New Comic Book Day Top 5: Oct. 26th

Hello Revuers! It’s Tuesday which means it’ time for another edition of New Comic Book Day Top 5. Where I pick my top 5 most anticipated books that are coming out this week. This Wednesday looks to be especially exciting with many new series’ starting from major and indie publishers alike. As always feel free to tell me what you think of the list in the comment section below, and please tell us what’s on your pull list. We love to hear from our readers, plus I love finding out about new series’ that people are enjoying. Without further delay, let’s jump right in.

 

5: The Skeptics #1

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The Skeptics is a new series from the fantastic Black Mask Studios features the talents of Tini Howard (Writer) and Devaki Neogi (Artist). The story is summed up as follows: “A stylish, political adventure about a pair of hip, clever teens who fool the world into believing they have superpowers. It is the 1960s. The Russians have the A-bomb, the H-bomb, and now the most terrifying weapon of all: a pair of psychically superpowered young people.” The story then focuses on the heads of the USA military looking to find equivalent super powered beings from America to be on Par with Russia. The preview art for this series looks amazing and the premise promises to be a wild ride.

 

4: Batgirl #4

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Batgirl #4 is a continuation from issue three. Batgirl realizes that she has fallen into the trap set by The Teacher. She realizes that in order to save Kai she will first have to come face to face with this new mysterious villain. Writer Hope Larson has delivered an interesting and compelling plot so far this series. I think the title overall benefit from being on the slower once a month schedule. This allows the artist Rafael Albuquerque and Color Artist Dave McCaig time to really build a beautiful and rich world around Hope Lasron’s world. Batgirl is still one of the best titles from the overall spectacular DC Rebirth initiative.

 

3: The Prowler #1

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Confession from me. I have been a big Spider-Man fan since I was 7. In fact Spider-Man was/is my favorite superhero. The Prowler was also one of my favorite Rouges in his gallery (Mysterio is my favorite [maybe I just really love purple and green color schemes for villains!?]). So when I heard they were planning a Prowler solo series I was pumped. I had already been excited about him getting more of a role in the new (NOW!?) ASM series. Writer Sean Ryan and Artist Jamal Campbell have a lot on their plate but the preview art makes it look like they have delivered. I can’t wait until I can read this one.

 

2: Doctor Strange and the Sorcerers Supreme #1

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This new Dr. Strange series arrives two weeks before the release of the Marvel Studios film. Coincidnece? I think not. Do I care? NO! Robbie Thompson is set to write the series which means it’s going to be fantastic. I love the way he tackled Silk and Spidey, so I can’t wait for him to take on Dr. Strange. The art will be by the amazing Javier Rodriguez, who has recently been on the Spider-Woman series. If there’s one character that I think working on a Spider-Man series before hand would benefit you it would be Sr. Strange. There’s a lot of room for humor and sarcasm just like in Spidey titles. I am also intrigued by the team up aspect of it. The idea of Dr. Strange in a mentoring role is hilarious to me.

 

1: Bloodshot USA #1

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Bloodshot USA comes to us from Valiant Entertainment. It features the all star level talent of Jeff Lemire (writer), Doug Braithwaite (artist) and Brian Reber (Color Art). The story is set in New York where a criminal organization has released a biowarfare weapon that has turned the population of New York into blood thirsty zombie like creature, and it’s up to Bloodshot to ensure the contamination doesn’t spread. This title just sounds like plain fun, shoot em up comics to me with no shortage of action. The preview art looks incredible. Especially the color art work by Harvey nominated color artist supreme Brian Reber (wow, that was quite the run on sentence). I haven’t read too many Valiant series’ but this one looks like a real winner.

 

So there you have it! Did your most anticipated books make the cut? Tell us in the comments below. We would also love to see you list of most anticipated comics!

 

-Andrew Horton

 

 

 

 

New Comic Book Day Top 5: Sept. 7th

Hello Revuers, I hope you had a lovely labor day weekend! We here at Deja.Revue strive to bring you the best in comic book related entertainment, so that means no days off for us. Our newest writer Ian Maxton penned a piece about Stranger Things yesterday that you should check out (after you read this of course). But back to the business at hand, in this article I will present to you the 5 titles I am most excited about, in order. So break out your pencils and get ready to write this down.

 

5: Moon Knight #6

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I enjoyed the previous run of Moon Knight by Warren Ellis, Declan Shalvey and Jordie Bellaire. After they left I had lost interest in this title, until after Secret Wars when I learned that one of my favorite writers, Jeff Lemire, would be taking the helm. The team of Lemire and new artist, starting this issue, Francesco Francavilla kick of a new story line called Incarnations. After a fast and furious first story arc I can’t wait to see what is in store for Moon Knight next. I really like that Lemire is taking Moon Knight back to basics and really focusing on his Dissasociative Identity Disorder (used to be called Multiple personalities disorder), this sets up numerous possibilities and plot points that could be exciting to explore. The cover hon is the Story Thus Far variant cover by Greg Smallwood.

 

4: Boo Worlds Cutest Dog #1

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As I’ve mentioned before I am a sucker for cute things. Yes, I follow Lil’ Bub on Instagram. Yes, I bought the Grumpycat Comic Books. Yes, I watched the Grumpycat Christmas movie….Twice. Yes, I personally loved Bee and Puppycat when it was coming out. Yes, I will be purchasing this title as well. Coming from Dynamite entertainment (the same company that published the Grumpy Cat and Pokey series) is Boo the worlds cutest dog #1 (of 3). It appears as if this series will follow a similar pattern as Bee and Puppycat where each issue will feature several short stories. the inference is made based on the fact that there are numerous writers and artists listed for this issue. But hey! I could be completely wrong about that. I suppose we will have to buy the comic to find out.

 

3: Supergirl #1

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After a sort of lackluster Rebirth issue, the relaunch of Supergirl is out this week! Comic from Writer Steve Orlando and Artist Brian Ching, Spergirl #1 kicks of the ‘REIGN OF THE CYBORG SUPERMAN’story arc. I am interested to see what comes of this arc. I am wondering if they will do sort of a homage to Death of Superman where after he died they had other Supermen come and try to take his place. Including Cyborg Superman. Since the New 52! Superman is dead, this could be a possible direction this series goes. I am fine with that, as long as the keep the focus on Supergirl. I have a lot of faith in Writer Steve Orlando as he penned the excellent Midnighter series during the DCYou initiative. The cover is actually the Bengal Variant cover.

 

2: Nightwing #4

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The new Nightwing series fro writer Tim Seeley and art from Javi Fernandez has been one of my favorites from the Rebirth initiative. First, Nightwing is back in blue which I love. Second, He’s longer a spy but rather a caped crusader again. Lastly, he’s trying to take down the court of Owls from the inside. All of this comes together to form a fact paced and exciting series. Tim Seeley is one of the best writers in the game, combine that with the next level art from Javi Fernandez and you have a serious hit on your hands.

 

1: Batman #6

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Batman #5 was my Pick of the Week last week (check out the review here), and now it’s my most anticipated comic book of this week. Tom King continues to deliver a strong Batman, after a highly acclaimed Batman run by Scott Snyder. King has left his mark on Batman after just 5 issues and made sure that people knew this Batman is different than the Batman that came before him. If you haven’t read the first five issues I recommend you fix that as soon as possible. Spoilers ahead………………………….From what I understand this issue is a stand alone before the Monster Men arc starts in issue 7. That’s why the usual artist, David Finch, is not on interiors this issue. Instead it is Ivan Reis (Cyborg, Justice League). This issue will deal with the psychological fallout of Gotham Girl killing her brother. I predict that Batman will take on a mentor role and try to console Gotham Girl. No matter what though it’s going to be a great issue.

 

So there you have it, our most anticipated books that are coming out tomorrow. Did your most anticipated books make the cut? Tell us in the comments below. We would also love to see you list of most anticipated comics!

Covers of the Week: Aug. 24th

Hello Revuers. Welcome to another edition of Covers of the week. I hope you are enjoying this segment so far. If you are (or aren’t) let us know in the comments below. Thank you! Without further ado let’s jump right in.

 

My favorite cover of the week is Batgirl #2

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This has been the week of Batgirl here at Deja.Revue, first Batgirl #2 was the most anticipated book of the week. Then it was the Pick of the week. Now it’s our regular cover of the week thanks to the spectacular work of Rafael Albuquerque. I love the striking bright colors and the facial expression on Batgirl’s face. The shaping of the figures really conveys a sense of movement and action. The series its self is wonderful and I highly recommend it. I recommend you check out our review of issue 2!

 

My favorite variant cover of the week is Detective Comics #939

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It’s a clean sweep this week for Rafael Albuquerque, whose variant cover for Detective Comics #939 is a true beauty. The silhouette of Batman and Robin with the batcave in the foreground is a work of art. The coloring used is spot on as well as the muted blues really highlight the fantastic artwork by Rafael. The series its self is very interesting Batman family team up that I would highly recommend. Rafael really impressed me this week with his cover work

 

Was your favorite cover on the list? If not tell me what your favorite of the week was in the comment section below!

