this list to feature the word Southern in it. This is another Sci-fi adventure, set on a ship. Southern Cross is a bit of a genre blender melding some horror aspects in to the sci-fi story. Personally I love it. I think the setting of a ship in transit lends itself well to a horror element. Through the first 5 issues we are left with more questions than answered questions, with each new issue opening it’s own can of worms. The art is phenomenal and adds a whole other element the the book.

3. Gotham Academy (DC)

The first and only DC title to make my list. It had a bit of a break during DCs Convergence event and just started up again. Still the story telling alone is worthy of the number 3 spot on this list. Cloonan and Fletcher take a rag tag group of kids and turn them into lovable characters that you genuinely feel a connection to (esp. maps). The art is excellent as well, with a heavy digital design and a slight manga influence. the next arc looks to be just as good if not better than the last.

2. The Wicked and the Divine

I really struggled with the top two. Which is funny because the couldn’t be less similar. TWTD is, on the surface, a story of Gods and men and the interactions between them. Beneath the surface it is a cunning social commentary of the way people treat Pop Stars and the emotional repercussions the “Gods” and the “common folk” alike. The art is beyond anything I’ve ever seen. The team of McKelvie and Wilson consistently bring innovative designs and fresh panel work. The coloring is an art in and of it’s self. If you took any of the elements by themselves (story telling, art, colors) they would be fantastic, but this is one case where the whole is greater than the sum of its parts.

1. Southern Bastards

Jason Aaron and Jason Latour have crafted a masterpiece. Its that simple. They consistently toy with the emotions of the reader and in that regard show us that living is a messy thing and hardly anything is as simple as it appears. Except Ribs.

Again, Jason Aaron and Jason Latour have created a masterpiece.


Hasty scribbler on comics and culture // My top ten of the year so far:


The reinvention of Barbara Gordon by the creative team of Brendan Fletcher, Cameron Stewart, and Babs Tarr, is one of the real success stories at DC in recent years. The setting, character, and stories have all been revamped, replaced, or refined and it is much the better for it. Barbara now operates in a world of apps, social media, and public perception, areas that the rest of the Bat-family (and most superhero books) have yet to engage with, and the smart takes on contemporary culture mesh perfectly with the witty and aware writing that permeates the book. Plus Tarr’s art is wonderful.

Bitch Planet

Kelly Sue DeConnick has been writing many great titles recently, but perhaps the best is Bitch Planet. Taking sexploitation and pulp scifi B-movie tropes and reworking them into a powerful feminist message this book is intensely character driven at the same time as developing an intriguing and sophisticated setting and ever so compelling plot.


This globe-trotting martial arts extravaganza from writer Hayden Blackman and artist Mike Del Mundo came to a close earlier this year, but it warrants a mention here due to its genuine brilliance. The writing was tight and inventive, the characterisation was rich and deep, and the art was truly sublime. If you didn’t have a chance to read this when it was coming out then it is well worth picking up in trade; if you like ninjas, beautiful page layouts, ninjas, creative storytelling, or ninjas then you won’t be disappointed.

Gotham Academy

The ‘young Gotham’ sub-brand at DC (that also includes Batgirl and the newly launched Black Canary) is where the best DC titles are coming from right now. Inventing a Hogwarts-esque prep school for the children of Gotham’s high society has paid off with spooky stories, exciting mysteries, and teen drama. This book may be aimed at the YA audience, but the knowing writing from Becky Cloonan and Brendan Fletcher, and the lovely art from Karl Kerschl, make this a rewarding read for everyone else too. It’s fresh and fun and different.

Secret Wars

Several years in the making and coming after a fatiguing run of self-destructive Marvel summer event books it has been a very pleasant surprise to find that this mini-series is actually really good. The Marvel multi-verse has been reshaped with different versions of many classic heroes and stories all existing together on a single patchwork planet under the rule of god himself, Victor Von Doom. As the tie in books (many of which are also great) continue to explore the alternate versions of our heroes the core book has been expertly telling a character driven drama about an impending political upheaval. If you want bombastic universe wide storytelling with every Marvel hero in the mix then this is a very good option.


Much like Batgirl this book has a playful contemporary tone, a kick-ass yet nuanced leading woman, and accessibly delightful art from Stacey Lee. Cindy Moon is an interesting new character in the Spider-family having arrived on the scene in the Spider-Verse event, and she is characterised in the sassy yet vulnerable mold of classic Peter Parker. The core narrative has played with deep issues like abandonment and post-traumatic stress whilst keeping the fast paced hi-jinks coming. There have been a few bumps in the road (including some underwhelming fill-in art) but the central mystery of the book and Cindy herself keep this a compelling read.

Silver Surfer

It feels like I’m constantly talking up how surprising this book has been, but it is worthy of the praise. The pitch, and indeed opening arc, was one of goofy inconsequential science fiction fun with the Surfer and his new pal Dawn, and whilst this book has certainly delivered on the goofy and the fun it has been anything but inconsequential. The story has taken on a wonderfully romantic slant as the Surfer and Dawn have grown to know each other, and this has been followed by some tender, tragic, and touching stuff as the Surfer’s past has caught up with him. The art is tremendous and the story telling is top notch – this is an inventive and rewarding book that I never expected.


This book started strong, very strong, and although the art and colouring remains stunning the central arc has become a little bit directionless. That’s not to say this isn’t worth picking up, in fact it remains a brilliant reinvention of the Spider-Man universe with some great characters in play; Gwen in particular (unsurprisingly) is an exciting and refreshing lead.

They’re Not Like Us

This indie title takes the cliche of many superhero origin stories and uses it to delve into the darker corners of human insecurity. Syd discovers, in the middle of a suicide attempt, that her mental condition is actually a powerful gift, and that there are others like her with whom she can be safe, train, and take action in the world. But rather than use their powers to protect the people that hate and fear them this group are intent on taking what they want and punishing anyone they thing deserves it. This is such an intense, thoughtful, and beautifully drawn book that it might be my favourite of the year; the questions it raises are universal, and the rare answers it offers are ambiguous, complex, and challenging.

All-New X-Men #37

And I’ll finish with a contentious possibly rule breaking choice – I’m not that interested in Brian Michael Bendis’ lukewarm All-New X-Men run, but this one issue was simply so sublime that it stands alone as one of the best books of the year to date. Featuring stunning art and page layouts from Mike Del Mundo, perfect colour work again from Del Mundo working with Marco D’Alfonso, and some career high writing from Bendis this issue tells a very small story exceptionally well. Featuring a cast stripped back to essentially just young Jean Grey and Emma Frost Bendis is still able to work in witty dialogue, subtle character development, intense action, and a positive moral message. This issue does everything right, and for my money it is easily worth 6 issues of many other books

The Burning Blogger of Bedlam


As a long-time Jessica Drew fan (she’s one of my favorite characters),

I was excited as hell for her to have her own, fresh solo title. I

haven’t been disappointed. The first few issues of the Spiderwoman

series have been highly enjoyable, packed with humour and that famous

Jessica Drew wit, good character dynamics, some really well written

cameos (Carol Danvers, Steve Rogers, Silk, Spiderman, Spider-Gwen),

and particularly in Spiderwoman #1 some fascinating settings brought

to life by terrific art and absorbing colours.


In Cindy Moon we have a really rich new character with a substantial

backstory, a well-developed emotional core and a witty repetoire, all

of which makes her both interesting enough and likeable enough to

carry her own series. The first couple of issues of this series, while

not overly elaborate (I’m guessing after ‘Spider-Verse’, no one really

wants ‘overly elaborate’ anyway), do a nice, neat job of establishing

her on her own and getting us into her head-space. This series has a

really vintage sort of feel to it, in the art and in the internal

monologue among other thigs, and Silk comes across as the real female

Spiderman. Addictive.