 

-Andrew

 

Pick of the week (Aug. 24th): Batgirl #2

Batgirl #2

Writer: Hope Larson

Artist: Rafael Albuquerque

Color Art: Dave McCaig

Batgilr #2 was my most looked forward to book of the week in the first ever New Comic Book Day Top 5, and it did not disappoint. Picking up where last issue left off we find Batgirl in Singapore chasing down a purple drone that’s making it’s getaway. Batgirl wonders if this drone is on a secret mission to gather information about her and her traveling partner Kai (whom Batgirl has history with). It turns out that the drone is nothing as Batgirl follows it back to it’s base and it turns out to be operated by a simple pervert. Not quite what Batgirl expected. During the chase scene Batgirl repeats the mantra that the Fruit Bat told her “You can’t see the future when the past is standing in your way”. This comes in to play later in the issue. Batgirl then uses her photographic memory to replay the fight she had with the killer schoolgirl from the previous issue. After playing through that memory a few times she notices a detail that she had previously missed. A tattoo that translates into “pupil” or “student”. Batgirl then wonders what the tattoo means.The following morning she has an awkward and clumsy discussion with Kai, who she realizes she is starting to have feelings for. This leads to one of my favorite pieces of inner dialogue I’ve ever read in a Batgirl comic. The dialogue is Batgirl questioning herself in a vulnerable way, and ending with her saying she needs to see a therapist in a half joking manner. The way Larson writes Batgirl is interesting because there are several moment where we see the vulnerable young adult that Batgirl is, but we also see that even though she is vulnerable (like all of us in the world) that doesn’t make her weak. She doesn’t succumb to the vulnerability, instead she uses it to keep herself grounded and not lose her identity as Barbara Gordon completely to Batgirl.

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In the first issue the whole reason why Batgirl want’s to go to Singapore is to try out for a MMA group called Adapt. Upon inquiring about working out with Adapt she is first mistaken for a ring girl and then informed that they no longer accept female fighters. After her discussion with the receptionist she is told about a different gym that would train her that is owned by a women named May Hao who, we learn, lived in Gotham up until recently when she returned to Singapore. May promptly accepts to train Batgirl and even sets up a fight for the following Friday between her and MMA Wen Lu from China. This acceptance of Batgirl and setting up of a fight for her seems to easy to me. Combine that with the fact that May used to live in Gotham and something smells fishy here. during the fight Batgirl seems to have an upper hand but (gasp) Wen has a tattoo on her arm that matched the one on the Killer school girls arm, noticing this Batgirl is distracted and knocked out by Wen. I fell like there is more to May than meets the eye. Maybe May is the teacher of these students, or maybe she knows more about Batgirl’s secret mission than she is letting on.

Now at the beginning of the review I told you what Batgirl kept repeating from her meeting with the Fruit Bat “”You can’t see the future when the past is standing in your way”, well while Batgirl is training for her fight there is also a montage of a romantic involvement with Kai. While Batgirl is interested in him she is confused as to why. She doesn’t know if it’s because she has a past with him or if it’s because he’s changed. Throughout the issue he trys to show Batgirl how much he’s changed by taking her on a romantic dip in a high rise pool, and telling her he has a real job. The romance of the night won over and Batgirl gave him a kiss. A kiss that she immediately regretted.  All of this just confuses Batgirl more and more. I’d tell you what happened but I don’t want to spoil it for you. So go buy this comic and read it for yourself.

The art in this issue is excellent Albuquerque continues the stylistic elements from issue one. with backgrounds lacking somewhat in detail adding to the over all style of the book. Albuquerque is fantastic at conveying a sense of movement with his characters. During the fighting montage especially. The punches leap off the page and really make you feel like the are moving. Albuquerque often draws close up on faces in order to draw out emotion from their facial expressions. This issue was very successful in that regard. The color art work by Dave McCaig was superb a well. McCaig continued to use solid color backgrounds to help make the figures pop. This technique works especially well during action sequences. McCaig also uses different palettes to evoke a sense of time to the pages. For instance in the scenes set in morning, he uses a lot of greens and blues to convey a sense of beginning. During the romantic rooftop pool scene it’s set in the evening and palettes witches to a more yellow, orange and brown palette to make it appear as though the characters are being bathed in the last light of day.

Overall this issue just works on so many levels. The whole creative team is really jelling well and because of this they have been able to create something that has the potential of being very, very special. Below I have included the two covers the title shipped with.

Rating: 9/10

-Andrew

New Comic Book Day Top 5

Hello Revuers, time for a new segment.  In this segment we will be looking at the top 5 comic books I’m excited about that are coming out on New Comic Book Day. If you aren’t reading these books then do you even comic? Let’s get started:

 

5: Patsy Walker AKA Hellcat #9

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I love this series from Marvel. Kate Leth was a perfect choice to write this series, and Brittany Williams is on art. Color art is provided by Megan Wilson. I have had this series on my pull list since the beginning. Leth, Williams and Wilson provide a cut backdrop for a seriously kick butt character. It’s this juxtaposition between cute and kick butt-ness (is that a word?) that I really love about this series.

 

4: Titans #2

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In issue #1 we learned a little bit about the events directly following DC Rebirth. This makes sense as Wally West is the cog that made DC Rebirth’s machine run. Hopefully in the second issue we get a better picture of where DC is taking Rebirth. The new costume design for several of the characters is spot on. Especially Wally West.Since in Rebirth they are keeping the new New 52 Wally West, old Wally West needed a costume upgrade, and boy did he get one.

 

3: Mighty Morphin Power Rangers Annual #1

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The new Power Rangers series from Boom! comics has been a joy. As a fan of the original series (and Space, and Turbo, and…..well you get the idea) this comic really captures the way that the TV show made me feel. The writing and art for this annual looks amazing from what I’ve seen. The issue itself features several short story’s, in typical annual form. If the cover art is any indication we should be getting hyped for it.

 

2: Flash #5

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‘Lightning Strikes Twice’ part five! Joshua Williamson’s Flash series has been fantastic so far, running circles (sorry) around it’s competition every two weeks it’s released. I have really enjoyed Barry in a mentor/teaching role. It seems to really suit him, and it makes sense that he would transition to that role as the have a young Wally West and an older Wally West. Because of that Barry’s role needs to change out of necessity of his character and out of necessity for older Wally West’s character. The new villain Godspeed is genuinely menacing and his character design is breath taking. I was worried that the fast pace (sorry again) of the releases of this series would cause quality to drop, but it has remained high.

 

1: Batgirl #2

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Batgirl #1 was a fun start to the soft reboot. Hope Larsen brought her own take on Batgirl and took her away from Burnside. This was a smart move on Larsen’s part, a it allows here to put her own stamp in the character. Issue 1 also introduced some exciting new individuals into Batgirl’s life. The art was fantastic, especially the color art by Dave McCaig. I consider myself a color art enthusiast and that issue did not disappoint. If you don’t have this series on your pull list you need to rectify that situation immediately.

 

What comics are on your Pull List? Tell us in the comment section below. We’d love to hear what our followers are reading!

 

-Andrew

Tales From the Pull List (Jul. 27th): A New Hope (Larson)

Hello Revuers. This week marks another big victory for the DC Rebirth initiative. Once again I found my pull dominated by DC comics. I counted and I have purchased more DC comics in the last two month than I did all of last year. What has changed with this initiative? There’s hope. Well that, and the comics have been consistently good across the board. I haven’t read a single title that I didn’t like. This week I have three to review. A bit of a light week for me.

 

Pick of the Week

Batgirl #1: What I disliked most about the New 52 was the grit and darkness. With rebirth there’s hope figuratively, and in the case of Batgirl literally. New writer Hope Larson brings with her a freshness to Barbara and a new direction for the character and title. While the previous volume of Batgirl (worth a read) was set in Burnside, this volume has Batgirl gallivanting across Japan on what she thinks is a vacation. But as we all know, superheros don’t have vacations. Barbara runs into her old childhood friend Kai, when she discovers that he is her roommate at the Hostel she is staying at (what a coincidence). Kai asks Barbara what she is doing in Japan and we learn it’s to meet a childhood hero of hers named Fruit Bat. Fruit Bat was a Japanese superhero from the 20’s who is still alive and lives in Japan with her son. Fruit Bat was Barbara’s idol and she is determined to find and meet her. Barbara and Kai do just that (after a series of hi-jinks and comedic situations). However, upon meeting Fruit Bat a stranger attacks Kai ask vaguely for the “formula”. Batgirl intervene and defends Kai, but she is too slow. The assailant would have gotten away if not for the 104 year old Fruit Bat who proves that she still has the moves. Blocking a thrown ninja star and causing the villain to flee. After the skirmish Fruit Bat collapses and Batgirl rushes to her side. Fruit Bat states that Batgirl needs to let go of her past and find a new teacher. This leads Batgirl to…..MMA? We will find out in the next issue. The creative team is rounded out by artist Rafael Albuquerque and color artist Dave McCaig. The artists bring a creative shift from the previous volume of Batgirl, allowing this new volume to shine in it’s uniqueness. The art from Albuquerque is fantastic, helping the reader gather a real sense of emotion from the facial expressions and creating a sense of motion with great line work. The color from Dave McCaig is high contrast, with many panels featuring bright backgrounds behind earth tone figures. This causes the characters to pop and adds a sense of motion to the art. Rating 8.5/10

 

Buy

The Flash #3: This issue features the emergence of many speedsters in Central City. Not all of them want to be good, as the issue tells us. In fact some want to use their new found powers selfishly. The Flash struggles with what to do with all the new speedsters in the city, as he feels responsible for creating them. As he finds out that the speed force storm that created all the new speedsters was drawn to Central City by him. At the end of the issue we are introduced to a new villain named Godspeed. Who almost August, The Flash’s new sidekick. Unlike all the other new speedsters, Godspeed appears to have some control over his powers. Implying that perhaps these powers aren’t new to him. This issue saw some character development for Wally West and a cameo by Iris West. It also showed August learning and adapting to his powers. The most interesting aspect of the issue though was how much The Flash enjoys being a mentor and enjoys teaching others how to use the Speedforce. With the introduction of more speedsters this role for Barry, mentor and teacher, really solidifies him as the main character of this book.  Rating: 8/10

Nightwing #1: This issue opens up with Nightwing completing a mission for a international version of the Court of Owls. In the Nightwing Rebirth issue we learned that this new court of owls had manipulated Nightwing into working for them by threatening to kill Robin via a bomb that they had implanted into his head. What the Court doesn’t know is that Nightwing was able to remove the bomb, and now is only pretending to work for them in order to learn more about their organization and bring them down from the inside. In this issue we learn that the Court of Owls is unhappy with the results that Nightwing has had the last few missions and have acquired a partner for him. A mysterious new character named Raptor. Nightwing goes to the designated meeting place planning to tell Raptor that he has no interest in a partner, but is promptly beat down by this new character. At the end of the issue Raptor tells Nightwing that everything Batman had taught him was wrong, and that he needed a new mentor. Overall the issue was quick paced and intriguing. Rating:8/10

 

 

-Andrew

Our 50th post: A nostalgia filled trip down memory lane

Hello Revuers, I’m proud to announce that this is our 50th post on Deja.Revue! When I started this site with my roommate back in November of 2014 I couldn’t have anticipated the great response and support from viewers like you. Thanks to die hard comics fan like us, we have grown exponentially over the course of ten months. I could ramble on and on with statistics and numbers and blah blah blah…….but I’d rather just bring you the high quality original content you’ve come to expect from us. Since I’m feeling reminiscent I’ve asked our writers and our guest reviewers to write about their most nostalgic issue or series from their childhood. I’m happy to report that this article turned out to be one of my favorite and I hope its yours too. As usual all names are clickable and you should check out our guest bloggers sites. They are all wonderful. Now, without further delay lets begin our nostalgia filled joyride through our childhoods.

Jerry Caskey

Associate Writer of Deja.Revue


Cloak and Dagger (1­-4)1983
Cloak and Dagger are the most basic opposites, light and dark. This is a common trope, and a simple but solid premise that allows the reader to accept these new characters without bogging down the story with exposition. As the story advances, the characters become more nuanced and interesting. Cloak is darkness. He must feed on the light of humanity to satisfy his cravings or suffer the maddening effects of hunger. If he does not feed, he will begin to consume his own humanity. Where Cloak is darkness and retribution, Dagger is light and forgiveness. She produces pure humanity in the form of daggers. These light daggers act as a jump start to give a person a chance to redeem themselves before Cloak enacts his more permanent form of justice. However, Dagger’s light is limited and thus can not redeem those too far gone nor can it totally satisfy Cloak’s hunger. In addition to seeking out the wicked, Cloak and Dagger must confront their own personal demons. In issue two, Dagger confronts a man whom she slaps across the room and states “My light knives are too good to waste on the likes of you!”. In retrospect she realizes that she acted without compassion. She must learn to control her emotions to give every person equal opportunity for redemption. Cloak begins to perceive himself as a burden on Dagger, causing him to spiral into a state of self­loathing and harm. Eventually banishing himself to the sewers in an attempt to not affect anyone instead of realizing the potential for good that he possesses. So enough about the series, why do I love it so much? Well let me tell you… Cloak is a badass. He is troubled and dark, and essentially everything he says is the basis of a death metal song. For example: “You have chosen your fate, scum of the street. Darkness seeks darkness. Let you soul now scream – as is greets a darkness greater than its own.” “I am shadow. I darkness deeper than any dungeon. I am called Cloak… and I hunger.” “There is only one law, detective, as this murderer of women and children shall soon discover… the law of retribution.” “I am not a man, detective. I am merely a being who exists from one day to the next – locked in a struggle between hunger and appeasing that hunger. But I have learned that if I am ever to again be a man – that hunger must be denied!” But his darkness dissipates in the presence of Dagger’s light. Both Cloak and Dagger deal with issues that I see in myself. The whole series provokes the idea that neither light, nor dark is the answer the the issues of humanity. Rather, it is a balance of good and evil.

Jaythreadbear

Hasty scribbler on comics and culture


Batman: The Long Halloween #1

When I was a much younger geek I followed my older brother into reading comics; my pull list consisting mostly of random Superman stories and Chris Claremont’s sub-X-Men for DC Sovereign Seven. At some point my brother quit comics in spectacular fashion selling off most of his collection and giving away the rest. One book that I was able to salvage from the flames was Batman: The Long Halloween #1. For some reason unknown to me even now it would be another few years until I actually read the thing, but boy when I did was my mind blown. Here was a comic that showed me what comics could really do; that amongst the kapow-action there could be smart plots and shocking surprises, and it could all be delivered with the perfect grace of Tim Sale’s elegant art.

In retrospect it is probably that gorgeous Sale artwork that does a lot of the heavy lifting on an issue by issue basis, keeping things flowing and providing a sublime canvas on which the story is drawn, but I wouldn’t want to do writer Jeph Loeb out of some well-deserved credit either. Sure, when reading the book again the strange choices and dubious pacing are a little more obvious (mostly due to the villain-an-issue structure), but there is still an intrinsic magic to the concept and plot. This is a vision of Batman’s early career that picks up on the oft-quoted but very rarely shown fact that Batman is allegedly the world’s greatest detective and runs with it all the way to the goal line. There are clues and red herrings and mis-directions and it all comes together with a perfectly satisfying conclusion by the time the story is done.

Seeing the last three ‘good’ men in Gotham (Jim Gordon, Harvey Dent, and Batman) come together to instill law, justice, and order makes for a wonderful story and it’s perhaps not surprising that the best Batman movie is built on the same foundation. Speaking of films it is probably fair to say that this is the greatest Godfather comic book out there too, as it draws heavily on the Coppola film visually and the Puzo novel narratively. Again the concept shines through with a unique take on the superhero genre as Loeb takes the decision to examine the fall of traditional crime in Chicago-inspired Gotham as clown princes and other such masked super villains take over the city.

After reading that first issue I was hooked and many anxious shopping trips at local comics fairs and back issue parlours followed. It took me a while to pick up every part of The Long Halloween, but it was well worth all of the searching. Tim Sale has continued to deliver amazing work since then, but the Loeb/Sale partnership never yielded anything quite so perfectly formed (even the sequel Dark Victory lacks a certain something) and I think this would probably be my choice for best Batman story too. For me it remains the quintessential tale of the dark knight; it demonstrates his detective skills as well as his physical prowess, it features his greatest allies and most dangerous villains, it paints a vivid picture of Gotham as a living place and more than just the backdrop to random adventures, and overall it makes for a compelling and beautiful read. Even after all these years and all the comics since this is still how I see the Batman, and for that I am very grateful to Tim Sale and Jeph Loeb.

The burning blogger of Bedlam


Fatal Attractions

When Andrew invited me to do this piece, my first thought was ‘oh,
this is going to be hard to pick’. But then my second thought was ‘oh
wait, no it isn’t!’

Because probably the comic book ‘event’ that has the most sentimental
attachment for me and that also ensured my lifelong status as a
comic-book reader was an event called ‘Fatal Attractions’ in 1993,
which briefly crossed over all the X-Men titles of the time. I had
been reading comics a couple of years by then, and in fact the first
comic-book event that really had been a big deal to me was the
legendary Claremont/Lee ‘X-Men: Mutant Genesis’ storyline from two
years earlier – which would be regarded as the prequel to ‘Fatal
Attractions’. Released in 1991, that had been the event that had
relaunched the entire X-Men mythology and ensured that the X-Men would
become a multi-media sensation and cultural phenomenon in the 1990s
and beyond. That story, which was at the time the farewell masterpiece
of Chris Claremont (who had been so important to the X-Men for so many
years) not only breathed new life into the X-Men but also established
Magneto as the most complex, fascinating ‘villain’ in Marvel Comics.