Uncanny Avengers

Rebooted somewhat after the ‘Axis’ event, I’ve been surprised by how

awesoem this series is so far. For starters, the art is fantastic,

feeling somewhat unique among Marvel titles in its style. But the

character dynamics are interesting too; Rogue is still by far the best

thing in it (making up somewhat for the majorly dull Sam Wilson), but

the still ‘inverted’ (as in good) Sabertooth adds something new to the

mix (even if he is being turned into essentially the new Wolverine),

and Vision is always a top-draw character to focus page-space on. On

top of that, Counter-Earth and the High Evolutionary are more than

adequate settings and themes to return to. Hell, it’s even made Wanda

and Pietro Maximoff enjoyable to read again.

Darth Vader

As psychological subjects for a comic-book go, they don’t come much

richer than the Dark Lord of the Sith, Darth Vader… or the Artist

Formerly Known as Anakin Skywalker. While other characters might be

the most loveable, the coolest, the funniest or the niftiest, Vader is

undeniably the most psychologically complex. He is therefore almsot

the perfect fictional legend to base a comic-book series around, and

this series so far has been suitably compelling.

Star Wars

I told myself that I wasn’t even going to read any of these Star Wars

comics, as I didn’t want to mix two of my loves – Star Wars and Marvel

Comics. But I was kidding myself, because once I saw those covers, I

was drawn like a moth to the light. Set immediately after A New Hope,

this main Star Wars series is just impossible not to get addicted to.

While it offers nothing revelatory, the style and tone is just spot-on

and the story is filling in the gap between A New Hope and the Empire

Strikes Back nicely.

Andy Eschenbach

It’s been an awesome year for Comics so far. The past six months have shown an abundance of creative excellence, wrought with action, change, and intelligence. Even so, it wasn’t hard to pick what I believe to have been the ten best things to have happened in Comics in 2015. What I couldn’t do was narrow it down to single-issues in every case. Most comics just aren’t written that way, so you’ll just have to deal with my favorite runs being listed. Call me what ever you want over it. I’ll still love you.

10. Black Canary

Yes, I’m a grown-ass white dude. Yes, I bought Black Canary. What an exciting and stylish start to a potentially awesome book! Great command of voice and characterization out of Brenden Fletcher, and the fittingly rocky art of Annie Wu becomes a full-on sock to the jaw when combined with Lee Loughridge’s colors. I love that the title character is actually the whole band as much as I love the forming dynamics between them. My only complaint is a common one: DC’s ad placement- particularly the double Twix ad mid-story— is piss poor, and breaks the otherwise great pacing. Still, more issues could only move this title up on my favorites list, as far as I can tell after the first.

9. Silver Surfer 8-12

I imagine books from this run will be all over other people’s lists as well. Particularly issue 11 for it’s great feat of moebius madness. Even beyond that, this tale combines popfantasy strangeness with a love story so honestly human that I can’t help but concur with fellow fans. Slott and the Allreds make a great team, returning to the hidden romance of early Marvel superhero books without fumbling over predictable cliches or sloppy regurgitation. Plus, it’s funny. I’d like to see some longer arcs come from this formula if the title survives the big rebirth and all- but even if it’s left as it stands, it’s been a great run.

8. Uncanny X-Men 28-32

I feel like I’d spoil the story if I really said what I like most about this run. Bendis’s Cyclops- his choices, and the subsequent reactions of his teammates and peers- has me really excited. You won’t see me waving any “Not My Scott Summers” flags. In fact, I think it makes sense that after all this time the guy finally slips up and breaks down, and the looming concern of whether he’ll pull through is what makes this story compelling. You can see the classic X-Dysfunction playing catalyst to Slim’s conflicted state from a multitude of directions as this series nears it’s end. I do wish Bachalo’s action-abilities were more utilized by Bendis- but once that does happen, all the talking heads make perfect sense. There. Spoilers averted.