These first three issues of the then new ‘X-Men’ title told the story
of a reclusive and somewhat retired Magneto being reluctantly drawn
back into the mutant crisis on Earth and once again coming into
conflict with Charles Xavier and the X-Men (after years of having been
‘on the good side’). The story remains probably the greatest ever
exploration of that crucial Magneto/Xavier dynamic that for so long
epitmosed the X-Men mythology, and it all builds to its epic climaxe
in X-Men #3 where Magneto is betrayed and killed by one of his own and
Professor X can only look on helplessly as his friend dies. Both as
the beginning of a new X-Men era and as the sign-off for Chris
Claremont, this was the absolutely perfect story and event. But then
two years later, Magneto ‘returned’ from death (note: he wasn’t
technically dead, it turned out) and we got an even more epic story
and Shakespearean tragedy with ‘Fatal Attractions’.

Even though I’d read some ‘crossover’ events already by then
(Operation Galactic Storm, the Infinity War, etc), there was nothing
that blew away my 13-year-old self more than this X-Men event did.
Crossing Excalibur #71, X-Factor #92, X-Force #25, Uncanny X-Men #304,
X-Men #25 and Wolveirne #75, this storyline set the bar up to a whole
new level. Dealing centrally with the return of Magneto, these comics
were an obsession to me for years. The writing, the character work,
the dynamics, it was all epic.

There were so many unforgettable moments; the funeral of Illyana
Rasputin, the emergence of the character ‘Exodus’, the epic
confrontatino between Magneto and Cable, the defection of Colossus to
Magneto’s side, and of course everything culminating in that
unforgettable showdown between Charles and Magneto in X-Men #25, with
Wolverine getting the adamantium brutally ripped from his body and
Charles breaking all of his ethical codes by psychically assaulting
Magneto and leaving him a braindead vegetable. It was – and still is –
utterly gripping stuff, full of poetry and resonance, as if some great
literary figure was suddenly writing X-Men comics. And godammit, those
bad-ass holograms on each of the covers still hypnotise me every time
I look at them, even twenty years later! The Havok hologram for
X-Factor #92 has to be seen to be believed!

I was about 13 when these comics came out, but I still go weak at the
knees every time I come across them in my old collection. I must’ve
read these issues over the years about as many times as I’ve watched
Empire Stikes Back or Return of the Jedi. They’re that good.

Meta Desi

https://www.facebook.com/meta.desi.comics

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G.I. Joe A Real American Hero #21 (“Silent Interlude”)

I2621479-gi_joe__1982_marvel__21 used to own a copy of this comic and to this day one of my biggest regrets is that I loaned it to a kid I knew and never saw it again.
Written by the legendary Larry Hama who crafted pretty much the entire series of over a hundred and fifty of these books for Marvel and ended up creating some of the most intriguing and definitely ahead of their time (and comic-medium) stories for what was meant to be just an add-on to a toy-line, this book is a prime example of what Hama and Marvel accomplished.
Simply put, this is a comic that has no dialogue.
None. Nada. Zip. Zero.
It starts off with Snake-Eyes (arguably either the coolest or most over-rated Joe ever) silently infiltrating a Cobra fortress in an attempt to rescue his comrade and beloved Scarlett. Meanwhile, in keeping with the less sexist tone of much of the series, Scarlett herself is busy extricating herself from the inside out quite capable – something that seems like nothing special until one considers how such things influence our minds as children and eventually as adults.

tumblr_n289v1meCm1t24dp1o1_1280

Each page was filled with tension and I would be on the edge of my seat each time I read this comic, devouring the artwork on each page as he made his way through, silently taking out guards and even facing down and defeating Storm-Shadow and his ninja’s before making an explosive exit with his target acquired.
I had read none of the other comics and came to possess this in the late 80’s as a little tyke, purely by chance and knew the Joe’s only through the less intense/hard-edged cartoon series. Within these pages though I found a level of intelligent, well thought out and engaging story-telling that would never have been expected and the lack of dialogue and using visuals is a concept that has burned itself into my mind to this day with thus far two of my own published comics being in a similar vein (sans dialogue) and must I admit that until making this list I never truly realised where that interest in purely visual story-telling had been born.

Meet the Press

Hello Revuers! I have breaking news. Our very own Andrew Horton will be at Cincinnati Comic Con on September 12th and 13th.  If you’ve been dying to meet one of the writers behind (hopefully) your favorite comic book blog now is your chance. Andrew will wearing a press pass with Deja.Revue printed on it. Also if you need any more motivation the list of comic creators who will be in attendance is astounding: Cameron Stewart, Brendan Fletcher, Tony Moore, Phil Noto, Brian Ewing, Bill Willingham, Cullen Bunn, Rick Remender, Raw Fawkes…… The list goes on and on. Truly the amount of comic talent they have assembled is staggering. Especially for the very modest ticket cost of $21 for a day pass and $35 for a weekend pass. So if you want to come meet Andrew and talk comics or life for awhile, all while meeting some of the best creators in the game, then go to Cincinnati Comic Con. Here’s a link:

http://www.cincycomicon.com/Welcome.html

Half Year Top 10 List

Hello Revuers! It’s hard to believe that June is upon us! With that the first six months of 2015 are behind us. So now its time to take a look back at our favorite series’ so far. To do so I have once again enlisted the aide of some of my friends! Some headings are clickable so feel free to check out the contributors blogs, they all do an excellent job.

Andrew Horton

The last 6 months have brought a plethora of exciting changes in the big two, and some interesting new series from the Indie side of things. In this list I’ll be breaking down my ten favorite so far:

10. Spidergwen (Marvel)

This would have made it higher on the list if it weren’t for Secret Wars. The first two issues were great, and then it felt like they had to rush what they wanted to do and cut things out. Leaving the last few issues feeling a little hollow. I do love the creative team on this (Jason Latour is a fantastic writer and a true professional, Robbi and Rico combine to make beautiful art), and I am excited for what they have in store for post Secret Wars Gwen.

9. Groot (Marvel)

Fantastic start to a series that has great promise. I am glad it exists in a bubble outside of the events of Secret Wars. Groot is down right adorable, and his (her?) facial expressions really steal the show. I cant wait to see what new hi-jinx will befall Groot in the future.

8. Silver Surfer (Marvel)

Enough can never be said about the fantastic art by the Allreds on this series. They truly take it from being a good comic to being a great comic. That being said this series is also suffering from the events of Secret Wars. The last two or three issues have felt a bit stagnate as if they are just filling time until Hickmans saga comes to a close. It still makes it to this spot on the list, but only because its so dang pretty to look at.

7. Thor (Marvel)

When I first heard there was going to be a female Thor I was excited! I had never been able to get into Thor before because it felt (either justly or unjustly on my part) to me like he was a big brute with a hammer that liked to smash things. Having a change really felt fresh and seemed to open up a whole other dimension for the character. I am happy to report that I was correct. female Thor is one of my favorite major changes to the status quo of all time! Jason Aaron also did a great job of completing a whole arc before Secret Wars began, managing to avoid the pit fall of a couple sires before this one on this list. The art has improved from the first few issues, making this title one of the most well rounded on this list.

6. Secret Wars (Marvel)

Hickmans Avengers and New Avengers saga finally comes to a head. The multiverse is dead and now all that remains is batteworld!!! At the helm is the Lord God Doom. Overall this is a fun event with interesting religious themes peppered through out. Its fun to see different heroes in new ways. The premise is exciting and it feels very well planned out. I am convinces Hickman is a mad genius or exists in a higher plane of sentience than I do.

5. Descender (Image)

Finally we move away from Marvel for number five on this list. Descender is a tale of a futuristic society that has sustained an attack by giant androids. It then scrambles to figure out where they came from and how to defend themselves. The answers lie with a rejected scientist and a small Android boy named Tim. This title feels much like a book that could have been written by Phillip Dick, or George Orwell, or some combination of the two. Its exciting and I cant wait to see what Lemire thinks Androids dream of.

4. Southern Cross (Image)

This is the first title on this list to feature the word Southern in it. This is another Sci-fi adventure, set on a ship. Southern Cross is a bit of a genre blender melding some horror aspects in to the sci-fi story. Personally I love it. I think the setting of a ship in transit lends itself well to a horror element. Through the first 5 issues we are left with more questions than answered questions, with each new issue opening it’s own can of worms. The art is phenomenal and adds a whole other element the the book.

3. Gotham Academy (DC)

The first and only DC title to make my list. It had a bit of a break during DCs Convergence event and just started up again. Still the story telling alone is worthy of the number 3 spot on this list. Cloonan and Fletcher take a rag tag group of kids and turn them into lovable characters that you genuinely feel a connection to (esp. maps). The art is excellent as well, with a heavy digital design and a slight manga influence. the next arc looks to be just as good if not better than the last.

2. The Wicked and the Divine

I really struggled with the top two. Which is funny because the couldn’t be less similar. TWTD is, on the surface, a story of Gods and men and the interactions between them. Beneath the surface it is a cunning social commentary of the way people treat Pop Stars and the emotional repercussions the “Gods” and the “common folk” alike. The art is beyond anything I’ve ever seen. The team of McKelvie and Wilson consistently bring innovative designs and fresh panel work. The coloring is an art in and of it’s self. If you took any of the elements by themselves (story telling, art, colors) they would be fantastic, but this is one case where the whole is greater than the sum of its parts.

1. Southern Bastards

Jason Aaron and Jason Latour have crafted a masterpiece. Its that simple. They consistently toy with the emotions of the reader and in that regard show us that living is a messy thing and hardly anything is as simple as it appears. Except Ribs.

Again, Jason Aaron and Jason Latour have created a masterpiece.

Jaythreadbear

Hasty scribbler on comics and culture // My top ten of the year so far:

Batgirl

The reinvention of Barbara Gordon by the creative team of Brendan Fletcher, Cameron Stewart, and Babs Tarr, is one of the real success stories at DC in recent years. The setting, character, and stories have all been revamped, replaced, or refined and it is much the better for it. Barbara now operates in a world of apps, social media, and public perception, areas that the rest of the Bat-family (and most superhero books) have yet to engage with, and the smart takes on contemporary culture mesh perfectly with the witty and aware writing that permeates the book. Plus Tarr’s art is wonderful.

Bitch Planet

Kelly Sue DeConnick has been writing many great titles recently, but perhaps the best is Bitch Planet. Taking sexploitation and pulp scifi B-movie tropes and reworking them into a powerful feminist message this book is intensely character driven at the same time as developing an intriguing and sophisticated setting and ever so compelling plot.

Elektra

This globe-trotting martial arts extravaganza from writer Hayden Blackman and artist Mike Del Mundo came to a close earlier this year, but it warrants a mention here due to its genuine brilliance. The writing was tight and inventive, the characterisation was rich and deep, and the art was truly sublime. If you didn’t have a chance to read this when it was coming out then it is well worth picking up in trade; if you like ninjas, beautiful page layouts, ninjas, creative storytelling, or ninjas then you won’t be disappointed.

Gotham Academy

The ‘young Gotham’ sub-brand at DC (that also includes Batgirl and the newly launched Black Canary) is where the best DC titles are coming from right now. Inventing a Hogwarts-esque prep school for the children of Gotham’s high society has paid off with spooky stories, exciting mysteries, and teen drama. This book may be aimed at the YA audience, but the knowing writing from Becky Cloonan and Brendan Fletcher, and the lovely art from Karl Kerschl, make this a rewarding read for everyone else too. It’s fresh and fun and different.

Secret Wars

Several years in the making and coming after a fatiguing run of self-destructive Marvel summer event books it has been a very pleasant surprise to find that this mini-series is actually really good. The Marvel multi-verse has been reshaped with different versions of many classic heroes and stories all existing together on a single patchwork planet under the rule of god himself, Victor Von Doom. As the tie in books (many of which are also great) continue to explore the alternate versions of our heroes the core book has been expertly telling a character driven drama about an impending political upheaval. If you want bombastic universe wide storytelling with every Marvel hero in the mix then this is a very good option.

Silk

Much like Batgirl this book has a playful contemporary tone, a kick-ass yet nuanced leading woman, and accessibly delightful art from Stacey Lee. Cindy Moon is an interesting new character in the Spider-family having arrived on the scene in the Spider-Verse event, and she is characterised in the sassy yet vulnerable mold of classic Peter Parker. The core narrative has played with deep issues like abandonment and post-traumatic stress whilst keeping the fast paced hi-jinks coming. There have been a few bumps in the road (including some underwhelming fill-in art) but the central mystery of the book and Cindy herself keep this a compelling read.

Silver Surfer

It feels like I’m constantly talking up how surprising this book has been, but it is worthy of the praise. The pitch, and indeed opening arc, was one of goofy inconsequential science fiction fun with the Surfer and his new pal Dawn, and whilst this book has certainly delivered on the goofy and the fun it has been anything but inconsequential. The story has taken on a wonderfully romantic slant as the Surfer and Dawn have grown to know each other, and this has been followed by some tender, tragic, and touching stuff as the Surfer’s past has caught up with him. The art is tremendous and the story telling is top notch – this is an inventive and rewarding book that I never expected.

Spider-Gwen

This book started strong, very strong, and although the art and colouring remains stunning the central arc has become a little bit directionless. That’s not to say this isn’t worth picking up, in fact it remains a brilliant reinvention of the Spider-Man universe with some great characters in play; Gwen in particular (unsurprisingly) is an exciting and refreshing lead.

They’re Not Like Us

This indie title takes the cliche of many superhero origin stories and uses it to delve into the darker corners of human insecurity. Syd discovers, in the middle of a suicide attempt, that her mental condition is actually a powerful gift, and that there are others like her with whom she can be safe, train, and take action in the world. But rather than use their powers to protect the people that hate and fear them this group are intent on taking what they want and punishing anyone they thing deserves it. This is such an intense, thoughtful, and beautifully drawn book that it might be my favourite of the year; the questions it raises are universal, and the rare answers it offers are ambiguous, complex, and challenging.

All-New X-Men #37

And I’ll finish with a contentious possibly rule breaking choice – I’m not that interested in Brian Michael Bendis’ lukewarm All-New X-Men run, but this one issue was simply so sublime that it stands alone as one of the best books of the year to date. Featuring stunning art and page layouts from Mike Del Mundo, perfect colour work again from Del Mundo working with Marco D’Alfonso, and some career high writing from Bendis this issue tells a very small story exceptionally well. Featuring a cast stripped back to essentially just young Jean Grey and Emma Frost Bendis is still able to work in witty dialogue, subtle character development, intense action, and a positive moral message. This issue does everything right, and for my money it is easily worth 6 issues of many other books

The Burning Blogger of Bedlam

Spiderwoman

As a long-time Jessica Drew fan (she’s one of my favorite characters),

I was excited as hell for her to have her own, fresh solo title. I

haven’t been disappointed. The first few issues of the Spiderwoman

series have been highly enjoyable, packed with humour and that famous

Jessica Drew wit, good character dynamics, some really well written

cameos (Carol Danvers, Steve Rogers, Silk, Spiderman, Spider-Gwen),

and particularly in Spiderwoman #1 some fascinating settings brought

to life by terrific art and absorbing colours.

Silk

In Cindy Moon we have a really rich new character with a substantial

backstory, a well-developed emotional core and a witty repetoire, all

of which makes her both interesting enough and likeable enough to

carry her own series. The first couple of issues of this series, while

not overly elaborate (I’m guessing after ‘Spider-Verse’, no one really

wants ‘overly elaborate’ anyway), do a nice, neat job of establishing

her on her own and getting us into her head-space. This series has a

really vintage sort of feel to it, in the art and in the internal

monologue among other thigs, and Silk comes across as the real female

Spiderman. Addictive.

Uncanny Avengers

Rebooted somewhat after the ‘Axis’ event, I’ve been surprised by how

awesoem this series is so far. For starters, the art is fantastic,

feeling somewhat unique among Marvel titles in its style. But the

character dynamics are interesting too; Rogue is still by far the best

thing in it (making up somewhat for the majorly dull Sam Wilson), but

the still ‘inverted’ (as in good) Sabertooth adds something new to the

mix (even if he is being turned into essentially the new Wolverine),

and Vision is always a top-draw character to focus page-space on. On

top of that, Counter-Earth and the High Evolutionary are more than

adequate settings and themes to return to. Hell, it’s even made Wanda

and Pietro Maximoff enjoyable to read again.

Darth Vader

As psychological subjects for a comic-book go, they don’t come much

richer than the Dark Lord of the Sith, Darth Vader… or the Artist

Formerly Known as Anakin Skywalker. While other characters might be

the most loveable, the coolest, the funniest or the niftiest, Vader is

undeniably the most psychologically complex. He is therefore almsot

the perfect fictional legend to base a comic-book series around, and

this series so far has been suitably compelling.

Star Wars

I told myself that I wasn’t even going to read any of these Star Wars

comics, as I didn’t want to mix two of my loves – Star Wars and Marvel

Comics. But I was kidding myself, because once I saw those covers, I

was drawn like a moth to the light. Set immediately after A New Hope,

this main Star Wars series is just impossible not to get addicted to.

While it offers nothing revelatory, the style and tone is just spot-on

and the story is filling in the gap between A New Hope and the Empire

Strikes Back nicely.