7. Weirdworld

Being an Extradimensional Barbarian myself, it’s great to finally see representation within the realm of comic books! And who better to pull it off than Jason Aaron and Mike Del Mundo?! This was the book I was most charged up about after the Secret Wars announcement, and the first issue exceeded my expectations. It’s gnarly, action-packed, insane, and gorgeous. The more I write about it, the less I do it any justice. Just great.

6. The Mantle 1 and 2

It’s not the fact that I’ve watched this book come to fruition at semi-close range that makes me love it. It’s the Villain. The Plague is horrifying. Ed Brisson’s treatment of such a juggernaut alone keeps me in waiting, puzzling over his true motivations. Brian Level’s art is as strong as it is adaptable, showing prowess just as readily in scenes of raw violence as in portraits of the mundane. He’s popping heads like grapes on one page, while super-types stop for a burger on another, and in each case there’s just the right energy for believability and effect. Jordan Boyd’s palette follows suit, both subtle and vibrant, giving each page it’s life or death, respectively. I can honestly say that even if I weren’t present for some of the process on this book, I’d be just as ready to read more about the multiple incarnations of The Mantle, and why they’re so viciously hunted by their nemesis. Comics needs more strange Super Hero books like this one. Take note.

5. Daredevil 11 and 12

If the covers from this mini-arc don’t immediately grab you, the content will. It’s going to be sad to see the Waid/Samnee duo off Daredevil soon, and it’s stories like these that kept me engrossed through their awesome run. Within these two particular issues you can find some of the coolest action and cleanest plot twists out of Waid- including a really great car chase(infamous for being difficult to write). I also have to applaud the overall treatment of depression and friendship throughout the entire run. Really well done- and it couldn’t have come across the same way without Samnee’s clarity and finesse. Everything is there that needs to be, nothing is there that doesn’t, and as big as my soft spot for post-modernism is, it’s been refreshing to see a new angle on old school Matt Murdock. Even if it’s a set up for another dive in to darkness for Daredevil, it will make the impact that much more intense.

4. Secret Wars

It’s been called the “Marvel Game of Thrones”, in both critical and praising voices, but even with it’s obvious parallels to the “Song of Ice and Fire” books, this story is strong and envelopingand original. Hickman’s ability to weave arcs is perfectly matched by Ribic’s capacity for drama. Once again, I find myself wanting to spoil everything for the potential new reader in praise of each character and their situation, but I won’t. Just read Secret Wars. God Doom requires it of you.

3. Invisible Republic 1-3

Please, Corrina Bechko and Gabriel Hardaman, show me how a regime will conveniently rewrite history for it’s own benefit! You’re the perfect pair to do it! And once again, Jordan Boyd’s mastery of color drives the mood home on each gritty page. I loved breaking Bad and Blade Runner, but comparing them to this book doesn’t really do it justice. Brave in it’s criticism, excellent in it’s execution, and undeniable in it’s pertinence- I can’t wait to find out where this tale ultimately leads. An exemplary Comics Magazine.

2. Rage of Ultron

Rick Remender successfully ties up his outstanding Superhero epic that started way back in Uncanny X-Force, supplying all the action and drama you need from an Avengers story, while tactfully tackling issues of life and death, creation and responsibility, and ultimately, love. Don’t get me wrong- his punk-rock angle keeps it gnarly and insane at each beat, but this is some real-life shit in fantasy format, given energy and breath by Jerome Opena’s command over the human form- a testament to knowledge and beauty. But don’t read it. Not until you’ve read Remender’s runs on Uncanny X-Force, Secret Avengers, Uncanny Avengers, and the Axis series. Then read it, and try not to cry when you realize that Marvel characters won’t be getting this kind of treatment anymore. You can always pick up a copy of The Black Science or Low if you’re left in wanting.