Andy Eschenbach

It’s been an awesome year for Comics so far. The past six months have shown an abundance of creative excellence, wrought with action, change, and intelligence. Even so, it wasn’t hard to pick what I believe to have been the ten best things to have happened in Comics in 2015. What I couldn’t do was narrow it down to single-issues in every case. Most comics just aren’t written that way, so you’ll just have to deal with my favorite runs being listed. Call me what ever you want over it. I’ll still love you.

10. Black Canary

Yes, I’m a grown-ass white dude. Yes, I bought Black Canary. What an exciting and stylish start to a potentially awesome book! Great command of voice and characterization out of Brenden Fletcher, and the fittingly rocky art of Annie Wu becomes a full-on sock to the jaw when combined with Lee Loughridge’s colors. I love that the title character is actually the whole band as much as I love the forming dynamics between them. My only complaint is a common one: DC’s ad placement- particularly the double Twix ad mid-story— is piss poor, and breaks the otherwise great pacing. Still, more issues could only move this title up on my favorites list, as far as I can tell after the first.

9. Silver Surfer 8-12

I imagine books from this run will be all over other people’s lists as well. Particularly issue 11 for it’s great feat of moebius madness. Even beyond that, this tale combines popfantasy strangeness with a love story so honestly human that I can’t help but concur with fellow fans. Slott and the Allreds make a great team, returning to the hidden romance of early Marvel superhero books without fumbling over predictable cliches or sloppy regurgitation. Plus, it’s funny. I’d like to see some longer arcs come from this formula if the title survives the big rebirth and all- but even if it’s left as it stands, it’s been a great run.

8. Uncanny X-Men 28-32

I feel like I’d spoil the story if I really said what I like most about this run. Bendis’s Cyclops- his choices, and the subsequent reactions of his teammates and peers- has me really excited. You won’t see me waving any “Not My Scott Summers” flags. In fact, I think it makes sense that after all this time the guy finally slips up and breaks down, and the looming concern of whether he’ll pull through is what makes this story compelling. You can see the classic X-Dysfunction playing catalyst to Slim’s conflicted state from a multitude of directions as this series nears it’s end. I do wish Bachalo’s action-abilities were more utilized by Bendis- but once that does happen, all the talking heads make perfect sense. There. Spoilers averted.

7. Weirdworld

Being an Extradimensional Barbarian myself, it’s great to finally see representation within the realm of comic books! And who better to pull it off than Jason Aaron and Mike Del Mundo?! This was the book I was most charged up about after the Secret Wars announcement, and the first issue exceeded my expectations. It’s gnarly, action-packed, insane, and gorgeous. The more I write about it, the less I do it any justice. Just great.

6. The Mantle 1 and 2

It’s not the fact that I’ve watched this book come to fruition at semi-close range that makes me love it. It’s the Villain. The Plague is horrifying. Ed Brisson’s treatment of such a juggernaut alone keeps me in waiting, puzzling over his true motivations. Brian Level’s art is as strong as it is adaptable, showing prowess just as readily in scenes of raw violence as in portraits of the mundane. He’s popping heads like grapes on one page, while super-types stop for a burger on another, and in each case there’s just the right energy for believability and effect. Jordan Boyd’s palette follows suit, both subtle and vibrant, giving each page it’s life or death, respectively. I can honestly say that even if I weren’t present for some of the process on this book, I’d be just as ready to read more about the multiple incarnations of The Mantle, and why they’re so viciously hunted by their nemesis. Comics needs more strange Super Hero books like this one. Take note.

5. Daredevil 11 and 12

If the covers from this mini-arc don’t immediately grab you, the content will. It’s going to be sad to see the Waid/Samnee duo off Daredevil soon, and it’s stories like these that kept me engrossed through their awesome run. Within these two particular issues you can find some of the coolest action and cleanest plot twists out of Waid- including a really great car chase(infamous for being difficult to write). I also have to applaud the overall treatment of depression and friendship throughout the entire run. Really well done- and it couldn’t have come across the same way without Samnee’s clarity and finesse. Everything is there that needs to be, nothing is there that doesn’t, and as big as my soft spot for post-modernism is, it’s been refreshing to see a new angle on old school Matt Murdock. Even if it’s a set up for another dive in to darkness for Daredevil, it will make the impact that much more intense.

4. Secret Wars

It’s been called the “Marvel Game of Thrones”, in both critical and praising voices, but even with it’s obvious parallels to the “Song of Ice and Fire” books, this story is strong and envelopingand original. Hickman’s ability to weave arcs is perfectly matched by Ribic’s capacity for drama. Once again, I find myself wanting to spoil everything for the potential new reader in praise of each character and their situation, but I won’t. Just read Secret Wars. God Doom requires it of you.

3. Invisible Republic 1-3

Please, Corrina Bechko and Gabriel Hardaman, show me how a regime will conveniently rewrite history for it’s own benefit! You’re the perfect pair to do it! And once again, Jordan Boyd’s mastery of color drives the mood home on each gritty page. I loved breaking Bad and Blade Runner, but comparing them to this book doesn’t really do it justice. Brave in it’s criticism, excellent in it’s execution, and undeniable in it’s pertinence- I can’t wait to find out where this tale ultimately leads. An exemplary Comics Magazine.

2. Rage of Ultron

Rick Remender successfully ties up his outstanding Superhero epic that started way back in Uncanny X-Force, supplying all the action and drama you need from an Avengers story, while tactfully tackling issues of life and death, creation and responsibility, and ultimately, love. Don’t get me wrong- his punk-rock angle keeps it gnarly and insane at each beat, but this is some real-life shit in fantasy format, given energy and breath by Jerome Opena’s command over the human form- a testament to knowledge and beauty. But don’t read it. Not until you’ve read Remender’s runs on Uncanny X-Force, Secret Avengers, Uncanny Avengers, and the Axis series. Then read it, and try not to cry when you realize that Marvel characters won’t be getting this kind of treatment anymore. You can always pick up a copy of The Black Science or Low if you’re left in wanting.

1. East of West 16-20

EASTOFWEHEHESSSSSST! I though it was over at issue fifteen, and am glad to have been wrong. Never before have I read such a masterful combination of social critique, cultural portrait, and pop-culture madness. It’s illusion and politics, sorcery and tech, cowboys and indians- it’s serious drama and manga at the same time, somehow- all the while unforgivingly shying away from dead tropes in exchange for new and intriguing characterization! Art and writing combine, unabashedly, to both question and promote everything you thought about everything. Hooray for Hickman and Dragotta! And now I’m left in that awkward state, like some skinflint in his underpants, having shown my true feelings for comics this year-so-far. I feel it necessary to further reveal myself by expressing enthusiasm for the rest of the year-to-come. I can’t wait to read more, and with books like Sebela’s “We(l)come back”, Mignola’s “Joe Golem, Occult Detective”, and Burnham’s “E is for Extinction” (featuring the gnarlyness that is Ramon Villalobos’s art), it looks like I’ll be well supplied. I’ll put my pants back on now.

Alright and that does it for this installment. A BIG thank you to the contributors on a job well done.

What’s your top 10 (or 5)? Let us know in the comments!

End of the first quarter top 5 list from the writers at deja.revue + friends!

Hello Revuers! Hard to believe that it’s April already. That means that the first quarter for comics this year has drawn (all puns intended, as per usual) to an end. With that we are proud to bring you a top 5 list of our favorite comics, and we invited some friends to do the same.The headers are clickable and lead to that persons blog. I strongly recommend that you check out each and every one of our contributors blogs, they are all fantastic. This article can be your one stop destination for the top comics of the year so far. If you are new and looking for a place to start in comics or a seasoned vet interested in branching,out this article has something for everyone. The big two, Image, indie start-ups, we have it all! So buckle your seat belts and get ready for a XXXXL pizza size worth of information given to you in manageable bite size pieces.

Andrew Horton 

5. Silver Surfer (Writer: Dan Slott, Art: Michael Allred & Laura Allred, Publisher: Marvel)

Silver Surfer is a fun tale that sets to humanize the ex-herald of Galactus. The story telling by Slott is fun and there is a nice dynamic between the Surfer and his human companion Dawn. Dawn really humanizes the surfer in ways I had never seen before and makes the series fun to read. The art by Allred is fantastic. An homage to the more cartoonish art of a by gone era. Together Slott and Allred have put together an intriguing and entertaining series.

4. Spider-Gwen (Writer: Jason Latour, Art: Robbi Rodriguez & Rico Renzi, Publisher: Marvel)

Spider-Gwen was my favorite new character from last year (you can read about that here), so I was excited to here she was getting her own series. I was even more excited when I learned that the same stellar creative team that was behind her 1st appearance would be in charge of her ongoing series. Despite the hype that I had built up in the months between November and its eventual release in February Spider-Gwen did not disappoint. Latour, Rodriguez, and Renzi give us a spider hero that we can relate to and feel for, and I can’t get enough.

3. Southern Bastards (Writer: Jason Aaron, Art: Jason Latour, Publisher: Image)

What.The.Heck. But he is/was the bad guy? Aaron and Latour craft an emotional roller coaster of a ride in this series. The whole second arc has left me unsure of who I should root for, and who I feel for. I am seriously loving the real life narrative and feel of this book. “Bad” guys have a story too, and I am glad that Aaron and Latour have decided to explore it.

2. Gotham Academy (Writer: Becky Cloonan & Brenden Fletcher, Art:Karl Kercshl)

Cloonan, Fletcher, and Kerschl have brought together a rag-tag group of teenagers (and one preteen) and turned them into the most interesting and lovable group in comics. The dynamic that they have created between the characters just works and I look forward to each and every issue that comes out. The art work is fantastic as well with Kerchl creating a world that is both realistic and surreal all at once. The lighting and shading choices really make the scenes pop and gives the reader a sense of time passing in the book. Overall an amazing series.

1. The Wicked + The Divine (Writer: Kieron Gillen, Art: Jamie McKelvie & Matthew Wilson)

The first arc of this book was superb. The second act though? Has been on another level. The subtle (and at times not so subtle) social commentary layered with teen angst and hero-worship really works for me. The art choices By McKelvie and Wilson really make Gillens story stand out. I cannot speak enough about the coloring job that Wilson does on this book. In fact I’ll call it, Wilson is one of the top three colorists in comics today (If you twisted my arm I would also name Bellaire and Renzi). This series is really creative and finds new ways to reinvent its self. For those reasons I feel like this series could be around a long, long time.

Girl-On-Comicbook-World

Girl-on-Comicbook-World is all about discussion, opinion and analysis on everything comic book related from movies to TV to actual comic books. Come have a conversation with me and others in the comments, even if we agree to disagree (don’t worry the conversation is always civil!)

We’re only a few months in and already we’ve had so many amazing comics come out, it’s been hard to choose what the top 5 are. But here we go, here’s my top 5 comics of the year so far:

5. The Wicked + The Divine- The state of society is pretty funny. The way we completely glorify our musicians, and act as if they are our gods is a little ridiculous. And that is exactly what The Wicked + The Divine explores. It’s about a bunch of gods, from different mythologies, who resurrect every 90 years, to live for 2 years on Earth. So when they come back after 90 years, what do they decide to do? Become music sensations of course, makes sense! This comic has continued to be a great little read every month. Especially because it’s through the perspective of this teenage fangirl. Her responses to this insane world full of real life gods, is exactly the response a teenage girl would make to One Direction, because that is the world we’re living in. The writing by Kieron Gillen is funny, quirky and flows perfectly with the great art by Jamie Mckelvie in the series.

4.The Multiversity- Grant Morrison’s brain is insane, I love it! The Multiversity is the perfect concept for Grant Morrison to take on board. Exploring the different worlds of the DC universe, Morrison has done a phenomenal job fleshing out the different Earths and their connection to the larger DC universe. The recent issues of Multiversity have been amazing including the Multiversity Guidebook, Mastermen and Ultra Comics. Obviously this series isn’t for everyone, especially those that don’t enjoy Morrison’s Meta style. Some people have been calling the series pretentious, for its overt Meta criticisms on the superhero genre. But the fact that Morrison can express his opinions on the genre, and what it means to him, in such an imaginative and insane way, makes it worth the read.

3. Saga- Brian K. Vaughn is the man. Y: The Last Man is my favourite non-superhero comic series, and it’s mostly because Brian knows how to write characters. Vaughn is able to make a loveable character, out of even the most morally flawed. Saga has some of the most human characters, which is obviously ironic. Saga, even in its quieter issues, is still some of the best comic work coming out right now. The story itself is great, but what makes Saga so great for me is the way Vaughn writes his characters. Female characters are often a point of criticism when it comes to comic books, but Vaughn is able to realise fully fleshed out, interesting and complex female characters. And not just female characters, all the characters, from the TV-headed Prince to their ghost companion are really well-developed. I’m definitely looking forward to where this series is going in the future, and if the ending will be as depressing as the ending to Y: The Last Man.

2. Ms. Marvel- Getting younger female readers into comics has seemed like a challenge over the last few years. Thankfully Ms. Marvel is doing everything right to not only create a comic that younger female readers can enjoy and relate to, but also creating a comic that everyone can enjoy. From exploring cultural and adolescent issues, to questioning the nature of the hero, Ms. Marvel has really excelled in creating a likeable, fully fleshed out lead. And I have to say, I feel a little inspired every time I read Ms. Marvel, there’s some really great messages in the comic. It’s great that the comic plays off the youth of these characters, giving us a different perspective on what it’s like to be a superhero.

1. Batman- Brian K. Vaughn is the man, but so is Scott Snyder. Snyder and Capullo haven’t released a bad Batman comic yet during their run. Snyder’s mind is nearly as insane as Morrison’s mind, and that’s saying something. Court of Owls, Death of a family, Zero Year, all have been incredible arcs, and with those incredible arcs comes Endgame. Marketed as the Joker story to end all Joker stories, you can see why. The recent issues have sparked quite the conversation online about the Joker’s supposed origin story, and I love that. Everyone’s speculating and discussing this run, and it’s something not many comics are able to do. Snyder’s done some pretty crazy things during his Batman run, and this might be the craziest yet, but I’m definitely looking forward to seeing how things conclude. And now that we’ve seen the Robo-Bat-Bunny costume, I’m really curious to find out what Snyder does to get there. Although Endgame may seem a little whacky right now, and so does the Robo-Bat-Bunny, Snyder has done no wrong in my eyes so far, so I’m trusting that whatever he has come up with, it’s going to be good.

Noisy Geek blog

The term geek has never been a shameful label to me. I have always been geeky, the only problem I’ve had is finding people who are passionate about the same things I am. That’s one of the reasons I started NoisyGeek. I wanted to connect with people and discuss the things I enjoy, whether its books, movies, games or comics. I’m lucky enough to have followers who give me recommendations which has helped me expand my collections and has kept me updating the blog

For me comics are adventures – There is so much variety in the comic verse that I’m never stuck for something new to read. Picking my top 5 was definitely hard but the ones I’ve chosen are comics that I’ve recommended to my friends, colleagues and even strangers I’ve met in comic shops

1. Sex Criminals written by Matt Fraction and illustrated by Chip Zdarsky

I love this series. The main characters Suzie and Jon discover they share the ability to freeze time when they orgasm. In a nutshell they decide to use these powers to rob the bank where Jon works in order to save Suzie’s endangered library.

I’ve seen a couple of pieces by Matt Fraction but Sex Criminals is definitely my favourite so far – from the initial dedication to the end of each issue this had me laughing out loud. The artwork by Zdarsky is beautiful, the colours used really bring the story to life and the “quiet” scenes have been drawn perfectly. It’s not a series for kids but it’s perfect for people who love a good laugh

2. Zombies Hi by Uproar Comics

Uproar Comics have a lot of passion for their work. Zombies Hi is one of my favourites – it’s based in Northern Ireland and is about a community struggling through the Zombie Apocalypse while fighting sectarian division.

There are currently 12 issues available and it clear that the team are going to continue improving with future issues. Although still a relatively indie company they are becoming known for their clever ideas, the way they introduced the colour pages in Zombies Hi was genius. Zombies Hi is definitely unique when compared to other horror series’, an impressive quality in today’s comic verse.

3. Saltire by Diamond Steel Comics

This was the first (and so far only) comic book I’ve come across which focuses on myths and landscapes entirely from Scotland. Saltire is an impressive superhero. He’s big, he’s blue and he’s ginger. Saltire’s sole purpose is to defend the freedom of Scotland and its people and he takes that very seriously.

Although this series is from a small publisher the overall quality is outstanding. The artwork is stunning and the issues themselves have been beautifully created. This is simply an amazing series and one of the finest modern mythology series I’ve read recently

4. Suicide Squad (New 52)

This series has been a firm favourite of mine since I started catching up on issues. Suicide Squad always give plenty of action and general chaos. Harley Quinn is one of my favourite batman characters, it was nice to see her become associated with this. The romantic in me enjoyed the Harley/Deadshot flavour while the gamer in me loved the chaos in each issue.

5. Origin II

Although this is only a 5 parter, it’s one of my favourite Logan comic series. The artwork has been really well done and although the storyline is quite brutal it gives a good insight into Logan’s past.

Reading Origin II has reaffirmed Logan as one of my favourite characters

Jay Threadbear

Jay Threadbear writes hasty scribbles about comic books, films, and television. There’s the occasional think-piece about robots, cybercrime or ninjas, but mostly it’s just about that most important of subjects – superheroes!

Batgirl – Last year’s soft-reboot has really borne fruit this quarter as the opening story arc has come to a smart and exciting resolution. On the surface this book is simply the adventures of a young, hip superhero in a trendy part of Gotham, and that is true, but beneath that the complex plot and sophisticated character work really take this book to the next level. As well as Barbara Gordon making new friends and getting a new costume she is dealing with emotional trauma that defines her as a woman and a hero. And if you want it this book has a wealth of meta-textual elements that speak to the evolution of comic books and the handing over of writing duties between creators. The writing is inventive and the storytelling innovative, and then there is the great art from Babs Tarr.