1. East of West 16-20

EASTOFWEHEHESSSSSST! I though it was over at issue fifteen, and am glad to have been wrong. Never before have I read such a masterful combination of social critique, cultural portrait, and pop-culture madness. It’s illusion and politics, sorcery and tech, cowboys and indians- it’s serious drama and manga at the same time, somehow- all the while unforgivingly shying away from dead tropes in exchange for new and intriguing characterization! Art and writing combine, unabashedly, to both question and promote everything you thought about everything. Hooray for Hickman and Dragotta! And now I’m left in that awkward state, like some skinflint in his underpants, having shown my true feelings for comics this year-so-far. I feel it necessary to further reveal myself by expressing enthusiasm for the rest of the year-to-come. I can’t wait to read more, and with books like Sebela’s “We(l)come back”, Mignola’s “Joe Golem, Occult Detective”, and Burnham’s “E is for Extinction” (featuring the gnarlyness that is Ramon Villalobos’s art), it looks like I’ll be well supplied. I’ll put my pants back on now.

Alright and that does it for this installment. A BIG thank you to the contributors on a job well done.

What’s your top 10 (or 5)? Let us know in the comments!


Tales From The Pull List Jun. 17th: In a (Justice) League of their own

Hello Revuers!  Its that time of the week again. This week there were quite a few comics I was excited about. It turned out not to be as great as j had thought it would be though, as many comics didnt live up to my expectations. I also wanted to let you all know that I will not be posting for the next week or so. I am getting married Saturday and will be on my honeymoon until next saturday. So enjoy the list!

Pick of the Week

Justice League of America #1: Story: Bryan Hitch Art: Bryan Hitch & Wade von Grawbadger In what was otherwise a disappointing week, JLA #1 was a success. I dove right in without a vast knowledge of the DC universe,  and even less about the latest event: convergence. Despite this I was able to follow along without being to confused. The book opens up with the death of superman, or should I say A Superman. Someone, or something, is killing Supermen from across the multiverse,  and only Superman (THE Superman!….?) can stop it. By doing…nothing.A mysterious company summons superman to a meeting to warn/threaten him of what was to come if he didnt protect himself. Hitch did a good job at portraying the JLA (which featured Superman, Batman, Wonder Woman, The Flash, Aquaman, and Green Lantern) as not being to over powered, and making the story interesting. The art job was great as well, Hitch and Grawbadger did a good job of using scale to make panels feel bigger than they were. Overall a good start to the series and I look forward to the next issue.

Rating: 7.5/10


The Fiction #1: a fun start. The art really is what carries this book, but the story is intriguing as well. I am interested in seeing what comes next. Which is always a good sign for a series that just started.

Rating: 6/10

Dr. Fate #1: Another DC title that I really enjoyed this week. I came in with next to no knowledge of Dr. Fate and still enjoyed myself. The art was different than most DC titles, but was similar to that of Constatine Hellblazer, from last week. However, I feel like the art was more successful here and really maintained a consistent tone throughout

Rating: 6.5/10

Black Canary #1: Coming in I had high hopes and expectations for this one. While it was decent, it didnt live up to the hype in my head. The art was good, but not fantastic. The story was ok, however it felt kind of rushed and squeezed together. It could of been just a result of unrealistic expectations from me and for that reason I am going to continue the series.

Rating: 5/10

Southern Bastards #9: This Issue serves as the start of a new story arch. It picks up with the surprise ending of issue 8, and is een through the eyes of the sheriff. Jason & Jason continue to play with my emotions and make me sympathize with horrible individuals. If anything this series has struck home with me that even seemingly terrible people may have a story that can move you to tears.

Rating: 7/10


Martian Manhunter #1: I bought this because I thought I liked the Martian Manhunter as a character. Turns out I was wrong.

Rating: 4/10

Runaways #1: I have not read the original volumes of Runaways. From what ive heard its very different than this. I hope so.

Rating: 3/10

Thors #1: This issue had promise, but didn’t deliver in my opinion. It tried to read like a crime comic, but the only crime I felt was the theft of my $3.99 Rating: 2/10