Gotham Academy – The creative team on this book truly deserve the term ‘creative’ as they continue to write and illustrate a fun, thoughtful, and intriguing teen mystery against the backdrop of Gotham’s fanciest prep-school. The art is simply sublime and the characters are by turns witty, adorable, and defiant. There is an interesting puzzle at the heart of the Academy, but this book is also a great exploration of what it means to be young in the DC universe. As a gateway book from YA fiction to comics this is perfect reading, and as a fun book in general it is equally worthwhile for any reader.

Silk – I read very little of the Spider-Verse event in recent Spider-Man comics (checking in only with the excellent Spider-Gwen and SP//dr) so Cindy Moon was completely new to me when I picked up the first issue of Silk primarily on the quality of the art. I’m glad I did, as this is already a great book. The fact that Cindy brings welcome diversity to the Marvel Universe as a female Asian-American hero is a great thing, and the wonderful part is that this book is funny and compelling in almost every way. Cindy is Peter Parker for the modern age and her charming awkwardness as she grows as a hero is delightful to follow.

Silver Surfer – Mike Allred’s art and the promise of goofy intergalactic hijinks were enough to get me to pick this up when it first started, and initially that pretty much summed up this book – it was fun. In more recent issues though the story from Dan Slott has turned to the Surfer’s dark past, and the narrative focus has progressively shifted to the Surfer’s companion Dawn Greenwood. What started out as a meaningless bit of fun, somehow became one of the most powerful love stories in superhero comics, and it just keeps getting better.

They’re Not Like Us – Writer Eric Stephenson, artist Simon Gane, and colourist Jordie Bellaire have been producing consistently phenomenal work with this series that tells the story of a young woman discovering she has special powers, and the shadowy group that takes her in. With thematic elements from sources as diverse as the X-Men and Girl, Interrupted this is a nuanced character study that matches dark questions about civilisation with a backdrop of subtle demonstrations of other-wordly power. They’re Not Like Us is a rich and mature drama that also features gorgeous visuals from a brilliant art team, and although it may prove a little too pessimistic for some I think it is one of the best books out there right now.

Jerry Caskey

Afterlife with Archie

This one threw me off. I saw Archie (Which I admittedly have never read, so I was working with prejudice) with zombies? Witches? Undead dogs? Have I been so wrong about this series? Well, I can only speak for the Afterlife arc, so that’s what I’ll work with.

This is 100% horror. There is no comfort to be found here. Dead dogs, zombies, pissed off witches, it has everything. I will get the big thing out-of-the-way first: Francavilla is a god among men. His work on this series is nothing short of phenomenal. It is grotesque, but not indulgent. It’s easy to splatter blood everywhere but it takes a real artist to wrench terror from floorboards, hills, trees, handrails… That is not to say that Aguirre-Sacasa is any less important. His writing binds these horrific events together and keeps us moving forward, always wary, always terrified. Together they have designed perhaps the most unexpected hit (personally) I have ever stumbled upon in comics.

The Sandman: Overture

In The Sandman: Overture Neil Gaiman keeps the pace decidedly rubato. This forces the reader to question what curve the story may take next, to rely solely on the comic itself as a guide. Through this, J.H. Williams III depicts a world where everything is new, unknown, yet uncomfortably familiar. Not to leave out Dave Stewart’s brilliant colors, and Tod Klein’s lettering.

My favorite in Overture is issue 4. It seems—even more now than in previous issues—that Gaiman and Williams are challenging each other. Gaiman leaves huge gaps for Williams to carry the story on art alone, and Williams gives Gaiman just enough boxes to fit some traditional dialog, even if those boxes may find themselves upside down or tumbling down the page.

Princess Leia

Princess Leia has always been badass. A princess in title only, this is a woman who craves adventure and takes orders only from herself. Waid and Bellaire band together to bring the story of the most independent character in existence. The most remarkable feature of this series is Mark Waid’s ability to weave a story that lacks nothing in power, and Bellaire’s ability to keep the art personal. Facial features are not defined by rigid black lines, but by variation in color and tone. Backdrops exist to bring the characters closer to the reader. The entire work works towards one goal, to give us a glimpse into what makes the amazing princess operate as she does.

Spider Gwen

Okay, I know. This is probably on every other list here, but this one deserves it. There is so much more to Spider Gwen than Rodriguez’s design for Gwen’s outfit (Which is nothing short of brilliant) and some compelling writing.

Confident, steady, independent, casual. These are not words I would use to describe Gwen Stacy. But she is working on it. Seeking to validate herself as a hero to a city, a girl to her friends, and a woman to her father. As if it isn’t enough pressure to make one’s self legitimate in a world that seems to live in delusion, perpetuated by preconceptions, she must reignite the flame for masked heroes everywhere. Latour, Rodriguez, and Renzi bring together a concise yet fulfilling work that will resonate for years.

Buccaneer Book Reviews

Shiver me e-timbers! Billions o’ blue-blisterin’ digi-barnacles in a thunderin’ typhoon!

Welcome t’ th’ Buccaneer! An imaginary ship that sails yon interwebs as it see’s fit and whose crew explores everythin’ they c’n find, reviewin’ t’all with no fear in their geeky black hearts!

  1. Howard the Duck #1 (Marvel Comics)

Nearly three decades after a disastrous attempt at a big screen blockbuster, the wise-cracking, foul tempered duck is back! With no friends, but lots of Marvel drop-ins and shout-outs, this very first issue proved that Howard may have been down all this time, but he definitely isn’t out!

Dragged into this world through a ‘Nexus of Realities’ Howard must make his way through life in a world he didn’t choose, comprised of ‘hairless apes’, of whom he is not particularly fond. He does so as a Private Duck (ha!) using his uncanny power of common sense and, well, the fact that he is a talking, walking, human sized (if slightly short) duck. Wicked humour, hilariously meta dialogue, exciting hints at future issues and vibrant artwork reminiscent of Warhol and Lichtenstein’s pop art –You know what Lucas, THIS is the duck you were looking for!

 

  1. The Unbeatable Squirrel Girl #1

A truly nutty treat. This was one of the nicest things I read in a long time. Squirrel Girl has been a seriously under rated and under appreciated character in the Marvel universe. Which is kind of strange seeing that she has beaten the holy hell out of some of the toughest and scariest folks in the MU, including Doctor Doom! It’s great to see her get what she deserves – her own issue.

North, Henderson and Renzi have put together an issue, no a series, that exceeds all expectation. Squirrel Girl is off to college, she’s smart, she’s spunky, she’s not all there. It’s the kind of book that anyone, old or young, can enjoy with the utmost delight. It’s something I look forward to having as an entire collection on my shelf.

  1. Return of the Living Deadpool (Marvel Comics)

A series that was so popular, it warranted a sequel… and thus Return of the Living Deadpool was born. Using their ultra zombie powers – Cullen Bunn and Nik Virella have created a b-e-a-utiful sequel of great proportions. The initial run i.e. Night of the living Deadpool was a great series and I enjoyed it quite a bit. It pays homage to classic zombie films and I think it’s a must read.

While I recommend reading Night of the living Deadpool first, you don’t really need to. This is pretty reader friendly and lets you start right here not having to worry too much about reading the original story. This is a lovely blend of horror, drama and comedy. So if you like Wade Wilson or zombies or both…this one is a definite must read.

  1. Multiversity: Slendour Falls (DC Comics)

It’s always great to see a story that spans the multiverse. With Grant Morrison at the reins, it can only have the potential to be great.

With some excellent artwork from the great Jim Lee and Scott Williams, not to mention a storyline that involves Nazis.

Morrisson’s work on delving into the multiverse is fascinating, it really lures the reader in and makes sure you never want to leave. My only problem, and it’s a teeny tiny one, is that there is too much information packed into one issue. These need to be longer. That aside, this is just a great bit of visual candy with an enticing storyline.

  1. The Dying and the Dead #1 (Image comics)

A massacre at a wedding, the theft of ancient artifact, a cult of clones, a people old as time and conspiracies of world domination – while elements of this comic might seem like old news, they combine sublimely in Jonathan Hickman’s masterfully crafted The Dying and the Dead #1. The haggard old war hero may seem like a hackneyed protagonist, but just a few panels with him and I was ready to throw my hat into the ring alongside him, taking up arms once more, to save the woman he loves.

The beautifully complex storyline is cradled in pages full of both hauntingly minimal and breathtakingly intricate artwork – adding further to the dramatic overtones of this hush-hush first issue. Sharp contrasts and sepia tones serve to highlight the tempo and depth of the story, without distracting too far from it. I doubt I’m being overly generous when I say that this comic book is a prime example of the medium being its own art form.